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Ep. #176: Rob Lind of The Sonics

Rob Lind is a well-regarded saxophone player currently based in the state of North Carolina. In the 1960s, Lind co-founded the Tacoma, Washington-based band the Sonics, and rock ‘n’ roll was never the same again. Their first two albums, 1965’s Here are the Sonics and 1967’s Boom are considered classics that represent the birth of garage rock. While other groups of the time might have let a few grains of grit infiltrate their pop songs, the Sonics infused originals and covers with a particular kind of menace and charge that anticipated punk, metal, and any other kind of music with danger in it. 50 years since their first album, the Sonics are back with a fiery new record called This is the Sonics, which is out now via their own Revox Records, and they’ll be touring the U.S. in April and May with a Toronto stop at Lee’s Palace on April 26. Here, Rob and I discuss living in Charlotte North Carolina with its sweet air, serving as a Navy attack pilot during the Vietnam War, flying for commercial airlines and missing his time as a pilot, what might be happening with all of this mysterious and horrific airplane accidents of late, these planes aren’t coming down because of climate change, when and why the Sonics stopped playing together in late 1967, how the Sonics were a pretty popular band in the Pacific Northwest, when singles like “The Witch” and “Psycho” began to take off, opening for bigger bands at the local coliseum in Tacoma as teenagers, why younger bands really made records in the late 60s, the story of “The Witch,” officially not making it to number one on the charts but actually being number one, where the sound of the Sonics came from, getting people rockin’, the Kinks, the Wailers, having no idea that the Sonics might have been influential on louder bands or the garage rock scene, befriending Bob Seger, making Sonics music, the excellence and reverence of the Hives, why someone might pursue the saxophone in a rock band, jamming with Gerry Roslie at 15 years old and never looking back, Clarence Clemons, why the Sonics came back in 2007, working with Jim Diamond on This is the Sonics, making a record instead of going to bingo, riff-based rock ‘n’ roll with no messages, what’s up with Revox Records, you can’t mess with the Sonics, the song “I Got Your Number,” loving women, and then we end up leaving here.

Related links: thesonicsboom.com vishkhanna.com

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News Podcast

Ep. #158: Bruce McCulloch

Bruce McCulloch is a tremendously influential and iconic comedic writer, performer, and director from Alberta who currently lives in the Hollywood Hills. He has written for Saturday Night Live, directed films like Stealing Harvard and Superstar, and released two excellent comedy records, Shame-Based Man and Drunk Baby Project. McCulloch is best known as a member of the beloved and edgy troupe, Kids in the Hall, who produced one of the greatest sketch comedy shows ever. Some of his adventures with the Kids have been documented in his excellent new memoir, Let’s Start a Riot, which is out now via HarperCollins, and has been partially adapted for a new series called Young Drunk Punk, which premieres Wednesday January 21 on CityTV. Here, Bruce and I discuss editing Young Drunk Punk in Toronto, how the Hollywood machine inspired him to write a book, revisiting himself, his Pretty Wife, what to write about, growing up in Calgary and Edmonton, One Yellow Rabbit and Sled Island, loving music but being saved by comedy, knowing thyself, self-identifying as a punk, Shadowy Men on a Shadowy Planet and the den mother that was Don Pyle, wisdom and caution, celebrity and humility and explaining your creative life to your children, what the Kids in the Hall think of Bruce’s book, what Young Drunk Punk is about, Ian McKay not Ian MacKaye or even Ian McKay, upcoming North American Kids in the Hall live dates, playing characters on shows like Arrested Development, “Tired of Waking Up Tired” by the Diodes, and then it was time for happiness pie.

Related links: brucio.com vishkhanna.com

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Ep. #121: Dave Ullrich of Zunior & The Inbreds

Dave Ullrich is the founder of Zunior.com, one of the world’s first digital distribution services for independent music, which celebrates its tenth anniversary with various enterprises, including a new tribute album by Tony Dekker and a big festival at Sandbanks Provincial Park on Sept. 13. He was also a founding member of the excellent indie-rock band the Inbreds. Here, Dave and I discuss Allen’s Pub on the Danforth in Toronto, Gord Downie of the Tragically Hip and the Inbreds, growing up in Oshawa but making the Inbreds in Kingston, hiding your Oshawa, k-os rapping upside down, Cuff the Duke owning Oshawa, my pilgrimage to Mike O’Neill’s childhood home and memories of that episode, playing cover songs at an O’Neill Collegiate Vocational Institute battle of the bands in an outfit called the Fresh Steaming Turds, the forgettable U2, I know the R.E.M. discography pretty well apparently, loving Zeppelin and Bonzo, why the complexity and fury of punk is often equated with simplicity and rudimentary playing, sincerity in music, Proboscis Funkstone Records, the rise of cassettes, the riff-y, fingerpicking early days, luck + preparedness = success, these are the breaks, I challenge you to dislike the Inbreds, Lewis Melville, Rheostatics, Guelph, when the Inbreds turned down a Foo Fighters tour opening slot to break up, sneaking low-profile records to Dave Bookman who got them to superstars, angering the Tea Party while Foo Fighters munched on KD, a circuitous route to scooping the White Stripes, starting the prescient Zunior.com digital music delivery service 10 years ago, vinyl sales and holding a piece of wood, leveraging the spirit of indie-rock computing, Zunior platinum, the top 10 moments in the history of Zunior, suprising Rheostatics, the Zune, solar power, Egger plays live, Peanuts, Boxing Day, patron saint Stuart McLean, making commercials with Scott Cudmore and Martin Tielli, the joy of the label and Wax Mannequin, getting into e-books and working with rock writer Martin Popoff, predicting the future for music consumption, flirting with Rdio and musical curation and discovery, vinyl might have a cost ceiling, major labels are like cockroaches, the new Tony Dekker Sings 10 Years of Zunior album and how it came to be, the Zunior 10th anniversary show in Sandbanks Provincial Park in Prince Edward County on Sept. 13, the song “At the Airport” by Old Man Luedecke, and then it’s the right time to say goodbye.

Related links: zunior.com inbreds.com vishkhanna.com

inbreds

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