Joseph Shabason talks about Diana, Destroyer, wanting to make it, making his moving new album Anne and interviewing his mom about having Parkinson’s, and more. Supported by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Fake Limbs are a noisy rock band who hail from the west side of Chicago, Illinois. Known for creating a kind of “social justice street rock” that’s exhilarating and outspoken, the band formed in 2011 and have released three acclaimed full-length albums, including 2016’s Matronly, which is out now via Don Giovanni Records. Fake Limbs have been on the road a bunch of late and, before their recent show at the Silver Dollar in Toronto, lead singer Stephen Sowley and I ate some pizza at Fresca, just west of College and Spadina, and then we talked about his time in Toronto and tour managing, Jenny Hval, Screaming Females don’t really need roadies, driving and sleeping in cars and planes, Brendan Fraser and The Mummy, Danny Brown’s leather sleep mask, flight recliners, Ted, Colin Atrophy’s Slice Harvester, Fresca Pizza in Toronto, Chicago and Montreal, living in upstate New York, Second City and comedy, The Blues Brothers, not from Chicago, the Cubs’ World Series win, loser town, a goat and Steve Bartman, baseball points, a momentary Sowley curse, loving the Cubs and Wrigley Field and Toronto Blue Jays fans, so Grohl, working at Electrical Audio with Steve Albini, studio managing, encountering Iggy and the Stooges within weeks of taking a job at EA, the Breeders, working at Reckless Records, cashing Albini out on his first day at RR, lending Iggy $40, going to see Gimme Danger on election night, how Jim Jarmusch’s film basically overlooked the last Stooges record The Weirdness, which Albini engineered, election night predictions, phones on and off in the movie theatre, no surprise, voter participation, echo chambers, the shock, feeling ill- and misinformed about class-based anger, how Trump did everything he possibly could to willfully lose this election, people steeling themselves for the next four years, people who protest, The Dark Knight Rises, the left and exclusion and intersectionality, Michael Moore’s Facebook Live report during a recent protest in New York City, rationale, the ‘this will be good for comedy/punk rock’ stupidity, hoping for empathy, talking about Fake Limbs and their album Matronly, Black Lives Matter and “An Inconvenience,” Trump’s cabinet, what is punk, dinner with Grace Ambrose, Phleg Camp, the Jesus Lizard, Carla Bozulich, influence projection, idiots, Don Giovanni Records, Moor Mother’s Fetish Bones, more hugs, Bandcamp and Jes Skolnik, the Fugazi Live Archive, the song “Lil Bit,” and that was all from Fresca.