Tag Archives: Wilco

Ep. #266: William Tyler

William Tyler is a talented musician based in Nashville, Tennessee. Known for his work in the bands Lambchop and Silver Jews, Tyler is also an accomplished solo artist and has released four critically-acclaimed albums. His latest is a gorgeous, instrumental record called Modern Country, which is steeped in familiar folk and rock structures but is also eerily expansive and hypnotic. Modern Country is out now via Merge Records and Tyler is playing a number of shows over the next few months, most of which find him opening for the Chicago band Wilco. Here, Tyler and I discuss how things are going in Nashville, the Country Music Association Festival and Bonnaroo, living in Nashville most of your life, Nash Vegas and what happens when your city grows, changes and WXNA, the world’s most talented music city, Harmony Korine is taking his talents to south beach, auditioning for Harmony and Budweiser, Dave Cloud and the Springwater and the Gospel of Power and losing local luminaries, getting older and the song “I’m Gonna Live Forever (If it Kills Me),” the notion behind Modern Country and its relation to America’s current political climate, media mediation and misinformation about different parts of the country you live in, Hillary Clinton and Donald Trump and Bernie Sanders, the illegal and fraudulent conduct of the Democratic National Party, the 2000 Presidential election, Hill feeling the Bern, what Trump is stirring up and people comparing him to Hitler, his platform as it relates to the Republican party’s platform, hatred and racism, projecting a landslide loss, the stigma of intellectualism and the rise of reality TV, hope and faith in the American people, Trump’s imperviousness to criticism, the RNC as imagined by Hunter S. Thompson and Fellini, conveying political thoughts and perspectives via instrumental music, musical intent, receiving external inspiration, the Blind Pig in Ann Arbor and Silver Jews and the Mountain Goats, working with David Berman, lyrics, Wooden Wand, John Darnielle, relating as much to mood as words in lyrics, modernism and archaism, emoji’s and hieroglyphs, Godspeed You! Black Emperor, less talk more rock, adapting to different situations, playing in bands and also not, jamming, the Grateful Dead, Glenn Kotche and Darin Gray, Glenn Jones and Jim O’Rourke and Sir Richard Bishop and John Fahey, O’Rourke deserves more credit, O’Rourke interviews and music recommendations, Glenn and Darin and Insignificance, coming to Canada, touring woes, quiet storm psychedelia, those Silver Jews rumours, pleading with David Berman to write again, the song “I’m Gonna Live Forever (If it Kills Me),” and that was it.

Related links: williamtyler.net mergerecords.com vishkhanna.com

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Ep. #197: Nels Cline

Nels Cline is an American multi-instrumentalist and one of the world’s most renowned and inventive guitar players. Best known these days as a member of the popular Chicago band Wilco, Cline has collaborated with hundreds of musicians, most often within the realm of jazz or improvised music, but also touching upon almost every music genre human beings currently comprehend. Near the beginning of this century, Cline started a new free jazz ensemble called the Nels Cline Singers, featuring drummer Scott Amendola, bassist Trevor Dunn, and percussionist Cyro Baptista, and to date, they’ve released six albums, including 2014’s Macroscope. The Nels Cline Singers are playing at Guelph, Ontario’s Hillside Festival during the weekend of July 24 and here, Nels and I discuss being back in New York City after playing Wilco’s Solid Sound Festival, MassMoCA and the state of Massachusetts, Chicago music festivals, 318 Canadian music festivals, catching up to Europe, music and social skills and community building, punishment, curating Solid Sound, Jeff Tweedy and Tony Margherita, the new Solid Sound documentary Every Other Summer, when the Nels Cline Singers get together to play, the expanded NCS, Marc Ribot’s open letter to Steve Albini about copyrighting art, the vague notion of making the latest NCS album Macroscope, the 1970s and high school, the Weather Report, Herbie Hancock, MIles Davis, Yuka Honda and Cibo Matto’s new record Hotel Valentine, playing in Cibo Matto, being a dad and not knowing or being able to do anything, proteck ya neck, a terrible nerve pinch, being there when ‘there’ is in Wilco, more people are coming out to see Nels play outside of Wilco these days, the Grand Canyon Suite by Ferde Grofé, hearing classical Indian music in grade 10, hearing Jimi, an entire side of Ravi Shankar goes a long way, visiting India, touring modern, his guitar style or lack thereof, classical Indian sitar elements within his playing, various influences, drones, rising music stars and great younger guitarists, buying new CDs, Julian Lage, the forthcoming double-album of orchestrated ballads called Lovers that Nels has been working on for two decades, at least one of these ballads is by Sonic Youth, it should be out by January, working with John Zorn, new Singers stuff, scoring a new documentary about veteran suicide with Yuka, trying to guess how many records Nels has appeared on, new Wilco recordings and their state of completion, the Mack Avenue record label, the song “Respira,” and so the raga is over.

Related links: nelscline.com vishkhanna.com

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Ep. #63: Pat Sansone + John Stirratt of The Autumn Defense + Wilco

Pat Sansone and John Stirratt play together in the bands Wilco and the Autumn Defense. The pair met in New Orleans and began working together in 1999, when the Autumn Defense was formed. Sansone eventually joined Wilco in 2004 and that band has kept both men incredibly busy. Still they find time for the Autumn Defense and on Jan. 28, 2014, Yep Roc releases the band’s new album Fifth. Back in July 2013, Sansone and Stirratt met with me at Toronto’s Molson Amphitheatre, where Wilco was playing a date on the Americanarama tour featuring Bob Dylan, My Morning Jacket and, that night, the amazing Richard Thompson. Hours before the show began, we discussed breakfast at Amphitheatres, the impact of Wilco’s busy schedule on the Autumn Defense’s productivity, the social element of this band and its evolving sound, some recurring themes on Fifth such as the harsh living conditions in the “extreme city of Chicago,” a horrible story of a drive-by shooting near the studio the band was working in on a frigid January morning, the U.S. gun problem, how the Autumn Defense began and how Pat ended up joining and even influencing Wilco, how Wilco influences the Autumn Defense, an album highlight, some behind the scenes scoop about the Americanarama tour, and more. You can also hear the song “None of This Will Matter” at the end of the interview.

Related links: autumndefense.tumblr.com yeproc.com vishkhanna.com

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