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Ep. #1139: Giles Martin

Giles Martin is here to discuss his work with the Beatles and the new deluxe reissue of their 1965 album, Rubber Soul, challenges and surprises he encountered delving into the original session tapes and his unique temporal mindset to mixing a sixty-year-old album, how the emotional tenor of a song can influence his technical approach, his history remixing Beatles music including Revolver and Sgt, Pepper’s Lonely Hearts Club Band, why he supposes so many children of the Beatles and from within their orbit have chosen to follow in their parents’ musical footsteps, the Beatles’ desire to make records that sounded as mighty as those by American bands and the conflicts this caused with their own label’s mastering and manufacturing departments, how Frank Sinatra fits into all of this, Martin’s use of machine learning to enhance Beatle recordings and fulfill their original vision, input he receives from Paul McCartney and Ringo Starr, insights about the discovery of the previously unreleased, unknown John Lennon home demo for “Little Girl,” George Harrison trying to teach the Beatles “Think For Yourself,” the increasing humanization of the Beatles, Martin’s preferred music listening format, and much more.

THIS MONTH, EVERY COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!

Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

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(Robert Freeman via Apple Corps)
(Alex Lake)
Categories
News Podcast

Ep. #1114: Stuck

Greg Obis from Stuck is here to discuss their new album Optimizer, following Bob Weston in operating Chicago Mastering Service, his background in audio engineering and an internship he had at Electrical Audio, how Michael Azerrad’s Our Band Could Be Your Life helped him re-assess punk rock, explaining what mixing and mastering is via a cooking analogy, where Stuck comes from, recording Optimizer at Electrical Audio and making use of a 16-string guitar model that Steve Albini had had built for Lee Ranaldo, the Miku Stomp guitar pedal and sound design, pondering big changes and political possibilities, a nod to Big Black, internet frustrations, admiring Liz Pelly, and joining Subvert, shows Stuck played in Edmonton in Calgary this past May (one of which I saw), future plans, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!

Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

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Nomeansno (2011)

(Miles Kalchik)
Categories
News Podcast

Ep. #728: Junior Boys

Jeremy Greenspan discusses the new Junior Boys album, Waiting Game, getting over the virus and life in Hamilton, Ontario, other collaborations, how electronic musicians jam, making a record and a studio with Bob Weston’s help, loudness in mixing, mastering, and the world, eavesdropping for lyrics, touring, other future plans, and much more. Supported by you on Patreon, Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.