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Ep. #1050: Jimmie Kilpatrick

Jimmie Kilpatrick returns to discuss his excellent album Jimmie, the heartening experience of living in Manitoba, Canada these days and concentrating on his community, why he retired his Shotgun Jimmie name, bringing his sound sculpture work into his indie-rock aesthetic, collaborating with Ladyhawk’s Ryan Peters and messing around with tape loops, making subversive pop music, numerous lyrical references to analog and communication technology and falling asleep, keeping a little too busy, touring with the Burning Hell and alluding to Joni Mitchell, pondering work with John Samson Fellows, other future plans, and much more.

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Thanks to the BookshelfPlanet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Ep. #957: The Burning Hell
Ep. #944: Bonnie “Prince” Billy
Ep. #911: Richard Laviolette’s ‘All Wild Things Are Shy’
Ep. #910: The Hard Quartet
Ep. #857: Michael Feuerstack
Ep. #850: You’ve Changed Records is 15!
Ep. #740: Dry Cleaning
Ep. #682: Steven Lambke
Ep. #673: Sonic Youth
Ep. #502: Shotgun Jimmie! Thrush Hermit!

(Elspeth Mary Moore)
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News Podcast

Ep. #952: Silkworm

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!

Andy Cohen and Tim Midyett from Silkworm discuss the new Developer reissue, our shared experience at a memorial for Steve Albini this past summer where Joel RL Phelps joined them for their first Silkworm set together in 30 years, monumental news about upcoming Silkworm shows, revisiting Developer’s lyrical themes and Albini’s sounds, rarities, including a Bob Dylan song performed with Pavement’s Stephen Malkmus, Midyett’s band Mint Mile making a new album with Albini a week before he died and what his loss means to Silkworm, forthcoming solo music, other future plans, and much more.

Support vish on Patreon! Thanks to the BookshelfPlanet Bean Coffee, and Grandad’s Donuts. 
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Ep. #910: The Hard Quartet
Ep. #869: Steve Albini
Ep. #840: Mint Mile
Ep. #514: Steve Albini and Silkworm’s Andy Cohen and Tim Midyett
Ep. #369: Andrew Cohen & Light Coma
Ep. #70: Joel RL Phelps
Ep. #52: Tim Midyett of Bottomless Pit

Categories
News

The Super Friendz’s Mock Up, Scale Down: An Oral History (Director’s cut)

The following piece was published in truncated form on CBC Music. Here’s the full version. 

In the summer of 1995, the Super Friendz released their debut LP, Mock Up, Scale Down on Sloan’s murderecords imprint. At the time, Mock Up, Scale Down seemed like another exciting document from a prolific Halifax music scene that launched Sloan, Thrush Hermit and Joel PlaskettJaleAl Tuck,Buck 65 and more into the national consciousness. But over the years, as young bands like Zeus and the Bicycles touted its influence, the record’s status has grown further.

The three-headed songwriting democracy of Charles Austin, Matt Murphy and Drew Yamada inspired legions of fans and younger musicians with their skillfully crafted, explosive, thinking man’s pop-rock balladry. Drummer Dave Marsh, with his enigmatic, occasional membership, gave them the perfect rhythmic foundation they found so elusive in an oddly Spinal Tap-ish way (no drummers were harmed in the making of this band but they sure didn’t stick around for long).

The Super Friendz played the Halifax Pop Explosion this past October. Their last release was 2003’s Love Energy and, before last month’s show, they’d been quiet for about nine years. On Friday, Nov. 16, they play Toronto’s Lee’s Palace and, to mark the return of one of the greatest North American rock bands, an oral history of their formation and first album seemed in order. This is it, here we go.