Mark Ibold of Pavement and Sonic Youth discusses Pavement’s Terror Twilight: Farewell Horizontal and Sonic Youth’s In/Out/In, only listening to the radio, discovering music and bass as a kid, his family connection to the Beatles and Rolling Stones, life in Sonic Youth, Pavement demo tapes and B-sides, Pavement’s 2022 reunion tour dates, future plans, and more! Supported by you on Patreon, Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.
Kliph Nesteroff is a comedy historian and expert who currently calls Hollywood, California home. Originally from South Slocan, British Columbia, Nesteroff made a name for himself as a stand-up comedian and then a journalistic writer. In 2015, Grove Press published Nesteroff’s remarkably comprehensive book, The Comedians: Drunks, Thieves, Scoundrels and the History of American Comedy, which was lauded by critics, readers, and comedians themselves. Nesteroff’s latest project is a tv series for VICELAND called Funny How?, which examines aspects of comedy like bombing, breaking in, comedy classes, and niche comedy from the LGBTQ community and Christian comics. Funny How? is utterly fascinating and runs on VICELAND from July 10th to July 14th at 11:30 PM. Kliph and I had a chat recently about life in Slocan and loving MAD Magazine, the book he wrote about the secret, salacious oral history of Hockey Night in Canada that was ultimately blocked from being published, the importance of The Kids in the Hall to Canadian comedy, why and how he wrote The Comedians, why there might be so much general interest in how comedy works these days, the drug LSD, Funny How?, and more. Sponsored by Pizza Trokadero, the Bookshelf, and Planet Bean Coffee.
Tom Scharpling is a comedic writer, performer, and personality who hails from the state of New Jersey. He founded a fanzine and record label called 18 Wheeler in the early 1990s, he was a writer and executive producer on the TV show Monk during its eight year run on the USA network, he made contributions to the show, Tim and Eric Awesome Show, Great Job!, and has directed music videos and short films for people like the New Pornographers, Ted Leo, the Postal Service, and Aimee Mann among others. But along with Jon Wurster, Scharpling is most beloved as one-half of the comedy duo Scharpling & Wurster and for hosting the popular and influential call-in music program The Best Show on WFMU in Jersey City, New Jersey. Scharpling commandeered the Best Show for 13 years, before ending its run in December 2013. This past October, he announced that the Best Show would be returning as a podcast, which can soon be found at thebestshow.net, and the Numero Group is also releasing a 16-CD Scharpling & Wurster Best of the Best Show box set this coming March. Here, Tom and I discuss soggy New Jersey, getting over winter, the current status of The Best Show, why the original Best Show stopped, quality trumps all, volunteering at a non-commercial station like WFMU, no money, working real jobs while putting a lot of time and energy into a volunteer project, working for Monk, whether or not the consumption of free content means that content has been devalued, people value phones more than the entertainment they’re consuming, the elimination of singles and music industry mistakes, loving the things that people make, making a living, The Best Show will be less a podcast and more of a live-on-the-internet type show, no doubt, commercials, I convey envy for some reason, how the end of The Best Show on WFMU impacted people, growing up lower middle-class in New Jersey, getting into comedy and music at a young age, loving game changers like SCTV, SNL, David Letterman, Bill Murray, and Howard Stern, starting a zine and record label, writing a screenplay, performance anxiety, getting into WFMU as an overnight DJ, how other people’s work might influence your own, it wasn’t really the best show, when The Best Show and Scharpling and Wurster began to click, there’s no fun in fundraising, the best is yet to come, Julie Klausner’s How Was Your Week? and Marc Maron’s WTF, not listening to other people’s stuff when you start making stuff, calling upon independent podcast and radio hosts for interviews, perceptions of success, the Scharpling & Wurster box set is special, reflection, Patton Oswalt, Julie Klausner, Jake Fogelnest, Damian Abraham, and others contributed to the liner notes in the box, Tom and Jon each wrote descriptions of the tracks, Fucked Up rule, future plans and media appearances, Letterman, going to Late Night with Conan O’Brien tapings, whether or not Tom was at a taping of The Chris Getheard Show featuring Sleater-Kinney instead of doing Jon Solomon’s WPRB radio show, what the Best Show might look like, smashing a phone with hammers, the song “Sun Glass” by Fucked Up, and that’s the end.
Related links: thebestshow.net numerogroup.com vishkhanna.com
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