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News Podcast

Ep. #1114: Stuck

Greg Obis from Stuck is here to discuss their new album Optimizer, following Bob Weston in operating Chicago Mastering Service, his background in audio engineering and an internship he had at Electrical Audio, how Michael Azerrad’s Our Band Could Be Your Life helped him re-assess punk rock, explaining what mixing and mastering is via a cooking analogy, where Stuck comes from, recording Optimizer at Electrical Audio and making use of a 16-string guitar model that Steve Albini had had built for Lee Ranaldo, the Miku Stomp guitar pedal and sound design, pondering big changes and political possibilities, a nod to Big Black, internet frustrations, admiring Liz Pelly, and joining Subvert, shows Stuck played in Edmonton in Calgary this past May (one of which I saw), future plans, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!

Thanks to the BookshelfPlanet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Win You’ve Changed Records by Fiver and G̱amksimoon in July 2026!
Ep. #1092: Weird Nightmare
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Nomeansno (2011)

(Miles Kalchik)
Categories
News Podcast

Ep. #1113: !franklin

Roy Binnion and Brian Sokel from !franklin are here to discuss Go Kid Go [Remastered & Expanded], the Lower Swedish Cabin in Philadelphia, the band’s Canadian connections, the Random Children/!franklin link, Roy’s early entrepreneurship and association with Fred Armisen’s band Trenchmouth, !franklin before Roy joined, why !franklin songs rarely had set lyrics when performed live, the band’s unique, youthful camaraderie and belief in what they were doing, how this new reissue came to be, if they might play shows together again, other future plans, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!

Thanks to the BookshelfPlanet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Win You’ve Changed Records by Fiver and G̱amksimoon in July 2026!
Ep. #932: Tim Heidecker
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Ep. #879: Dead Best
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Categories
News Podcast

Ep. #1105: Hamilton Leithauser

Hamilton Leithauser returns to discuss growing up in D.C. and being influenced by bands on Dischord Records, working as recording engineer Don Zientara’s assistant at his Inner Ear studio while Fugazi was recording Red Medicine, recalling how Roy Orbison helped him find his singing voice, getting into home recording, having restraint and foresight as a one-man studio band, pondering the tenth anniversary of I Had a Dream That You Were Mine while avoiding nostalgic pats on the back, digging into songs like “The Bride’s Dad” and This Side of the Islands “What Do I Think,” embracing midlife, how voices like Bob Dylan’s seem imbued with American history, getting into soundtrack and film scoring work, opening for the Strokes, other future plans, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!

Thanks to Blackbyrd Myoozik, the BookshelfPlanet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Ep. #1085: Richard Reed Parry
Ep. #1034: Sean Wilentz on Bob Dylan’s ‘Through The Open Window’
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