Tag Archives: murderecords

Ep. #270: TUNS

TUNS is the mighty new Halifax/Toronto supergroup featuring Chris Murphy, Matt Murphy, and Mike O’Neill. Chris Murphy has ushered some excellent music into this world, both as the co-curator/co-founder of the murderecords label and as a quarter of one of the world’s finest and most successful rock bands, Sloan. Matt Murphy is an accomplished journalist who has worked for CBC and Vice Canada and is one of the most dynamic musicians and showman anywhere, who’s likely best known for his work in the Super Friendz. Mike O’Neill is a busy and gifted screenwriter and sound engineer for Trailer Park Boys and Black Jesus who has released criminally under-appreciated solo records since disbanding the wonderful indie-rock duo, the Inbreds. So, if it’s not clear already, when it comes to thoughtful pop and rock music trios, this TUNS configuration couldn’t possibly be more top shelf. The band’s self-titled debut record will be out August 26 via Royal Mountain Records and they’ve been playing select shows of late, including an upcoming performance at the Hillside Festival in Guelph on Sunday July 24. I met up with TUNS at the Pho Asian 21 restaurant in Toronto recently and we had a revealing conversation about Mike’s desire for Vietnamese food in Toronto, working with Trailer Park Boys co-creator Mike Clattenburg on a new TV show about a guy who re-locates raccoons, the song “Back Among Friends” and what it captures about TUNS, Zeppelin covers and joy, positive pressure, recycling things and writing new songs, Mike’s inventive bass playing, the writing process and its progress in TUNS, Chris’ songwriting, giving the singer some, the song “Look Who’s Back in Town Again” and various TUNS Easter eggs, the song “Lonely Life” that Mike sings, whomever sings generally wrote it, Mrs. Claus, lyric collaboration, wisdom and experience and democracy, magical harmonies, being in Sloan for 25 years, “Gimme the Keys” and the extreme rarity of Sloan members’ doing solo work, Eric’s Trip and Elevator to Hell, realistic TUNS, being perceived as ‘Halifax Pop’ artists, the Technical University of Nova Scotia, the lawn jam, why Halifax people seem to get along so well, footloose and fancy free, friendly competition, strength and talent, an influence like the Police on a song like “Mind Your Manners,” talking about the band U2, also R.E.M., The Unforgettable Fire, The Joshua Tree, the “Sunday Bloody Sunday” drum beat, Larry Mullen’s parts, filling and leaving space, scrutinizing Chris’ lyrics in TUNS and also in Sloan, self-awareness and self-consciousness, entitlement, purposeful pronouns, new stuff by TUNS will be more like TUNS, thinking about time and relationships, not a throwback, a Golden Girls analogy, too much like Sloan, hits, making music for fun, Royal Mountain Records and the self-titled TUNS LP is out August 26, a world premiere of the song “Back Among Friends,” and then Chris got the cheque.

Related links: tunsmusic.com royalmountainrecords.com vishkhanna.com

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Ep. #159: Carl Newman of the New Pornographers

Carl Newman is a well-respected and gifted pop songwriter who originally hails from Vancouver, British Columbia. Over the past 20 years, he has spearheaded bands like Superconductor and Zumpano, and released highly acclaimed solo records under the name A.C. Newman. While long-respected by peers and critics for his sense of melody and powerful hooks, Newman’s work reached a wider audience at the turn of the century with the emergence of the New Pornographers, a gang of singers and songwriters featuring Neko Case, Destroyer’s Dan Bejar, and Newman among others. Each of the band’s six albums has been called a classic by someone who could spot such things, including their latest LP, 2014’s Brill Bruisers, which, as their highest charting album to date, is their most impactful release since their 2000 debut, Mass Romantic. The New Pornographers are touring behind Brill Bruisers, including stops at London’s Music Hall on Feb. 6 and Guelph’s Hillside Inside festival on Feb. 7. Here, Carl and I talk about when your family gets sick, the measles and Disneyland and the anti-vaccination movement, freedom, science versus pseudoscience, happiness after sadness, preparing for and then having a kid, defining rock and ‘power-pop,’ Big Star and Cheap Trick, staying in the game versus retirement, false cheer, the Neko Case harmony lead on “Champions of Red Wine,” what Dan Bejar’s talking about and how he deals, talking about each other’s songs, being normal and wanting to do nothing, connecting with comedians, the older brother with the music, becoming a performer, working with Sloan and murderecords, how Vancouver music was treated by the rest of Canada 20 years ago, the rapid ascent of the New Pornographers, the future, the song “Hi-Rise,” and then I got my marching orders.

Related links: thenewpornographers.com vishkhanna.com

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Ep. #46: Al Tuck

Al Tuck hails from Charlottetown on beautiful Prince Edward Island in Canada. Over the past 20 years, Tuck has established himself as one of the world’s great songwriters and musicians, quietly releasing one stellar album after the next and earning the respect and admiration of any lyricist and guitarist who hears him. His latest album is Stranger at the Wake and was released by Cameron House Records earlier this year. It was longlisted for the Polaris Music Prize and earned critical accolades elsewhere and brings Tuck to the Halifax Pop Explosion this week. In September, Tuck joined me in-studio at CFRU for a good chat about Guelph, his status as a “cult figure,” his upbringing and early musical influences, his time in Halifax when its music scene was discovered by the international press, his songwriting, his voiceover work in films, his recent prolific streak of albums, the song “That Married Life” and much more.

Related links: altuck.com cameronhouserecords.com halifaxpopexplosion.com vishkhanna.com

al6

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