Tag: Shellac

Ep. #1114: Stuck

Post author By vish
Post date July 16, 2026

Greg Obis from Stuck is here to discuss their new album Optimizer, following Bob Weston in operating Chicago Mastering Service, his background in audio engineering and an internship he had at Electrical Audio, how Michael Azerrad’s Our Band Could Be Your Life helped him re-assess punk rock, explaining what mixing and mastering is via a cooking analogy, where Stuck comes from, recording Optimizer at Electrical Audio and making use of a 16-string guitar model that Steve Albini had had built for Lee Ranaldo, the Miku Stomp guitar pedal and sound design, pondering big changes and political possibilities, a nod to Big Black, internet frustrations, admiring Liz Pelly, and joining Subvert, shows Stuck played in Edmonton in Calgary this past May (one of which I saw), future plans, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!

Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

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Win You’ve Changed Records by Fiver and G̱amksimoon in July 2026!
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Nomeansno (2011)

News Podcast

Ep. #1072: Ani DiFranco

Ani DiFranco returns to discuss her new book, The Spirit of Ani: Reflections on Spirituality, Feminism, Music & Freedom, her involvement in establishing the Buffalo, New York arts hub known as Babeville, which is where I last saw Shellac play a show, why Buffalo was fertile ground for an aspiring musician, what prompted her to write this book with Lauren Coyle Rosen, the evolution of her position on God as an entity or name for our collective consciousness, striving for communication and connectedness, pondering fearlessness and perceptions of confidence, living in an age of disembodied music, distinguishing between escapism and transcendence, self-reflection borne of parenting, loving The Telepathy Tapes podcast, working on a soundtrack for a documentary, theatrical projects and her recent stint acting on Broadway, upcoming book events and tour dates, other future plans, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!

Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Ep. #1056: ‘Plenty for All: The Art of Rick Fröberg’ with Sohrab Habibion & Johnny Temple
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Tags acting, akashicbooks, anidifranco, atheism, authenticity, autism, babeville, bobdylan, Broadway, buddhism, buffalo, childrensbooks, christmas, collaborating, communication, confidence, connectedness, conversation, documentary, dogs, doubt, escapism, existence, fawn, fear, fearless, flight, gifted, god, Guelph, guides, hadestown, hinduism, inspiration, johnlennon, laurencoylerosen, light, mardigras, methodacting, multiplicities, music, neworleans, ninthward, nostalgia, nowallsandtherecurringdream, ontario, parenting, punk, reflection, religion, resonantfrequency, selves, sentience, separationsickness, Shellac, soundtrack, spirit, spirituality, stevealbini, streaming, sun, telepathytapes, theatre, theknowing, thespiritofani, Toronto, trance, transcendence, unprecedentedshit, women

News Podcast

Ep. #1061: Pelican

Post author By vish
Post date January 27, 2026

Trevor Shelley de Brauw from Pelican is here to discuss the band’s album, Flickering Resonance, our history of working together because of his role in music publicity, the city of Chicago’s music dynamism, a brief foray into North Carolina farming, how guitar teachers underestimate Ramones songs, seeing significant shows at Fireside Bowl as a teenager, the antagonistic antics of Tusk, where Pelican came from and why its original line-up reunited, why I think every band should break up so they can miss the band and then appreciate it more when it gets back together, temporality and self-awareness, working as a music publicist, the future of Pelican, and much more! A note that since Trevor and I recorded this interview, Run For Cover released a new EP by Pelican called Ascending on January 23, 2026.

Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

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