Please Support Kreative Kontrol on Patreon

I’m wading into crowdfunding to keep my own show sustainable. If you enjoy the Kreative Kontrol podcast and want to support it with a monthly pledge, please visit patreon.com/kreativekontrol. You can pledge $1 a month, or $4, $8, $30, $50, $100 a month—whatever you like. There are gifts and incentives to pledge but more than anything you can keep this show going. There’s no other revenue stream for this podcast; I’ve been doing it for my own fulfillment and to contribute to culture but it’s time to see if I can generate some kind of salary from all of this work. So, if you appreciate Kreative Kontrol, again, please consider pledging a monthly amount. All of the info you need is at patreon.com/kreativekontrol.

Thanks!

Related links: patreon.com/kreativekontrol vishkhanna.com

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Ep. #195: Terra Lightfoot

Terra Lightfoot is a mighty singer, songwriter, and guitarist based in Hamilton, Ontario. Somewhere between soulful folk and catchy rock ‘n’ roll, Lightfoot’s music is acclaimed and earning her a reputation, as a rising star in Canada. Her latest album is Every Time My Mind Runs Wild, it’s out now via Sonic Unyon Records, and she’s touring right across Canada this summer. Terra and I met for a chat recently and so here we discuss Sonic Unyon’s Silverado, home owning, the dead mice, down by the bay in Hamilton, a brewery and an arena and a park, driving to Ya Man! to meet Rita, touring around Hamilton, Lee Reed, Grandad’s Doughnuts, This Ain’t Hollywood, a plant from the Pepper Jack Cafe, Terra’s cousin and my friend Cheryl, meeting on a Go Train to see Weezer, gentrification, crawls, ordering some Ya Man! and not making a scene, The Princess Bride, forgettable journalists, Black Cabbage, Sheezer meets Weezer, getting into guitar where dudes are weird, teenage sexism, adult sexism, feeling othered, singing about Hamilton, a giant cross, classist perceptions of the Hammer, “our product is steel, our business is people,” buildings, cultural anthropology and ethnography, love songs, success, meeting Werner F’s expectations, Canned Heat and the Kinks, life happened, growing up a Lightfoot, duping profs, Scott Bakula’s niece, cornering Gordon Lightfoot, Sundown, Yellowknife and St. John’s, the Pan Am Games, the happy record, the song “Home to You,” and that was it man!

Related links: terralightfoot.com sonicunyon.com vishkhanna.com

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Ep. #194: Will Currie & The Country French

Will Currie & The Country French are a well-respected pop band from Waterloo, Ontario. Together since 2008, their latest album is a relatively sombre one called They Killed Us, which is available via File Under: Music and they’re playing Toronto’s Music Gallery on June 18 and Montreal’s Monument National on June 20. On assignment to write a forthcoming Music School segment for Exclaim! Magazine, I caught up with Will & The CF to discuss things like me sitting at a drum kit to stay out of photographer Dean Palmer’s way, an introductory jam/getting to know you conversation between myself on drums with only one free hand, Will on keys, and bassist Daniel MacPherson, the story behind Will’s jam space in Waterloo, this old house, musical education, the Beatles and Radiohead, Sloan and Rufus Wainwright, being left-handed and never playing guitar, his piano playing style, not being a country band, working with wood, a Korg SV-1, not being a gearhead, all about that Traynor bass, the concept behind They Killed Us and coming-of-age, jamming on “Philadelphia,” the song “No, Nothing,” and then the session was finished.

Related links: thecountryfrench.com exclaim.ca www.deanpalmer.ca vishkhanna.com

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Ep. #193: Angel Olsen

Angel Olsen is an evocative and true singer and songwriter who originally hails from Missouri but now calls North Carolina home. A frequent collaborator of Bonnie “Prince” Billy, as well as the Cairo Gang, Olsen emerged as a solo force with her 2010 debut EP, Strange Cacti and its 2012 full-length follow-up, Half Way Home. Her most recent album is Burn Your Fire for No Witness, which was widely hailed as a masterpiece and the best album of 2014 according to the A.V. Club. The record is available via Jagjaguwar and Olsen is playing select solo shows in Canada, including a NXNE appearance on June 20 in Toronto and Sappyfest in Sackville, New Brunswick on August 1. Here, Angel and I talk about how it’s funny to be called the best, lists and friendships, the year 2014, Dude Incredible by Shellac of North America, forming a band and playing solo, how band arrangements might impact deeply personal creations, working with Will Oldham and the Cairo Gang and leadership, other people’s annoying suggestions, what Burn Your Fire for No Witness might say about Angel’s 26th year, people’s fixation on darkness in her work even though there’s lightness in there, people should be able to sense her sense of humour, comedy jokes, two nuns and an orgasm, funny and mystifying lyrics, where the songs might come from, external perceptions and disappointing media coverage, podcasts are preferable, e-mail interviews too, nosy journalists, early music days for Angel, makeshift audio engineering, Skeeter Davis and the Davis Sisters, busking in St. Louis, early days working with Bonnie ‘Prince’ Billy and Emmett Kelly, people might be popping off too soon, getting into film and filmmaking maybe, writing a book, the movie Paper Moon, the next album is shaping up in some ways, recording everyday, conversations at parties that are presumably about LeBron James, a possible Angel Olsen covers album, working on piano pieces for something, the use value in learning another person’s song, the Everly Brothers and singing like you talk, the song “Iota,” insecurity, and this was fun.

Related links: angelolsen.com vishkhanna.com

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