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News Podcast

Bonnie “Prince” Billy (2019) – Teaser

In my most recent Kreative Kontrol newsletter, I mentioned that I’d done a long-form interview with Will Oldham about his 2019 album, I Made a Place, but it was only used for a print piece, not for this podcast because, at the time, he was feeling ambivalent about being on pods. Sometime in the last couple of years, I asked Will if I could share this phoner widely, and he said yes, so here it is finally, virtually unedited.

The conversation lasted about an hour and took place on Monday, September 29, 2019 at 11:00 AM ET, and you’ll hear us discussing topics like, me attempting to call him using the telephone app on my Macbook, as I often did at the time, but for some reason my computer perplexingly launched a program I’d never used before called Zoom, the return of Bonnie “Prince” Billy music after a long absence, the albums of songs he made written by the likes of the Everly Brothers, Merle Haggard, Susanna, and Mekons, wariness about oversaturated streaming culture, recording a Ramones song with David Berman (who’d died on August 7, just weeks before this conversation) and thoughts on DCB, Will’s love of Jake Xerxes Fussell, the Oldham family’s lengthy history with and a then-recent pilgrimage to Hawaii, and much more.

The wonderful new Bonnie “Prince” Billy album, The Purple Bird, is out now!

To hear this entire conversation, subscribe to Kreative Kontrol on Patreon at the $6 tier or higher (a reminder that an annual subscription includes a discount compared to a monthly one).

Related episodes/links:

Ep. #944: Bonnie “Prince” Billy
Bonnie “Prince” Billy (2006) – Teaser
Bonnie “Prince” Billy (February 2011)

Categories
News Podcast

Ep. #930: Dog Day

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!

Nancy Urich and Seth A. Smith are here to discuss their band Dog Day and new album, A T-Shirt with Writing on It, their filmmaking pursuits and origin stories, the differences and similarities between the strained material conditions that musicians and people in the film industry share in streaming times, why their previous band the Burdocks was a bit weird, the unique architecture of HomeSkull, which is their house and creative hub, how their young son Woody collaborates with them, “Weird Al” Yankovic and prepared accordion, what’s next for their film work and Dog Day, other future plans, and much more.    

Support vish on Patreon! Thanks to Blackbyrd Myoozik, the BookshelfPlanet Bean Coffee, and Grandad’s Donuts. 
Support Y.E.S.S., Pride Centre of Edmonton, and Letters to Santa. Follow vish online.

Related episodes/links:

Ep. #894: “Weird Al” Yankovic
Ep. #889: Rick White and The Sadies
Ep. #856: ROY
Ep. #725: Sloan
Ep. #602: Chad VanGaalen
Ep. #534: Daniel Romano
Ep. #414: Nap Eyes

Categories
News Podcast

Ep. #788: Joni Void

Jean Néant discusses their new Joni Void album, Every Day Is the Song, moving to Montreal from France to study film, remix experiences with Nine Inch Nails and Radiohead, primitive and modern recording technology and how their sound affects sounds, authenticity and mediated culture, distortion, Tom Waits, and the Beatles, bots on twitter, new Joni Void music, other future plans, and much more. Supported by you on PatreonBlackbyrd MyoozikPizza Trokaderothe BookshelfPlanet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.