Hamilton Leithauser returns to discuss growing up in D.C. and being influenced by bands on Dischord Records, working as recording engineer Don Zientara’s assistant at his Inner Ear studio while Fugazi was recording Red Medicine, recalling how Roy Orbison helped him find his singing voice, getting into home recording, having restraint and foresight as a one-man studio band, pondering the tenth anniversary of I Had a Dream That You Were Mine while avoiding nostalgic pats on the back, digging into songs like “The Bride’s Dad” and This Side of the Island’s “What Do I Think,” embracing midlife, how voices like Bob Dylan’s seem imbued with American history, getting into soundtrack and film scoring work, opening for the Strokes, other future plans, and much more.
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Related episodes/links:
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Ep. #1034: Sean Wilentz on Bob Dylan’s ‘Through The Open Window’
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Ep. #935: Elijah Wald on ‘A Complete Unknown’
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Ep. #223: Ian MacKaye & Steve Albini (Part I)
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