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News Podcast

Ep. #1093: Spencer Krug

Spencer Krug returns to discuss his excellent new album, Same Fangs, local pigs under duress and songs inspired by animals, sharing early and in-progress versions of his new songs with his Patreon subscribers, philosophical notions of what songs actually are, parasocial interaction and the increased intimacy between creators and fans via crowdfunding sites, the ups and downs of Sunset Rubdown and its uncertain current status, feeling a profound sense of sadness and hopelessness about the suffering of others and how that can affect your relationship with your family, the trick of acquiring geopolitical knowledge, information, and news and knowing what to do with it to affect positive change, the reality and the internet, his Wolf Parade colleague Dan Boeckner’s political outspokenness as a prolific poster, his reaction to the Wolf Parade song “I’ll Believe in Anything” featuring in a key scene from the show Heated Rivalry and the ensuing popularity of both, updates about new Wolf Parade music, forthcoming solo show dates and performance configurations, other future plans, and much more.

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Thanks to Blackbyrd Myoozik, the BookshelfPlanet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.

Related episodes/links:

Ep. #1034: Sean Wilentz on Bob Dylan’s ‘Through The Open Window’
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Ep. #907: Sunset Rubdown
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In Review: Bob Dylan’s Rough and Rowdy Ways

Categories
News Podcast

Ep. #875: Ann Powers

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO $6 PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!

Ann Powers discusses her wondrously written new book, Traveling: On the Path of Joni Mitchell, Pacific Northwest punk bands like D.O.A. and Nomeansno, how she positioned her role in writing this book after years of research and dozens of interviews, her decision about pursuing an interview with Mitchell herself, perspectives on motherhood and what it meant for Mitchell to be a woman in music starting in the 1960s and how that era is perceived today, the problematic critiques of that time period by Mitchell and other artists, Ann’s own trajectory as a lover and critic of music, what it means to interrogate the work of people you love, how artists who have had medical scares like Mitchell, Bob Dylan, Leonard Cohen, and Neil Young might gain a new appreciation for their own work and audiences, Ann’s upcoming book tour dates, her work on the NPR music newsletter, other future plans, and much more.     

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Related episodes/links:

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