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Ep. #151: Hari Kondabolu

Hari Kondabolu is a very funny and incisive stand-up comedian who hails from Queens, New York. He has written for shows like Totally Biased with W. Kamau Bell and appeared on the Late Show with David Letterman, Conan, and John Oliver’s New York Stand-Up Show among others. Earlier this year, Kill Rock Stars released his highly acclaimed and hilarious stand-up album, Waiting for 2042, which is out on vinyl December 2. On Friday December 5, he headlines a show at the Biltmore Cabaret in Vancouver and here, Hari and I discuss Queens New York not Seattle Washington, how Canada’s not so great, cowardly Americans, indigenous eradication and white demonry, fighting not fleeing, agreeable Canadians, how Stephen Harper might be slicker than George W. Bush, the downfall and terrible truth of Jian Ghomeshi, being on Q, knowing Jian and how he used to always call me ‘buddy,’ Jian’s aggressive egotism, comedy and show biz power dynamics, Hari’s mom doesn’t think he listens anymore, people who think I should have a shot at hosting Q, people who think brown people can replace other brown people, Hari’s #vishonQ campaign, accusations of race obsession in observational comedy, Aziz Ansari’s take on mining one’s cultural heritage in their work versus someone like Russell Peters who does accents in his act, how Peters has galvanized South Asian communities, whitewashed accents and losing our parents’ voices, the situation in Ferguson and what it says about our social progress, white demonry, the remorseless Darren Wilson, people who actually listen, the Terry Gross interview might’ve been a little too great, #vishonQ, Back to the Future and the way forward to politely colonizing Mars, CIA seed money, Weezer’s decline and my lapsed membership (#1234) in their fan club, the Pixies have also been a let-down, more empathy for artistic evolution, really obsessing over Weezer’s trajectory, how and why we measure artists’ creative output, Radiohead, Fugazi, Shellac, the Beatles and others who have created an interesting, nearly flawless body of work, Weezer’s time and place post-Kurt Cobain/at the dawn of widespread internet use in the mid-90s, Pinkerton is messed up, “El Scorcho” and “Across the Sea” are both racist, taking online flak, how Hari’s completion of a B.A. in Comparative Politics and a Masters in Human Rights from the London School of Economics somehow led him to comedy, Paul Mooney, following his passion, you have to laugh when you want to cry, addressing the diaspora and telling his parents’ stories, my dad came here with nothing and now I’m an asshole, coming to Canada more, Sled Island, Northwest Canada and Vancouver, Todd Barry’s Crowd Work movie is great, #toddbarryonQ, Waiting for 2042 is on vinyl via Kill Rock Stars, and pandering to white people, not appreciating our parents’ cooking until white people tell us it’s good, “What’s that smell?,” thanks mom and dad, google.com, the comedy bit “Moving to Canada,” and also #vishonQ.

Related links: harikondabolu.com killrockstars.com vishkhanna.com

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News Podcast

Ep. #120: Steve Albini

Steve Albini is a world-renowned recording engineer and the owner and one operator of the stellar Electrical Audio recording facility in Chicago, Illinois. He is also one of three singers and one of one electric guitarists in Shellac, one of the most significant and influential underground rock bands of the past 25 years. On September 16, Touch and Go Records will release Dude Incredible, the fifth official album by Shellac. Here, Steve and I chat about a cool Chicago July and the Polar Vortex revival, his recent interview with High Times who care a lot about drugs, how smoking weed is a young man’s game, how certain things should be experienced by all of us who wish to relate to everyone else, the last time he tripped balls, rolling fatties, Kevin Goldstein and getting the royal treatment at a recent White Sox/Astros game in Chicago, meeting Steve Sparks and talking about knuckleballers, living in Houston, being on-field for batting practice, the Cubs are really embarrassing statistically and otherwise, Wrigley Field is cool but Sox games are more fun, the Steve Bartman incident, baseball and curses, National League versus American League baseball, when he first fell in love with baseball as a kid, the Cincinnati Reds in the 1970s, why baseball might be the most appealing, compelling, and distinctive major team sport, pulling the goalie, participating in events like the World Series of Poker, welcome back Gabe Kaplan, why poker can be so engaging, oddly complex games like baduci, winning, tells in poker versus the dramatic arts, interpreting behaviour, reverse psychology, and pantomime, the honesty of Jamie Gold, streakiness, the significance of the Ramones, laughing at the Clash, the Jesus Lizard’s BOOK, David Yow and cats that demand respect, Gary the cat, making At Action Park 20 years ago, taking time with Shellac, the Shellac albums don’t need to be remastered, why Shellac haven’t released singles in a while, contemplating a Shellac singles compilation album, a one word encapsulation of every song on Dude Incredible with a slight elaboration on that one word, the Evens, his upcoming Pop Montreal speaking engagement, recording symposium with Howard Bilerman, and a cooking exhibition, making a record in Winnipeg this fall, and that’s the end of radio/podcasting.

Related links: touchandgorecords.com electricalaudio.com vishkhanna.com

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Ep. #70: Joel RL Phelps

Joel RL Phelps is an American musician and songwriter who once played in the now-defunct band Silkworm. Upon leaving Silkworm, Phelps began collaborating with new musicians, most notably William Herzog and Robert Mercer, and formed a unique rock group called Joel RL Phelps and the Downer Trio. The band’s new album came out Oct. 8, 2013 via Triple Crown Audio Recordings in Canada; it’s called Gala and marks their first release in nine years. Here, Joel and I discuss living in Vancouver vs. Montana vs. Seattle, missing Steve Albini, seeing Shellac at the Starfish Room in Vancouver in 1999, the themes on Gala, as they relate to his recovery from alcoholism, some background into his condition and when and how it began to manifest itself, his experience with clinical depression and other mental health issues, the process of trying to get reacquainted with one’s self, how addicts tend to interact with and disconnect from the world, how all of these experiences might inform the music and lyrics on Gala, how he was barely able to walk before he entered recovery, his work with 12-step and secular recovery groups and how that leads him to discuss ideas and approaches regarding addiction, his role in the formation of Silkworm and the band’s earliest days, dropping out of school quite a bit, the circumstances that led to his leaving Silkworm, why he didn’t appear in the documentary Couldn’t You Wait? The Story of Silkworm and how it impacted the film, playing in the Downer Trio and his general temperament towards music these days, his touring/travelling difficulties, how Canadians are really into Canadian things, the song “So You’ve Decided,” and more.

Related links: joelrlphelps.net crowncrowncrown.com vishkhanna.com

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