Tag Archives: Sloan

Ep. #282: The Rutabega

The Rutabega is a two-piece pop-infused rock band consisting of Joshua Wayne Hensley and Garth Mason. Based in South Bend, Indiana, the Rutabega began some 15 years ago, as a solo outlet for Hensley’s fragile yet strong songwriting. In 2011, he connected with Mason, a multi-instrumentalist and sound engineer, who has bolstered the Rutabega to become this mighty, beloved musical force. In the summer of 2016, Comedy Minus One released the band’s excellent record Unreliable Narrator, and the Rutabega have been playing select shows ever since, including upcoming dates on October 15 in South Bend, Indiana, on October 20 in Chicago, Illinois, and October 21 in Mattawan, Michigan. Here, Josh and Garth and I discuss high rotation Rutabega, Jay Arner and Jay II and my family’s love affair with both, down in the Bad Breath Club, getting my head around South Bend, the Studebaker Car Company Factory there that shut down decades ago, South Bend on the mend, an openly gay Mayor in Indiana, Mayor Pete Buttigieg, Governor Mike Pence, progressive bubbles, whether or not most Americans want to discuss the presidential election, good versus evil, living through history, music as a realm expressing one’s thoughts about the whole world, new songs, personal and political, creativity and hopefulness, the band Space and Noise Productions, Josh’s early solo recordings and the origins of the Rutabega, nicknames Josh’s dad gave him, questioning answers, a rutabaga, a Studebaker, how Garth encountered Josh and then joined him in a band, multi-instrumentalism, Jon Solomon should’ve better prepped me for this interview, all of the instruments that Garth can almost play, South Bend’s segregated music communities, the city’s dubious crime history, Indiana music pride, “my favourite music is made by my friends,” discovering other good bands when you’re in a band, Canadindiana, Sloan, the Weakerthans, Propagandhi, Neil Young, Weed, Eric’s Trip, thoughts on Canada, the Inbreds and Mike O’Neill’s bass playing, the evolution of the Rutabega, 2013’s Brother The Lights Don’t Work, the Rutabega’s future, the song “Problem Solving Skills,’ the finer distinctions between the American and Canadian versions of ‘Rock, Paper, Scissors,’ and that was it.

therutabega

Related links: comedyminusone.com/bands/the-rutabega vishkhanna.com

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Ep. #270: TUNS

TUNS is the mighty new Halifax/Toronto supergroup featuring Chris Murphy, Matt Murphy, and Mike O’Neill. Chris Murphy has ushered some excellent music into this world, both as the co-curator/co-founder of the murderecords label and as a quarter of one of the world’s finest and most successful rock bands, Sloan. Matt Murphy is an accomplished journalist who has worked for CBC and Vice Canada and is one of the most dynamic musicians and showman anywhere, who’s likely best known for his work in the Super Friendz. Mike O’Neill is a busy and gifted screenwriter and sound engineer for Trailer Park Boys and Black Jesus who has released criminally under-appreciated solo records since disbanding the wonderful indie-rock duo, the Inbreds. So, if it’s not clear already, when it comes to thoughtful pop and rock music trios, this TUNS configuration couldn’t possibly be more top shelf. The band’s self-titled debut record will be out August 26 via Royal Mountain Records and they’ve been playing select shows of late, including an upcoming performance at the Hillside Festival in Guelph on Sunday July 24. I met up with TUNS at the Pho Asian 21 restaurant in Toronto recently and we had a revealing conversation about Mike’s desire for Vietnamese food in Toronto, working with Trailer Park Boys co-creator Mike Clattenburg on a new TV show about a guy who re-locates raccoons, the song “Back Among Friends” and what it captures about TUNS, Zeppelin covers and joy, positive pressure, recycling things and writing new songs, Mike’s inventive bass playing, the writing process and its progress in TUNS, Chris’ songwriting, giving the singer some, the song “Look Who’s Back in Town Again” and various TUNS Easter eggs, the song “Lonely Life” that Mike sings, whomever sings generally wrote it, Mrs. Claus, lyric collaboration, wisdom and experience and democracy, magical harmonies, being in Sloan for 25 years, “Gimme the Keys” and the extreme rarity of Sloan members’ doing solo work, Eric’s Trip and Elevator to Hell, realistic TUNS, being perceived as ‘Halifax Pop’ artists, the Technical University of Nova Scotia, the lawn jam, why Halifax people seem to get along so well, footloose and fancy free, friendly competition, strength and talent, an influence like the Police on a song like “Mind Your Manners,” talking about the band U2, also R.E.M., The Unforgettable Fire, The Joshua Tree, the “Sunday Bloody Sunday” drum beat, Larry Mullen’s parts, filling and leaving space, scrutinizing Chris’ lyrics in TUNS and also in Sloan, self-awareness and self-consciousness, entitlement, purposeful pronouns, new stuff by TUNS will be more like TUNS, thinking about time and relationships, not a throwback, a Golden Girls analogy, too much like Sloan, hits, making music for fun, Royal Mountain Records and the self-titled TUNS LP is out August 26, a world premiere of the song “Back Among Friends,” and then Chris got the cheque.

Related links: tunsmusic.com royalmountainrecords.com vishkhanna.com

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Ep. #267: Adrian Teacher

Adrian Teacher is a talented and award-winning musician who lives in Vancouver, British Columbia. Best known for his work in Apollo Ghosts and COOL TV, Teacher is also an accomplished solo musician who has just released another excellent, contemplative yet upbeat album with his backing band, the Subs. The record is called Terminal City, it’s out now via You’ve Changed Records, and Adrian Teacher and the Subs are touring across Canada in July with Weird Lines and Jon McKiel and then again in August with Julie Doiron and Construction and Destruction. Here, Adrian and I discuss what’s happening in his hot apartment, the most cataclysmic climate change situation of all time and Birkenstocks, writing songs about Vancouver, a city in transition, no hope, the last railroad spike and global connection, the controversy over Vancouver’s real estate situation, Liberal Premier Christy Clark’s call to end real estate’s self-regulation, growing up on Vancouver Island and relating to cities, housing inequity, addressing actual problems like social housing, centrist policies, million dollar shacks, despondence, the inspiring lives of children when you’re a teacher, parents just don’t understand, Nanaimo and Diana Krall, my sweet tooth, a good upbringing, getting into guitar at 10 years old, buying a four-track that once belonged to Alden Penner in 1996, The Wedge and Beck, Sloan at the Saratoga Speedway, Eric’s Trip, finding his voice in Apollo Ghosts and where that band came from, me and Apollo Ghosts at Sappyfest and a cape, why Apollo Ghosts stopped, his next band COOL TV, the Subs and Amanda P. and ‘Beautiful British’ Robbie, Jonathan Richman, Squeeze, Talking Heads, keeping lyrics fun and upbeat, Dan Bejar, Joni Mitchell, Bob Dylan, Stephen Malkmus, Ramones, musical ADHD, the outdoors, building a cabin, former Nanaimo mayor Frank Ney, the keyboardist from Trooper, Armageddon, the weirdness of Vancouver Island, special Canadian places, the last day of school teacher jam, touring Canada twice, Jon McKiel, Weird Lines, Julie Doiron, a new EP, making some music that’s more adult, John Collins, the label City Beautiful, Pavement, the song “Called Up,” Television, and that was it.

Related links: adrianteacher.com youvechangedrecords.com vishkhanna.com

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