Tag Archives: Jon Solomon

Ep. #282: The Rutabega

The Rutabega is a two-piece pop-infused rock band consisting of Joshua Wayne Hensley and Garth Mason. Based in South Bend, Indiana, the Rutabega began some 15 years ago, as a solo outlet for Hensley’s fragile yet strong songwriting. In 2011, he connected with Mason, a multi-instrumentalist and sound engineer, who has bolstered the Rutabega to become this mighty, beloved musical force. In the summer of 2016, Comedy Minus One released the band’s excellent record Unreliable Narrator, and the Rutabega have been playing select shows ever since, including upcoming dates on October 15 in South Bend, Indiana, on October 20 in Chicago, Illinois, and October 21 in Mattawan, Michigan. Here, Josh and Garth and I discuss high rotation Rutabega, Jay Arner and Jay II and my family’s love affair with both, down in the Bad Breath Club, getting my head around South Bend, the Studebaker Car Company Factory there that shut down decades ago, South Bend on the mend, an openly gay Mayor in Indiana, Mayor Pete Buttigieg, Governor Mike Pence, progressive bubbles, whether or not most Americans want to discuss the presidential election, good versus evil, living through history, music as a realm expressing one’s thoughts about the whole world, new songs, personal and political, creativity and hopefulness, the band Space and Noise Productions, Josh’s early solo recordings and the origins of the Rutabega, nicknames Josh’s dad gave him, questioning answers, a rutabaga, a Studebaker, how Garth encountered Josh and then joined him in a band, multi-instrumentalism, Jon Solomon should’ve better prepped me for this interview, all of the instruments that Garth can almost play, South Bend’s segregated music communities, the city’s dubious crime history, Indiana music pride, “my favourite music is made by my friends,” discovering other good bands when you’re in a band, Canadindiana, Sloan, the Weakerthans, Propagandhi, Neil Young, Weed, Eric’s Trip, thoughts on Canada, the Inbreds and Mike O’Neill’s bass playing, the evolution of the Rutabega, 2013’s Brother The Lights Don’t Work, the Rutabega’s future, the song “Problem Solving Skills,’ the finer distinctions between the American and Canadian versions of ‘Rock, Paper, Scissors,’ and that was it.

therutabega

Related links: comedyminusone.com/bands/the-rutabega vishkhanna.com

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Ep. #154: Tom Scharpling

Tom Scharpling is a comedic writer, performer, and personality who hails from the state of New Jersey. He founded a fanzine and record label called 18 Wheeler in the early 1990s, he was a writer and executive producer on the TV show Monk during its eight year run on the USA network, he made contributions to the show, Tim and Eric Awesome Show, Great Job!, and has directed music videos and short films for people like the New Pornographers, Ted Leo, the Postal Service, and Aimee Mann among others. But along with Jon Wurster, Scharpling is most beloved as one-half of the comedy duo Scharpling & Wurster and for hosting the popular and influential call-in music program The Best Show on WFMU in Jersey City, New Jersey. Scharpling commandeered the Best Show for 13 years, before ending its run in December 2013. This past October, he announced that the Best Show would be returning as a podcast, which can soon be found at thebestshow.net, and the Numero Group is also releasing a 16-CD Scharpling & Wurster Best of the Best Show box set this coming March. Here, Tom and I discuss soggy New Jersey, getting over winter, the current status of The Best Show, why the original Best Show stopped, quality trumps all, volunteering at a non-commercial station like WFMU, no money, working real jobs while putting a lot of time and energy into a volunteer project, working for Monk, whether or not the consumption of free content means that content has been devalued, people value phones more than the entertainment they’re consuming, the elimination of singles and music industry mistakes, loving the things that people make, making a living, The Best Show will be less a podcast and more of a live-on-the-internet type show, no doubt, commercials, I convey envy for some reason, how the end of The Best Show on WFMU impacted people, growing up lower middle-class in New Jersey, getting into comedy and music at a young age, loving game changers like SCTV, SNL, David Letterman, Bill Murray, and Howard Stern, starting a zine and record label, writing a screenplay, performance anxiety, getting into WFMU as an overnight DJ, how other people’s work might influence your own, it wasn’t really the best show, when The Best Show and Scharpling and Wurster began to click, there’s no fun in fundraising, the best is yet to come, Julie Klausner’s How Was Your Week? and Marc Maron’s WTF, not listening to other people’s stuff when you start making stuff, calling upon independent podcast and radio hosts for interviews, perceptions of success, the Scharpling & Wurster box set is special, reflection, Patton Oswalt, Julie Klausner, Jake Fogelnest, Damian Abraham, and others contributed to the liner notes in the box, Tom and Jon each wrote descriptions of the tracks, Fucked Up rule, future plans and media appearances, Letterman, going to Late Night with Conan O’Brien tapings, whether or not Tom was at a taping of The Chris Getheard Show featuring Sleater-Kinney instead of doing Jon Solomon’s WPRB radio show, what the Best Show might look like, smashing a phone with hammers, the song “Sun Glass” by Fucked Up, and that’s the end.

Related links: thebestshow.net numerogroup.com vishkhanna.com

scharpling

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