Categories
News Podcast

Ep. #1097: American Football

Steve Holmes and Steve Lamos from American Football are here to discuss American Football (LP4), the joys of marking final papers by the college students you teach, the story behind the alluring, unsettling drum part in “Man Overboard” and an appreciation for James Bond soundtrack songs, why Lamos left and returned to American Football in recent years, the factual aspects of LP4’s lyrical themes and thoughts on Mike Kinsella’s direct, unadorned vocals, whether my theory that the album flows like a theatrical production has legs, a shoutout to English degrees, working with producer Sonny DiPerri in California and a surprising but very welcome surfing lesson, playing many shows, other future plans, and much more!

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!

Thanks to Blackbyrd Myoozik, the BookshelfPlanet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Win an American Football Vinyl Bundle + a Mug in May/June 2026!
Ep. #1083: Rheostatics
Ep. #1075: Bill Frisell
Ep. #1069: The Messthetics and James Brandon Lewis
Ep. #1052: Sleepytime Trio
Ep. #1034: Sean Wilentz on Bob Dylan’s ‘Through The Open Window’
Ep. #1026: Tortoise
Ep. #914: American Football
Ep. #900: Fugazi and Jem Cohen
Ep. #897: Tom Mullen
Ep. #884: Tim Kinsella
Ep. #507: Robbie Robertson
Ep. #483: American Football

(Alexa Viscius)
Categories
News Podcast

Ep. #1071: Buck 65

Buck 65 makes a rare reappearance to discuss his excellent new album, Do Not Bend, musical brevity, Joe Pernice inspiring him to start an insightful Substack, writing jokes and stories that wind up as rhymes, befriending the late great Biz Markie and hanging out backstage at a Beastie Boys show, meeting Lou Reed but being low key about their creative kinship, acquiring the four-track he once used in the mid-1990s to create new music but also incorporating Ableton, obvious and oblique pop culture references, when you don’t know where the words come from, why it’s healthy to listen to your own work, difficult time signatures for rappers, a loving celebration of vinyl record culture, many future plans, a hidden phone number, and much more.  

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!

Thanks to the BookshelfPlanet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Ep. #1069: The Messthetics and James Brandon Lewis
Ep. #1068: Sahan Jayasuriya on ‘Don’t Say Please: The Oral History of Die Kreuzen’
Ep. #1065: Brian Raftery on ‘Hannibal Lecter: A Life’
Buck 65 on Bike For Three! (2009)
Ep. #1037: Sloan
Ep. #1026: Tortoise
Ep. #906: Joel Plaskett
Ep. #895: Al Tuck
Ep. #858: Cadence Weapon
Ep. #800: Buck 65
Ep. #770: Adam Horovitz from Beastie Boys
Ep. #272: Gord Downie [Archival; May 2010]
Ep. #117: Charles Austin of the Super Friendz
Ep. #13: Sloan’s Jay Ferguson & Chris Murphy & Photographer Catherine Stockhausen

(Roy Belding)