Tag Archives: the Button Factory

Ep. #119: Constantines

Constantines are a powerful and influential band who originally formed in Guelph, Ontario in 1999. After releasing four acclaimed and inspiring post-punk/rock ‘n’ roll albums, Constantines went on indefinite hiatus in 2010. The band have reconvened in recent months and Sub Pop reissued their classic 2003 album Shine a Light this past June. Constantines are playing a number of shows over the coming months, including stops in Sackville, NB (SappyFest, Aug. 3), Peterborough, ON (Peterborough Folk Festival, Aug. 22), Ottawa, ON (Arboretum Festival, Aug. 23), Toronto, ON (The Molson Canadian Amphitheatre w/ Arcade Fire, Aug. 29), Toronto, ON (The Danforth Music Hall, Oct. 2), Montreal, QC (Club Soda, Oct. 4), Vancouver, BC (Commodore Ballroom, Oct. 8),  Calgary, AB (Commonwealth Bar & Stage, Oct. 9), and Edmonton, AB (UPDT Festival, Oct. 11). Here, Steven Lambke, Doug MacGregor, Dallas Wehrle, Will Kidman, Bry Webb, and myself discuss playing “Keep On Rockin’ in the Free World” with Jack Layton, Olivia Chow, and members of Barenaked Ladies, Dallas Good calls Dallas Wehrle, the yellow tape, unsafe seasonal tours, the freak hail storm at the Sasquatch! Music Festival, Paul’s Boutique and shows at Who’s Emma, Mike Haliechuk from Fucked Up set up a Captain Co-Pilot show, hardcore bands from the 90s, Monica Lewinsky and Bill Clinton, the video for “One” by Metallica, Mats Naslund and Wayne Gretzky, skiing, Glenview Park Secondary School, Dallas won the gym award, Rob Pal, I won the French award, Tyler Williams, Dallas liked industrial music, the high school airband showcase and Nine Inch Nails, Ted Lambke, discovering music in skate videos, Doug’s band Shoulder, the Button Factory in Kitchener, Pain Don’t Hurt, Gaffer, “New School Calypso (NSC),” Rob Pal named Captain Co-Pilot, the London hardcore scene, Hoover and Lincoln, why Shoulder ended, why Captain Co-Pilot ended, tiny ladies are time-consuming, the 37 Elizabeth Street house, Tony the landlord, Tom McKnight, bouncer dudes from the Palace, how Constantines started, Cambridge eyeroll, excited about bands like ourselves, Three Gut Records origin show, the song “Arizona,” Dallas recalls the hilarious legend of crusty punk/European road manager Jörg, that Sasquatch! Music Festival hailstorm story again, Dallas thought he might die, Will climbs the rafters, Ayr and Cambridge, Southwood Secondary School, Ayr house show, Patrick Swayze and Road House, this guy Ryan, Cambridge shows would always get shut down, the Mighty Fishermen, that guy Brent who ripped us off, we all had a crush on Jill Holmberg, Dallas and Steve and I played in a band called Dioctave, the Unfuckable Cum Bums, the bands Curb, Ground, and the Mighty Fishermen, Mr. Gouveia’s French class and Tony Tabu, work on your scales, Mr. Carbone’s guitar class got Dallas playing music, judhaynes.com, Metallica again but also Ministry, adding a drum machine to a three-piece punk band, playing in Dallas’ living room and Ted Lambke yelled at us about Black Sabbath, Minnow was a big influence on Captain Co-Pilot, Will became a Captain Co-Pilot fan and gave Steve a tape of his music at that show, Dallas wasn’t into HPX, small women, how Will joined Constantines at a recording session, Who’s Emma, Cons reunion, the song “Insectivora,” Bry’s the most frequent guest on this podcast except for Jon Spencer, acting and fakery, everyone assumes Constantines are very serious, playing the first reunion show in Guelph in June, 106 Huron Street, shy guys, playing in a newly-invented eco-village in Sweden whose design was partially influenced by Guelph, a social night for Swedish teens, dreams come true, being scared to death about selling out, integrity and the end of the Cons, returning with sensitivity, contemplating writing new songs with the Cons, expanding the tour dates to play a show with Arcade Fire in Toronto on August 29 and across more of Canada, as well as Seattle and Portland, the Danforth Music Hall, dealing with Cons stuff and Bry Webb and the Providers at the same time, Sackville and Dawson City, Sandbanks Provincial Park, Massey Hall footage, the song “Time Can Be Overcome,” and then time can’t be overcome.

Related links: theconstantines.wordpress.com subpop.com/artists/constantines vishkhanna.com

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Ep. #87: Bry Webb

Bry Webb is one of Canada’s most distinctive singers, songwriters, and musicians. Based in Guelph, Webb emerged from London, Ontario’s post-hardcore punk scene, fronting an excellent band called Shoulder. In the late 1990s, he co-founded a Guelph-based band called Constantines who had a profound impact on rock music during their 10-year run. In 2011, Webb released Provider, his first solo album and did his best to tour the world behind it as a new father with a day job. On May 20, the Toronto label Idée Fixe will release Webb’s new album. It’s called Free Will, and he’ll be touring behind it a lot this spring and summer, including a hometown show, opening for Destroyer at Kazoo! Fest on Friday April 11. Here, Bry and I discuss what CFRU is all about, what the music community in London Ontario was like when Bry lived there, shy Bry and how punk and skating brought him out of his shell, Shadowy Men on a Shadowy Planet’s Dim the Lights, Chill the Ham, the practicality of parents, how having kids can alter how one values their own life, what drew him to guitar, AC/DC and the Cure, when MuchMusic was awesome for kids, Skeletons of Society (S.O.S.), getting to play guitar at recess, the post-hardcore band Shoulder and their album Touch, my band Captain Co-Pilot and its connection to Shoulder and the early days of Constantines, 519 hardcore, Call the Office, and the Button Factory, Guelph’s music scene and The Goods CD compilation, Aaron Riches and a key Minnow show featuring Blake, Chili, and Shoulder that foreshadowed Three Gut Records, the Cons’ early reverence for legendary rock figures and how it might have pigeonholed them, that time Constantines broke up on the radio, the lead-up and motivation that brought Bry back to make Provider, how Free Will follows a thread from Provider but also explores more complex emotions, the naming of the record and its connection to the Cons’ Will Kidman, why Constantines are playing shows together again and details about the Shine a Light reissue and shows they’re playing this summer, some of Bry’s solo shows, the brand new song “Positive People” and then it’s over.

Related links: brywebb.com ideefixerecords.com kazookazoo.ca vishkhanna.com

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