Tag: Tortoise

Ep. #1067: The Paranoid Style

Post author By vish
Post date February 12, 2026
No Comments on Ep. #1067: The Paranoid Style

Elizabeth Nelson returns to discuss the Paranoid Style and their new album, Known Associates, life near Washington D.C., a recap of our recent discussion about the Replacements’ Let It Be reissue, a brief overview of American paranoia, her penchant for wordy lyrics and how that impacts her as a singer, some of her favourite sincerely humorous songwriters, Scott Joplin’s “The Entertainer” and Bob Dylan’s “Love and Theft,” her love of musicals and nodding to other people’s songs, why I think she might dig Carolyn Mark, playing rare shows, other future plans, and much more.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven’t already, please subscribe now on Patreon so you never miss full episodes. Thanks!

Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Ep. #1040: The Replacements’ ‘Let It Be (Deluxe Edition)’ with Peter Jesperson, Jason Jones & Elizabeth Nelson
Ep. #1034: Sean Wilentz on Bob Dylan’s ‘Through The Open Window’
Ep. #1026: Tortoise
Ep. #963: Destroyer
Ep. #951: Mark Ibold, Scott Kannberg, Jeffrey Lewis Clark, Jed I. Rosenberg & Brian Thalken on ‘Louder Than You Think: A Lo-Fi History of Gary Young and Pavement’
Ep. #924: Lance Bangs and Bob Nastanovich on ‘Pavements’
Ep. #895: Al Tuck
Ep. #894: “Weird Al” Yankovic
Ep. #646: They Might Be Giants

Tags advertising, allusions, americanflag, barnone, birtherism, bobdylan, bobmehr, carolynmark, checksandbalances, comedy, danbejar, dannygatton, davidberman, Destroyer, donadltrump, donhenley, dwightyoakam, Edmonton, elizabethnelson, eugeneedwards, folkmusic, gaslighting, guardrails, historyoftheworldpartone, homage, jasonjones, jasonrichmond, jazz, johnbirchsociety, johnnycash, jonlangmead, knownassociates, letitbe, longisland, loveandtheft, lyrics, maga, mattdouglas, mclean, melbrooks, michaelvenutolomantovani, morrissey, musicals, nicklowe, paranoia, paranoidstyle, Pavement, peterholsapple, peterjesperson, phrasing, purplemountains, ragtime, richardhofstadter, scottjoplin, silverjews, sonicyouth, stephensondheim, surveillance, teaparty, thereplacements, thesmiths, thewho, timothybracy, tomwaits, Tortoise, virginia, washingtondc, weirdalyankovic, williammatheny, wordiness

News Podcast

Ep. #1061: Pelican

Post author By vish
Post date January 27, 2026

Trevor Shelley de Brauw from Pelican is here to discuss the band’s album, Flickering Resonance, our history of working together because of his role in music publicity, the city of Chicago’s music dynamism, a brief foray into North Carolina farming, how guitar teachers underestimate Ramones songs, seeing significant shows at Fireside Bowl as a teenager, the antagonistic antics of Tusk, where Pelican came from and why its original line-up reunited, why I think every band should break up so they can miss the band and then appreciate it more when it gets back together, temporality and self-awareness, working as a music publicist, the future of Pelican, and much more! A note that since Trevor and I recorded this interview, Run For Cover released a new EP by Pelican called Ascending on January 23, 2026.

EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!

Thanks to the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Ep. #1026: Tortoise
Ep. #914: American Football
Ep. #900: Fugazi and Jem Cohen
Ep. #884: Tim Kinsella
Ep. #869: Steve Albini
Ep. #796: Ratboys
Ep. #720: OFF!
Ep. #692: Wilco
Ep. #149: Run the Jewels

News Podcast

Ep. #1055: Pullman

Post author By vish
Post date January 8, 2026

Chris Brokaw, Ken “Bundy K.” Brown, Curtis Harvey, and Doug McCombs are here to discuss III, the first album by Pullman in 25 years, what inspired Pullman to explore acoustic guitar sounds in the late 1990s, the positive but also harsh critical reception their first two albums, 1998’s Turnstyles & Junkpiles and 2001’s Viewfinder received, how Tim Barnes joined Pullman and also his role as the drummer on American Water by Silver Jews, which David Berman had originally invited Chris to appear on and Chris’ feelings about not doing that, the fan mail Berman sent to Chris’ band Come, having Pullman’s second of two New York City shows get cancelled because of 9/11 and what it was like to be in the city that day, Doug’s sudden departure, how Tim contributed to III, Doug’s surprising return, whether Pullman might play shows, everyone’s respective future plans, and much more.

Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Ep. #1026: Tortoise
Ep. #1015: Alan Licht
Ep. #989: Bundy K. Brown, Glenn Kotche, and Jim O’Rourke on Tim Barnes
Ep. #927: Papa M
Ep. #877: Gastr del Sol
Ep. #786: Black Duck
Ep. #736: Douglas Andrew McCombs
Ep. #626: Eleventh Dream Day
Ep. #481: David Berman
Ep. #240: A Way That’s Clear – Tortoise & The Making of ‘The Catastrophist’
Ep. #112: Britt Walford of Slint and Watter