Categories
News Podcast

Ep. #131: Ronnie Spector

Ronnie Spector is one of the most influential vocalists and performers in all of pop music. Her work with the Ronettes in the 1960s was legendary, altering the course of rock ‘n’ roll with its style, attitude, and gigantic international hits like “Be My Baby,’ “Walking in the Rain,” and “Baby, I Love You.” Spector simply casts a long shadow on contemporary culture, influencing filmmakers, fashion designers, hair stylists, and a list of musicians that includes the Beatles, Beach Boys, Bruce Springsteen, Ramones and Amy Winehouse among many others. On September 19, Spector heads to the Riatlo Theatre and Pop Montreal with her acclaimed show, Beyond the Beehive, an evening of music and stories about her life. Here, Ronnie and I discuss the rock ‘n’ roll state of Connecticut, the origins of her current stage show and its unfiltered examination of her entire life, talking about yourself in an age of oversharing, how artists don’t have lasting power in the current music industry, doing her Keith Richards impression, making the live Ronnie Spector experience a special one, how her marriage to Phil Spector impacted her ability to tour and release records, losing years in court battles, deflecting her icon status, raising kids and living a perfect life, Bed Bath & Beyond, cooking, falling in love with the voice of Frankie Lymon, music homework, going to the Apollo Theatre for amateur night at 11 years old, what Phil Spector was like to work with in the studio, the wall of sound was people, her relationship with “Be My Baby,” how there is still a lot of unreleased material by the Ronettes and Ronnie that has yet to see the light of day, we get cut off, the song “Be My Baby” and that was it.

Related links: ronniespector.com popmontreal.com vishkhanna.com

Ronnie_Spector_Feb_2842375b

Listen, subscribe, rate/review on iTunes.

Categories
News Podcast

Ep. #115: Jeremy Gara & Samir Khan of Kepler

Jeremy Gara and Samir Khan are accomplished musicians who once played together in an Ottawa-based band called Kepler. For a good chunk of their time together, they were associated with a kind of slow-building atmospheric music that made them a nice fit to open for Godspeed You! Black Emperor for example. Their final album felt like a real departure to fans who heard its pop-oriented, singer-songwriter leanings when it was first released in 2006. The album is Attic Salt and it was just reissued by a German boutique record label called Oscarson. Here, Samir and Jer and I discuss Roncesvalles Village in Toronto, what tambourines are good for, Soho in London, England, the Rolling Stones, Monty Python’s Flying Circus at O2 Arena, how sometimes records are now commissioned by rich people, patronage, why Attic Salt has been reissued, small bands and big bands, podcast stats, tiny defensiveness, Michael Feuerstack is right, Ottawa’s pointed, smart, and possibly under-appreciated music community, Wooden Stars, Clark the band, Yellow Jacket Avenger, Snailhouse, HILOTRONS, Shotmaker, Okara, when Jeremy wrote Samir a fan letter about Samir’s post-punk band Kluane, Kepler and the Constellation Records loft in Montreal, bass is easy, Sonic Youth is easy, seeing the Cure play live when you’re 12, how Samir ended up in Ottawa after living in Winnipeg, Ottawa’s counter-culture and punk scene, the Pit in Ottawa, Sloan and murderecords, local bands stopped getting love, micromanaging the spectacle, I still don’t know what cynicism means, how Kepler started, the change within Attic Salt, Jeremy’s impact on Kepler, rock music and the myth of progress, Kepler weren’t part of the mid-aughts indie-rock renaissance, Kepler might come back and open for Slowdive, when Jer left Kepler to join Arcade Fire, Jer really misses Kepler and wants the band to play together again, Samir sees making music for a living as a deep, meaningless, bleak pit, things get heavily nostalgic when these dudes really start pondering Kepler, old bands finally getting their due, fans not letting go of the bands they loved as kids, the internet and zombie music, Constantines, the Attic Salt reissue and its rather elaborate packaging that makes it sit weird, Slint and June of ‘44, Attic Salt outtakes that Germans can Google, nice racism, Jer is playing Hyde Park, Keith Richards no longer actually plays guitar when the Rolling Stones are on stage, AC/DC and Malcolm Young, Arcade Fire’s going on a North American tour while Samir eats dinner and works his job, Samir is always chipping away at music stuff, his band Tusks, what the crowd might be like if Kepler played some shows, Kepler should play the Hillside Festival, the song “The Bedside Manner,” the Ottawa Millionaires, Dave Draves, and then reward and respite.

Related links: oscarson.bandcamp.com arcadefire.com vishkhanna.com

kepler

Listen, subscribe, rate/review on iTunes.