Categories
News Podcast

Ep. #1078: Geologist

Brian Weitz is here to discuss the solo debut by Geologist, Can I Get a Pack of Camel Lights?, his previous academic and vocational pursuits in environmental and ocean policy on Capitol Hill, how his interest in playing the hurdy gurdy led him to Ben Grossman, Guelph, Ontario, and my inbox a few years ago, why a Keiji Haino show at the New York City club Tonic made a huge impression on him as a university student, his friendship with the late David Berman and smoking the last cigarette David gave him after he died, his interest in drone, noise, and artists on the SST record label, how much he has always loved Pavement, a tangent about the life-saving film Spies Like Us, future plans for Animal Collective and himself, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!

Thanks to the BookshelfPlanet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Ep. #1055: Pullman
Ep. #989: Bundy K. Brown, Glenn Kotche, and Jim O’Rourke on Tim Barnes
Ep. #924: Lance Bangs and Bob Nastanovich on ‘Pavements’
Ep. #910: The Hard Quartet
Ep. #877: Gastr del Sol
Ep. #677: Pavement
Ep. #577: Thurston Moore
Ep. #492: I Remember Me and David Berman
Ep. #481: David Berman
Ep. #392: Stephen Malkmus
Ep. #165: Bob Nastanovich of Silver Jews

(Merrick Weitz)
Categories
News Podcast

Ep. #984: Lifeguard

Asher Case and Isaac Lowenstein from Lifeguard are here to discuss Ripped and Torn, doing a podcast on the very day you graduate from high school in Chicago or while you’re stuck in New York City, side projects and hectic schedules, fine arts and electrical engineering, Electrical Audio, Tortoise, and other inspiring Chicago things, who Asher’s dad is and why he was once a guest on this show, the story of Lifeguard and their interest in song structures, abstract lyrics, and sheets of noise, writing new songs, touring, other future plans, and much more.  

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!

Thanks to Blackbyrd Myoozik, the BookshelfPlanet Bean Coffee, and Grandad’s Donuts. 
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online. Support vish on Patreon!

Related episodes/links:

Ep. #947: FACS
Ep. #920: A Place to Bury Strangers
Ep. #900: Fugazi and Jem Cohen
Ep. #869: Steve Albini
Ep. #854: METZ
Ep. #692: Wilco
Ep. #240: A Way That’s Clear – Tortoise & The Making of ‘The Catastrophist’

Categories
News Podcast

METZ (2010, 2012) – Teaser

Toronto’s METZ were recently asked to reunite for a performance on Everybody’s Live with John Mulaney, and so I dug into my archives for my first conversation with the band’s Alex Edkins. My digging led me to our second conversation as well, so I’ve combined them here for you and other METZ fans. Alex and I had met a number of times at METZ shows before our first interview, which was a phoner that took place on Tuesday December 14, 2010, at 2:00 PM ET. Our next interview, again via telephone, took place on Tuesday June 12, 2012, at 1:00 PM ET, and we discussed the band’s big news: they’d finished their debut album, and were about to start working with Sub Pop Records.

To hear this entire conversation, subscribe to Kreative Kontrol on Patreon at the $6 tier or higher (a reminder that an annual subscription includes a discount compared to a monthly one).

Related episodes/links:

Ep. #854: METZ
Ep. #850: You’ve Changed Records is 15!
Ep. #719: Iain Reid
Ep. #687: Weird Nightmare
Ep. #570: METZ
Ep. #351: METZ
Ep. #201: LIDS
Ep. #184: METZ