Marc Masters discusses his fascinating new book, High Bias –The Distorted History of the Cassette Tape, why we fixate on music formats, the democratization of sound, why cassettes are still revered and collected around the world, tapers, the Grateful Dead, and Sonic Youth, how tapes foretold modern notions of on-demand music portability, what might be next for sound carriers and makers, book tour dates, other future plans, and much more.
In his first interview in nearly a decade, Buck 65 explains his self-imposed exile from hip-hop and why he’s back, incredible recent albums like 2022’s King of Drums and 2023’s Super Dope and making beats in secret, giving up space for other artists, attracting the attention of a New York Yankees scout as a kid and making a triumphant return to baseball as a middle-aged man, working with Controller 7 and asking Vincent Gallo for permission to create Billy, rapping his ass off, releasing more records, his Substack, other future plans, and much more.
Jean Néant discusses their new Joni Void album, Every Day Is the Song, moving to Montreal from France to study film, remix experiences with Nine Inch Nails and Radiohead, primitive and modern recording technology and how their sound affects sounds, authenticity and mediated culture, distortion, Tom Waits, and the Beatles, bots on twitter, new Joni Void music, other future plans, and much more. Supported by you on Patreon, Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.