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Ep. #154: Tom Scharpling

Tom Scharpling is a comedic writer, performer, and personality who hails from the state of New Jersey. He founded a fanzine and record label called 18 Wheeler in the early 1990s, he was a writer and executive producer on the TV show Monk during its eight year run on the USA network, he made contributions to the show, Tim and Eric Awesome Show, Great Job!, and has directed music videos and short films for people like the New Pornographers, Ted Leo, the Postal Service, and Aimee Mann among others. But along with Jon Wurster, Scharpling is most beloved as one-half of the comedy duo Scharpling & Wurster and for hosting the popular and influential call-in music program The Best Show on WFMU in Jersey City, New Jersey. Scharpling commandeered the Best Show for 13 years, before ending its run in December 2013. This past October, he announced that the Best Show would be returning as a podcast, which can soon be found at thebestshow.net, and the Numero Group is also releasing a 16-CD Scharpling & Wurster Best of the Best Show box set this coming March. Here, Tom and I discuss soggy New Jersey, getting over winter, the current status of The Best Show, why the original Best Show stopped, quality trumps all, volunteering at a non-commercial station like WFMU, no money, working real jobs while putting a lot of time and energy into a volunteer project, working for Monk, whether or not the consumption of free content means that content has been devalued, people value phones more than the entertainment they’re consuming, the elimination of singles and music industry mistakes, loving the things that people make, making a living, The Best Show will be less a podcast and more of a live-on-the-internet type show, no doubt, commercials, I convey envy for some reason, how the end of The Best Show on WFMU impacted people, growing up lower middle-class in New Jersey, getting into comedy and music at a young age, loving game changers like SCTV, SNL, David Letterman, Bill Murray, and Howard Stern, starting a zine and record label, writing a screenplay, performance anxiety, getting into WFMU as an overnight DJ, how other people’s work might influence your own, it wasn’t really the best show, when The Best Show and Scharpling and Wurster began to click, there’s no fun in fundraising, the best is yet to come, Julie Klausner’s How Was Your Week? and Marc Maron’s WTF, not listening to other people’s stuff when you start making stuff, calling upon independent podcast and radio hosts for interviews, perceptions of success, the Scharpling & Wurster box set is special, reflection, Patton Oswalt, Julie Klausner, Jake Fogelnest, Damian Abraham, and others contributed to the liner notes in the box, Tom and Jon each wrote descriptions of the tracks, Fucked Up rule, future plans and media appearances, Letterman, going to Late Night with Conan O’Brien tapings, whether or not Tom was at a taping of The Chris Getheard Show featuring Sleater-Kinney instead of doing Jon Solomon’s WPRB radio show, what the Best Show might look like, smashing a phone with hammers, the song “Sun Glass” by Fucked Up, and that’s the end.

Related links: thebestshow.net numerogroup.com vishkhanna.com

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Ep. #136: Absolutely Free

Absolutely Free is a powerful and ambitious three-piece band from Toronto, Ontario. For years, Matt King, Moshe Rozenberg, and Mike Claxton used to play together in a fantastic post-punk outfit called DD/MM/YYYY that put on one of the best live shows in the world. After they broke up, King, Rozenberg, and Claxton eventually reconvened to create music that was a little less frenetic and possibly more dynamic; they seemed keen to explore psychedelic, textured pop and Krautrock as touchstones for something unprecedented. The latest manifestation of their work is their first full-length, self-titled album, which is out October 14 via Arts & Crafts, and on Saturday October 11, they’ll perform the record with a special hologram/laser light show at the Long Winter Bloor Hot Docs Theatre Take Over Event in Toronto. Here, Matt and Moshe talk about throwing vegetables into the fire, DD/MM/YYYY and 11/11/11, absolute freedom, guitars and synthesizers, you can stop the rock, RHCP with an emo twist, misinterpretations and the right comparisons, that time I emailed Moshe during a show, a dysfunctional band can be like a bad tooth, Absolutely Free keeps getting smaller and more impossible, sister act, the rough side of Richmond Hill, southern Ontario hardcore punk, Dan Deacon in Toronto, Mike Claxton was in a band called Plant the Bomb, MuchEast and the Wedge VHS collections, loving the Super Friendz, Jack Grunsky, Boyz II Men, Celine Dion, the Offspring, Green Day, Nirvana, Frank Zappa, Captain Beefheart, adult excitement for music, mixing textured vocals kinda low, Steve Clarkson, mistakes, hazy trends, my SCTV Complete Series box set, the way in which Mike Haliechuk of Fucked Up produced and contributed to the new record, life and time and light, existentialism and transcendence, climbing the ladder, external considerations and receptions, scoring the film Two Cares Due None, releasing a bunch of unreleased material, holographic versions of Absolutely Free are playing Long Winter this Saturday while the actual band is in Hamilton, Toronto Laser Services, the song “Earth II,” and then we’re absolutely free.

Related links: absolutelyfree.ca torontolongwinter.com vishkhanna.com

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Ep. #119: Constantines

Constantines are a powerful and influential band who originally formed in Guelph, Ontario in 1999. After releasing four acclaimed and inspiring post-punk/rock ‘n’ roll albums, Constantines went on indefinite hiatus in 2010. The band have reconvened in recent months and Sub Pop reissued their classic 2003 album Shine a Light this past June. Constantines are playing a number of shows over the coming months, including stops in Sackville, NB (SappyFest, Aug. 3), Peterborough, ON (Peterborough Folk Festival, Aug. 22), Ottawa, ON (Arboretum Festival, Aug. 23), Toronto, ON (The Molson Canadian Amphitheatre w/ Arcade Fire, Aug. 29), Toronto, ON (The Danforth Music Hall, Oct. 2), Montreal, QC (Club Soda, Oct. 4), Vancouver, BC (Commodore Ballroom, Oct. 8),  Calgary, AB (Commonwealth Bar & Stage, Oct. 9), and Edmonton, AB (UPDT Festival, Oct. 11). Here, Steven Lambke, Doug MacGregor, Dallas Wehrle, Will Kidman, Bry Webb, and myself discuss playing “Keep On Rockin’ in the Free World” with Jack Layton, Olivia Chow, and members of Barenaked Ladies, Dallas Good calls Dallas Wehrle, the yellow tape, unsafe seasonal tours, the freak hail storm at the Sasquatch! Music Festival, Paul’s Boutique and shows at Who’s Emma, Mike Haliechuk from Fucked Up set up a Captain Co-Pilot show, hardcore bands from the 90s, Monica Lewinsky and Bill Clinton, the video for “One” by Metallica, Mats Naslund and Wayne Gretzky, skiing, Glenview Park Secondary School, Dallas won the gym award, Rob Pal, I won the French award, Tyler Williams, Dallas liked industrial music, the high school airband showcase and Nine Inch Nails, Ted Lambke, discovering music in skate videos, Doug’s band Shoulder, the Button Factory in Kitchener, Pain Don’t Hurt, Gaffer, “New School Calypso (NSC),” Rob Pal named Captain Co-Pilot, the London hardcore scene, Hoover and Lincoln, why Shoulder ended, why Captain Co-Pilot ended, tiny ladies are time-consuming, the 37 Elizabeth Street house, Tony the landlord, Tom McKnight, bouncer dudes from the Palace, how Constantines started, Cambridge eyeroll, excited about bands like ourselves, Three Gut Records origin show, the song “Arizona,” Dallas recalls the hilarious legend of crusty punk/European road manager Jörg, that Sasquatch! Music Festival hailstorm story again, Dallas thought he might die, Will climbs the rafters, Ayr and Cambridge, Southwood Secondary School, Ayr house show, Patrick Swayze and Road House, this guy Ryan, Cambridge shows would always get shut down, the Mighty Fishermen, that guy Brent who ripped us off, we all had a crush on Jill Holmberg, Dallas and Steve and I played in a band called Dioctave, the Unfuckable Cum Bums, the bands Curb, Ground, and the Mighty Fishermen, Mr. Gouveia’s French class and Tony Tabu, work on your scales, Mr. Carbone’s guitar class got Dallas playing music, judhaynes.com, Metallica again but also Ministry, adding a drum machine to a three-piece punk band, playing in Dallas’ living room and Ted Lambke yelled at us about Black Sabbath, Minnow was a big influence on Captain Co-Pilot, Will became a Captain Co-Pilot fan and gave Steve a tape of his music at that show, Dallas wasn’t into HPX, small women, how Will joined Constantines at a recording session, Who’s Emma, Cons reunion, the song “Insectivora,” Bry’s the most frequent guest on this podcast except for Jon Spencer, acting and fakery, everyone assumes Constantines are very serious, playing the first reunion show in Guelph in June, 106 Huron Street, shy guys, playing in a newly-invented eco-village in Sweden whose design was partially influenced by Guelph, a social night for Swedish teens, dreams come true, being scared to death about selling out, integrity and the end of the Cons, returning with sensitivity, contemplating writing new songs with the Cons, expanding the tour dates to play a show with Arcade Fire in Toronto on August 29 and across more of Canada, as well as Seattle and Portland, the Danforth Music Hall, dealing with Cons stuff and Bry Webb and the Providers at the same time, Sackville and Dawson City, Sandbanks Provincial Park, Massey Hall footage, the song “Time Can Be Overcome,” and then time can’t be overcome.

Related links: theconstantines.wordpress.com subpop.com/artists/constantines vishkhanna.com

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