Tag: Godspeed You! Black Emperor

Ep. #142: Ryan Hemsworth & BADBADNOTGOOD Live at the Halifax Pop Explosion

Post author By vish
Post date October 30, 2014

Ryan Hemsworth and BADBADNOTGOOD each appeared at the 2014 Halifax Pop Explosion last week and we took part in a live, panel interview together at the Museum of Natural History. Ryan’s a talented electronic artist who originally hails from Halifax and whose new record, Alone for the First Time, is out November 4 via Last Gang Records. Keyboardist Matt Tavares, bassist Chester Hansen, and drummer Alex Sowinski are the brains behind BBNG, a popular instrumental hip-hop trio from Toronto whose latest album, III, is out now via Innovative Leisure and whose new collaborative album with Ghostface Killah, Sour Soul, is due out this February. Here, we discuss first encounters with the internet, dial-up and ICQ, Duke Nukem, Goldeneye and N64 and instructions, Napster, having a strong but casual social media presence, being online and sharing things all of the time, the importance of twitter, shy and quiet irl, virtual trolling and real-life confrontation, how BBNG posted a video of an Odd Future cover song online and it blew up, Alex is extroverted and smart, being angry at Lenny Kravitz, Ryan’s label Secret Songs and its connection to finding music on Soundcloud, crate digging and Muchmusic, Nelly and porn, ogg, why hip-hop, electronic and computer sounds perk Ryan’s ears up, soaking in music and putting it back out, BBNG drinking Ryan’s rider, how BBNG got together, great Indian food in Mississauga, MF Doom and Humber, Chester Hansen is pretty great, jazz time and hip-hop time, what’s the deal with rap shows, a surprise but delayed collaboration with Ghostface Killah and Raekwon, fusion ska, hardcore punk scenes within Toronto suburbs, loving the Backstreet Boys and Blink 182, Travis Barker, Matt loved Godspeed You! Black Emperor and Dinosaur Jr., Ryan’s life in Halifax, playing guitar and singing badly, the stifling creative environment in music institutions, rude messages from music teachers, BBNG got no kick against modern jazz, heroin or something crazy, Tom Grosset, Ryan’s journalism studies in Halifax, media manipulation, putting music out there, the rave cruise Holy Ship, not having an EDM moniker, freaking out about Ghost and Rae, the BBNG Slick Rick story, Ryan’s new album Alone for the First Time, looking up to Caribou and James Blake, the song “Surrounded,” the BBNG/Ghostface collab album Sour Soul, Ghost wants to play music like he’s flipping channels, Ryan’s song “Snow in Newark,” Flea and Kobe, BADBADNOTGOOD’s song “Velvet,” and that was it.

Related links: ryanhemsworth.com badbadnotgood.com halifaxpopexplosion.com vishkhanna.com

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Ep. #115: Jeremy Gara & Samir Khan of Kepler

Post author By vish
Post date July 15, 2014

Jeremy Gara and Samir Khan are accomplished musicians who once played together in an Ottawa-based band called Kepler. For a good chunk of their time together, they were associated with a kind of slow-building atmospheric music that made them a nice fit to open for Godspeed You! Black Emperor for example. Their final album felt like a real departure to fans who heard its pop-oriented, singer-songwriter leanings when it was first released in 2006. The album is Attic Salt and it was just reissued by a German boutique record label called Oscarson. Here, Samir and Jer and I discuss Roncesvalles Village in Toronto, what tambourines are good for, Soho in London, England, the Rolling Stones, Monty Python’s Flying Circus at O2 Arena, how sometimes records are now commissioned by rich people, patronage, why Attic Salt has been reissued, small bands and big bands, podcast stats, tiny defensiveness, Michael Feuerstack is right, Ottawa’s pointed, smart, and possibly under-appreciated music community, Wooden Stars, Clark the band, Yellow Jacket Avenger, Snailhouse, HILOTRONS, Shotmaker, Okara, when Jeremy wrote Samir a fan letter about Samir’s post-punk band Kluane, Kepler and the Constellation Records loft in Montreal, bass is easy, Sonic Youth is easy, seeing the Cure play live when you’re 12, how Samir ended up in Ottawa after living in Winnipeg, Ottawa’s counter-culture and punk scene, the Pit in Ottawa, Sloan and murderecords, local bands stopped getting love, micromanaging the spectacle, I still don’t know what cynicism means, how Kepler started, the change within Attic Salt, Jeremy’s impact on Kepler, rock music and the myth of progress, Kepler weren’t part of the mid-aughts indie-rock renaissance, Kepler might come back and open for Slowdive, when Jer left Kepler to join Arcade Fire, Jer really misses Kepler and wants the band to play together again, Samir sees making music for a living as a deep, meaningless, bleak pit, things get heavily nostalgic when these dudes really start pondering Kepler, old bands finally getting their due, fans not letting go of the bands they loved as kids, the internet and zombie music, Constantines, the Attic Salt reissue and its rather elaborate packaging that makes it sit weird, Slint and June of ‘44, Attic Salt outtakes that Germans can Google, nice racism, Jer is playing Hyde Park, Keith Richards no longer actually plays guitar when the Rolling Stones are on stage, AC/DC and Malcolm Young, Arcade Fire’s going on a North American tour while Samir eats dinner and works his job, Samir is always chipping away at music stuff, his band Tusks, what the crowd might be like if Kepler played some shows, Kepler should play the Hillside Festival, the song “The Bedside Manner,” the Ottawa Millionaires, Dave Draves, and then reward and respite.

Related links: oscarson.bandcamp.com arcadefire.com vishkhanna.com

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Ep. #77: Maica Mia

Post author By vish
Post date March 6, 2014

Maica Mia is a three-piece band from Montreal featuring Maica Armata, Jonny Paradise, and, most recently, bassist, Mauro Pezzente who is also a member of Godspeed You! Black Emperor. Together they create a compelling, emotionally rich kind of contemporary folk music bolstered by heavy instrumentation and electronic flourishes that propel Armata’s evocative and powerful vocals. This past January Maica Mia self-released their gorgeous second album; it’s called Des Era and has prompted them to tour, including a stop at the Drake in Toronto on Friday March 7, shows at SXSW on March 13 and 14, Quebec City on March 28, and Montreal on April 4. Here, Maica and I discuss face-touching danger, the beauty and joy of physical mail, the sound of Maica Mia and what cinematic music means, Maica’s favourite movie and her love of “animals” and phoning home, I AM NOT AN ANIMAL, music and things that inspire Maica to make the unsettling music she makes, why a movie she hasn’t seen yet is probably her favourite movie, particular themes on the record that have become evident to Maica, Dimitri Nasrallah, how Mauro Pezzente ended up in Maica Mia, the next album, the song “wish,” and more.