Tag Archives: Alternative Tentacles

Ep. #109: Jello Biafra

Jello Biafra was the lead singer of the influential punk band Dead Kennedys and has since gone on to do significant work as an actor, spoken word artist, and vocalist, as well as being the head honcho at the still busy and prolific record label, Alternative Tentacles. His first band since he left Dead Kennedys is called Jello Biafra and the Guantanamo School of Medicine and their new album is called White People and the Damage Done, which they’re touring behind now, including stops at Call the Office in London, Ontario on June 16 and the Opera House in Toronto on June 17. Here Biafra and I discuss things like why Nardwuar the Human Serviette and I can’t pronounce Biafra, why Jello’s name came up in discussions about the Web Fast-Lane Vote spearheaded by the FCC, Guantanamo Bay and Chelsea Manning, the concept of the new album and how it delves into kleptocracy and retroactive feudalism, greed addicts, maximum wage, why “Shock-U-Py!” shows up at the end of the new album, how Jello engages with Canadian politics and our celebrity crackhead goofs, why people should stop talking about Hillary Clinton two years ahead of the election, thinking locally, why we should stop distracting ourselves, communication, reactivating our bullshit detectors, Jello has never felt alone in his thoughts and pursuits, what first turned him onto music as a kid, Pete Seeger, Joan Baez, and Azuma Kabuki music, garage bands, the Music Machine, the Animals and Eric Burdon, Jello used to be able to sing like Robert Plant, East Bay Ray has the Dead Kennedys master tapes, Jello has nothing to do with Dead Kennedys reissues and they seem to be muting his involvement in the band, Jello is proud of Dead Kennedys and doesn’t think the rest of the band cares about the music, Jello’s theatre background in middle school, Jello can play a mean Scrooge, acting in The Hipster Games and being typecast on Portlandia, how Dead Kennedys came together in San Francisco and the emergence of hardcore, how method acting influenced Jello’s vivid lyricism, his roles in Highway 61 and Terminal City Ricochet, Jello’s very first songs were written for Dead Kennedys, why he never played in some early cover band or something, the early D.O.A. cover band Stone Crazy, how and why the GSM is his first proper band since DKs, the Melvins wanted to avenge Jello, why he quoted the DKs song “Soup is Good Food” in the GSM song “Burgers of Wrath,” where he’s at now with the other Dead Kennedys and what it would take for him to agree to play with them again, playing DKs songs with the GSM, Jello’s getting back into spoken word performance, honouring Ralph Nader, the crippling losses he’s suffered lately, how much the Stooges meant to him, the plight of independent musicians and labels like Alternative Tentacles in the age of file-sharing, AT is doing cool stuff with reissues of records by the Dicks, Voivod, and new releases by young bands like Death Hymn Number 9 and Itchy-O, making stuff is important, why the GSM is not playing Amnesia Rockfest in Quebec this month, scams, the song “Burgers of Wrath,” and then it’s bedtime for bonzo.

Related links: alternativetentacles.com vishkhanna.com

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Ep. #20: Chad VanGaalen + Slim Cessna

Chad VanGaalen is a very talented and strange musician, visual artist, animator, filmmaker, father and resident of the good city of Calgary, Alberta. Though ostensibly a homebody, he will occasionally leave the house to tour behind records like 2011’s Diaper Island but it is a pretty rare thing to see him live. That said, he does make a real effort to make it to Sackville, NB for SappyFest whenever he can and he was recently just added to this year’s edition, taking place Aug. 2 to 4. He has also made a new tape that will be on sale exclusively at SappyFest this weekend, and then, if people are dicks, on Ebay by Monday. You can actually hear a song called “NO!!!” from this tape before the end of our conversation.

Slim Cessna’s Auto Club has been wowing audiences for over 20 years now, often inspiring critics to praise the punk-infused country outfit as the best live band in America. Hailing from Denver, Colorado, the group crafts earnest ballads and inspiring gospel songs like few before them. They’ve been closely aligned with the Alternative Tentacles label and shared stages with everyone from Johnny Cash to Jello Biafra. Earlier this year, Slim Cessna’s Auto Club released a comp called SCAC102: An Introduction For Young And Old Europe and, between August 1 and 3, their current tour brings them to London, Toronto, and Ottawa, Ontario for shows. Slim and I chat about that and play a new/old song of theirs.

Related links: flemisheye.com slimcessnasautoclub.com sappyfest.com vishkhanna.com.

chadandslim

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