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News Podcast

Ep. #1139: Giles Martin

Giles Martin is here to discuss his work with the Beatles and the new deluxe reissue of their 1965 album, Rubber Soul, challenges and surprises he encountered delving into the original session tapes and his unique temporal mindset to mixing a sixty-year-old album, how the emotional tenor of a song can influence his technical approach, his history remixing Beatles music including Revolver and Sgt, Pepper’s Lonely Hearts Club Band, why he supposes so many children of the Beatles and from within their orbit have chosen to follow in their parents’ musical footsteps, the Beatles’ desire to make records that sounded as mighty as those by American bands and the conflicts this caused with their own label’s mastering and manufacturing departments, how Frank Sinatra fits into all of this, Martin’s use of machine learning to enhance Beatle recordings and fulfill their original vision, input he receives from Paul McCartney and Ringo Starr, insights about the discovery of the previously unreleased, unknown John Lennon home demo for “Little Girl,” George Harrison trying to teach the Beatles “Think For Yourself,” the increasing humanization of the Beatles, Martin’s preferred music listening format, and much more.

THIS MONTH, EVERY COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!

Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

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(Robert Freeman via Apple Corps)
(Alex Lake)
Categories
News Podcast

Ep. #1071: Buck 65

Buck 65 makes a rare reappearance to discuss his excellent new album, Do Not Bend, musical brevity, Joe Pernice inspiring him to start an insightful Substack, writing jokes and stories that wind up as rhymes, befriending the late great Biz Markie and hanging out backstage at a Beastie Boys show, meeting Lou Reed but being low key about their creative kinship, acquiring the four-track he once used in the mid-1990s to create new music but also incorporating Ableton, obvious and oblique pop culture references, when you don’t know where the words come from, why it’s healthy to listen to your own work, difficult time signatures for rappers, a loving celebration of vinyl record culture, many future plans, a hidden phone number, and much more.  

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!

Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Ep. #1069: The Messthetics and James Brandon Lewis
Ep. #1068: Sahan Jayasuriya on ‘Don’t Say Please: The Oral History of Die Kreuzen’
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(Roy Belding)
Categories
Podcast

Nomeansno (2011)

On a recent Kreative Kontrol episode, Mark Molnar mentioned his fondness for a radio interview I once conducted with Tom Holliston, John Wright, and Rob Wright from Canada’s greatest band, Nomeansno. And so, here’s that interview, which occurred over breakfast at the By the Way Café in Toronto, Ontario on April 5, 2011. It’s one of my most cherished work life experiences, so thank you again to Nomeansno, whose entire catalogue is now available on streaming services, and Alternative Tentacles is reissuing their catalogue in physical forms too.

To hear this entire conversation, subscribe to Kreative Kontrol on Patreon at the $6 U.S. tier or higher (a reminder that an annual subscription includes a discount compared to a monthly one).

Related episodes/links:

Nomeansno’s Rob Wright (2009)
Ep. #1048: Mark Molnar
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