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Ep. #270: TUNS

TUNS is the mighty new Halifax/Toronto supergroup featuring Chris Murphy, Matt Murphy, and Mike O’Neill. Chris Murphy has ushered some excellent music into this world, both as the co-curator/co-founder of the murderecords label and as a quarter of one of the world’s finest and most successful rock bands, Sloan. Matt Murphy is an accomplished journalist who has worked for CBC and Vice Canada and is one of the most dynamic musicians and showman anywhere, who’s likely best known for his work in the Super Friendz. Mike O’Neill is a busy and gifted screenwriter and sound engineer for Trailer Park Boys and Black Jesus who has released criminally under-appreciated solo records since disbanding the wonderful indie-rock duo, the Inbreds. So, if it’s not clear already, when it comes to thoughtful pop and rock music trios, this TUNS configuration couldn’t possibly be more top shelf. The band’s self-titled debut record will be out August 26 via Royal Mountain Records and they’ve been playing select shows of late, including an upcoming performance at the Hillside Festival in Guelph on Sunday July 24. I met up with TUNS at the Pho Asian 21 restaurant in Toronto recently and we had a revealing conversation about Mike’s desire for Vietnamese food in Toronto, working with Trailer Park Boys co-creator Mike Clattenburg on a new TV show about a guy who re-locates raccoons, the song “Back Among Friends” and what it captures about TUNS, Zeppelin covers and joy, positive pressure, recycling things and writing new songs, Mike’s inventive bass playing, the writing process and its progress in TUNS, Chris’ songwriting, giving the singer some, the song “Look Who’s Back in Town Again” and various TUNS Easter eggs, the song “Lonely Life” that Mike sings, whomever sings generally wrote it, Mrs. Claus, lyric collaboration, wisdom and experience and democracy, magical harmonies, being in Sloan for 25 years, “Gimme the Keys” and the extreme rarity of Sloan members’ doing solo work, Eric’s Trip and Elevator to Hell, realistic TUNS, being perceived as ‘Halifax Pop’ artists, the Technical University of Nova Scotia, the lawn jam, why Halifax people seem to get along so well, footloose and fancy free, friendly competition, strength and talent, an influence like the Police on a song like “Mind Your Manners,” talking about the band U2, also R.E.M., The Unforgettable Fire, The Joshua Tree, the “Sunday Bloody Sunday” drum beat, Larry Mullen’s parts, filling and leaving space, scrutinizing Chris’ lyrics in TUNS and also in Sloan, self-awareness and self-consciousness, entitlement, purposeful pronouns, new stuff by TUNS will be more like TUNS, thinking about time and relationships, not a throwback, a Golden Girls analogy, too much like Sloan, hits, making music for fun, Royal Mountain Records and the self-titled TUNS LP is out August 26, a world premiere of the song “Back Among Friends,” and then Chris got the cheque.

Related links: tunsmusic.com royalmountainrecords.com vishkhanna.com

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News Podcast

Ep. #235: Long Night with Tom Power, Deadpan Powerpoint, TUNS, & Michelle McAdorey

This episode of Long Night with Vish Khanna was recorded at the Great Hall in Toronto, as part of the Long Winter festival on Saturday January 16, 2016. My guests were CBC Radio’s Tom Power, life gurus Deadpan Powerpoint, Chris Murphy (Sloan), Mike O’Neill (The Inbreds), and Matt Murphy (The Super Friendz) of the new supergroup TUNS, and Michelle McAdorey who performed the title track from her new album, Into Her Future. My sidekick is James Keast and the Long Night house band is the Bicycles. Recorded by Dave MacKinnon. Produced by Long Winter, Vish Khanna, and Joel Garcia.

Related links: torontolongwinter.com vishkhanna.com

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Categories
News Podcast

Ep. #136: Absolutely Free

Absolutely Free is a powerful and ambitious three-piece band from Toronto, Ontario. For years, Matt King, Moshe Rozenberg, and Mike Claxton used to play together in a fantastic post-punk outfit called DD/MM/YYYY that put on one of the best live shows in the world. After they broke up, King, Rozenberg, and Claxton eventually reconvened to create music that was a little less frenetic and possibly more dynamic; they seemed keen to explore psychedelic, textured pop and Krautrock as touchstones for something unprecedented. The latest manifestation of their work is their first full-length, self-titled album, which is out October 14 via Arts & Crafts, and on Saturday October 11, they’ll perform the record with a special hologram/laser light show at the Long Winter Bloor Hot Docs Theatre Take Over Event in Toronto. Here, Matt and Moshe talk about throwing vegetables into the fire, DD/MM/YYYY and 11/11/11, absolute freedom, guitars and synthesizers, you can stop the rock, RHCP with an emo twist, misinterpretations and the right comparisons, that time I emailed Moshe during a show, a dysfunctional band can be like a bad tooth, Absolutely Free keeps getting smaller and more impossible, sister act, the rough side of Richmond Hill, southern Ontario hardcore punk, Dan Deacon in Toronto, Mike Claxton was in a band called Plant the Bomb, MuchEast and the Wedge VHS collections, loving the Super Friendz, Jack Grunsky, Boyz II Men, Celine Dion, the Offspring, Green Day, Nirvana, Frank Zappa, Captain Beefheart, adult excitement for music, mixing textured vocals kinda low, Steve Clarkson, mistakes, hazy trends, my SCTV Complete Series box set, the way in which Mike Haliechuk of Fucked Up produced and contributed to the new record, life and time and light, existentialism and transcendence, climbing the ladder, external considerations and receptions, scoring the film Two Cares Due None, releasing a bunch of unreleased material, holographic versions of Absolutely Free are playing Long Winter this Saturday while the actual band is in Hamilton, Toronto Laser Services, the song “Earth II,” and then we’re absolutely free.

Related links: absolutelyfree.ca torontolongwinter.com vishkhanna.com

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