Jon Spencer talks about the rise of the HITmakers and their outspoken, noisy, and reflective new album, Spencer Gets It Lit, recalling the sound of Pussy Galore, the end of the Jon Spencer Blues Explosion, remembering Dallas Good, working with the Sadies, and chaotic studio sessions they shared with Andre Williams, encountering James Brown, future plans, and more! Supported by you on Patreon, Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.
Janet Weiss is a tremendously powerful drummer based in Portland, Oregon. Weiss is originally from California and, over the past 20 years, has played in notable bands like Quasi, Stephen Malkmus and the Jicks, Wild Flag, and Drumgasm among others and she has an administrative, behind-the-scenes position on the IFC show, Portlandia. She is most celebrated, however, for her essential role as the drummer in one of the world’s greatest rock ‘n’ roll bands, Sleater-Kinney. After going on an indefinite hiatus in 2006, Sleater-Kinney shocked fans by slyly and sneakily announcing a new album via a new box set towards the end of 2014. That album is the critically-acclaimed No Cities to Love, it’s out now on Sub Pop, and the band is touring behind it now, including a Toronto stop on March 2. Here, Janet and I discuss my 15 minute intro, Tony Kiewel and the secret message in the box, how No Cities to Love is all new songs, Quasi playing Touch and Go’s 25th anniversary show in Chicago and possibly covering AC/DC, how touring so much impacted the band, Sleater-Kinney’s chemistry, making magic in a tiny, airless basement, hanging out with Carrie a lot even after the band ended, playing together again for the very first time, touring again, surprises involving clowns, the song “Surface Envy,” and then it’s enough.
Related links: sleater-kinney.com subpop.com vishkhanna.com
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