Please Support Kreative Kontrol on Patreon

I’m wading into crowdfunding to keep my own show sustainable. If you enjoy the Kreative Kontrol podcast and want to support it with a monthly pledge, please visit patreon.com/kreativekontrol. You can pledge $1 a month, or $4, $10, $30, $50, $100 a month—whatever you like. There are gifts and incentives to pledge but more than anything you can keep this show going. There’s no other revenue stream for this podcast; I’ve been doing it for my own fulfillment and to contribute to culture but it’s time to see if I can generate some kind of salary from all of this work. So, if you appreciate Kreative Kontrol, again, please consider pledging a monthly amount. All of the info you need is at patreon.com/kreativekontrol.

Thanks!

p.s. there are now shirts available to those who pledge at least $10 a month! Visit the Patreon page for details.

Kreative Kontrol t design by Gillian Wilson

Related links: patreon.com/kreativekontrol vishkhanna.com

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Ep. #291: Long Night Reviews 2016 with Aliya Pabani, Freddie Rivas, Jill Krajewski, John Semley, & Laura Hermiston

This episode of Long Night with Vish Khanna was recorded at the Polish Combatants Hall in Toronto, Ontario, as part of the Long Winter festival on Friday December 2, 2016. It was a thoughtful, funny, and fascinating year in review discussion about 2016, featuring some very wise panelists. Aliya Pabani is the host of The Imposter, Canadaland’s arts & culture podcast, and also an artist in her own right. Freddie Rivas is a talented comedian and puppeteer and is well-respected for hosting Rap Battlez in Toronto. Jill Krajewski is a social media producer at Vice and a contributor to Noisey where she’s written notable pieces, including “The Noisey Guide to Making Your Damn Venue Inclusive.” John Semley is a books columnist at the Globe & Mail and the author of This Is A Book About The Kids In The Hall. And Laura Hermiston is the driving force behind the Toronto band Twist whose new album, Spectral, is out now on Buzz Records. Recorded by Dave MacKinnon. Photos by Rick Clifford. Produced by Long Winter and Vish Khanna.

Related links: torontolongwinter.com vishkhanna.com

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Ep. #290: John Semley on The Kids in the Hall

John Semley is a prolific journalist and cultural critic based in Toronto who regularly contributes to the Globe and Mail and Macleans magazine. His obsession with comedy led him to fall in love with true originals in the innovative Canadian troupe, the Kids in the Hall. ECW Press has just published This is a Book About The Kids in the Hall, Semley’s exhaustive and engaging overview of the life and times of Dave Foley, Bruce McCulloch, Kevin McDonald, Mark McKinney, and Scott Thompson, otherwise known, as the Kids in the Hall. Semley and I recently met at his home to discuss Bloordale and a toxic gas event, Scharpling & Wurster at the Mod Club in Toronto, SCTV, phone comedy and radio shows, oblivious characters, The Kids in the Hall and The Simpsons and Mr. Show, adults comedies getting syndicated and then running at like four in the afternoon when kids get home from school, obsession and fandom, being a metal guy, comedy and classic rock, the Prodigy and the Chemical Brothers, metal and hardcore scenes and Alexisonfire in St. Catharines, Constellation Records and Godspeed You! Black Emperor and Neurosis, generalism in a post-taste era, sardonic, contemptuous comedy, surrealism, humour and coping with life, the Kids in the Hall were outcasts, seeing Brain Candy at a movie theatre when he was nine years old, dad issues among the Kids, Mr. Show and irony versus The Kids in the Hall and sincere rage, psychological studies and post-Freudian critical theory, skewering authority figures and conceptions of manhood, cross dressing and female characters, queerness, dad types, rebelling via The Kids in the Hall, idiocy, his 2013 oral history about the Kids for NOW Magazine and its surprising popularity, Toronto the cool, Queen Street West in the mid-1980s, comedy club intimacy and the Rivoli, love comedy discomfort, comedian smugness and aloofness, the interviewer who thinks they’re as funny as the comedian they’re talking to, his entertaining prose in this book, when trying to relate to someone leads to alienation, Shadowy Men on a Shadowy Planet and Lorne Michaels’ pride for the Kids in the Hall, Janeane Garofalo, Dave Foley’s show Spun Out and the Kids’ unique chemistry, Gene Siskel and Roger Ebert reviewing Brain Candy, negative reviews of Death Comes to Town, nothing like the Kids in the Hall, “Screw You, Taxpayer!,” an unauthorized biography, a second book proposal, interviewing ‘Dylanologist’ AJ Weberman, @johnsemley3000, and then John when to hang out with these guys who smoke!

Related links: ecwpress.com john-semley.squarespace.com vishkhanna.com

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Ep. #289: Lonely Parade

Lonely Parade is a fantastic band from Peterborough, Ontario consisting of Augusta Veno on guitar, Anwyn Climenhage on drums, and Charlotte Dempsey on bass. Formed around five years ago, Lonely Parade are childhood friends and excellent musicians who have toured throughout most of eastern Canada three times already, even though Augusta is 21 and Anwyn and Charlotte are both 18 years old. They’ve earned a loyal following based on their sophisticated, heartfelt, and humourous rock songs. Out this past September, No Shade is their third album and one of the finest records of 2016. The Lonely Parade are playing the fifteenth edition of Stay Out of the Mall on Friday December 16 at the Ebar in Guelph. We actually caught up at the CFRU studios when they were in Guelph this past October for an interesting and revealing chat about the ups and downs of living in Peterborough, teenaged touring and travelling, many states, courses and studying, childhood dance classes together, highland dancing and me in a kilt, a knife in my sock, bad dancing and zoo keeping, Riverview Park & Zoo, getting into music at 11 or 12 years old, leap year aging, when Ani’s dad John played drums in the Celtic punk band Mahones who should not be confused with Ramones, drum maintenance, elementary school jazz band with Ani and Charlotte, not slapping the bass, the Inbreds and Label Obscura, Jill Staveley of the Burning Hell and Trent Radio, Dave Ullrich and Zunior, Mike O’Neill’s bass playing, Augusta’s guitar playing and Girls Rock Camp and reconnecting with Ani and Charlotte and high school, piano playing, performing at their parents’ dinner parties, Yesterday’s Socks and math rock, starting the Toxic Markers five or six years ago before becoming Lonely Parade, dark humour, “My Mom Got Hit On at a Punk Show,” CBC Radio 3, Strokes and White Stripes and formative influences, cool parents, the Tragically Hip’s Trouble at the Henhouse, the cold road, a candle in the car, missing keys and Wax Mannequin and the pocket system, fast food, little scenes, Charlotte the organizer, Girls Rock Camp’s purpose and potency, everyday sexism, ageism, the new album No Shade and working with Jose Contreras, progressing as songwriters, writing about things that used to bug them, new songs, highland dancing, a day planner, Puberty Hands and cruisin’, painting and photography and an art collective, the song “Duck Hunt,” and then the parade was a little less lonely.

Related links: thelonelyparade.com vishkhanna.com

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