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Ep. #68: Bear Witness from A Tribe Called Red

Bear Witness is a co-founder of the inventive Ottawa-based trio A Tribe Called Red. Renowned for making a sophisticated kind of dance music dubbed “Electric Pow Wow,” A Tribe Called Red’s live show is a sensory overload, mixing powerful music with stunning visual imagery drawing from underground and aboriginal culture. Their infectious energy has translated well onto record too; their 2013 album Nation II Nation made the shortlist for the Polaris Music Prize, earning the group the high profile and platform they so richly deserve. A Tribe Called Red are touring across Canada with select U.S. dates in February, including a stop at Guelph’s Hillside Inside festival on Friday Feb. 7. Here, Bear and I discuss remembering Vish, the Polaris Music Prize gala, having to follow METZ, feeling like you belong, and Godspeed You! Black Emperor’s victory, the biggest challenges in gaining a broader audience, the level with which fans engage with what A Tribe Called Red addresses in their work, the surprising influx of conscientious, knowledgeable music fans, making music as a political act, #idlenomore and the significance of ‘the moment,’ the intersection between traditional rhythms and beat culture, the band’s plans for their new album, the song “Sisters,” and more.

Related links: atribecalledred.com hillsidefestival.ca vishkhanna.com

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Ep. #62: Efrim Menuck of Thee Silver Mt. Zion Memorial Orchestra + Godspeed You! Black Emperor

Efrim Menuck is a founding member of Godspeed You! Black Emperor, Thee Silver Mt. Zion Memorial Orchestra, and the esteemed Hotel2Tango recording studio in Montreal. Menuck has led a very prolific artistic life; this past fall GYBE won the Polaris Music Prize for their album Allelujah! Don’t Bend! Ascend! and on Jan. 21, a new SMZ LP greets the world. It’s called Fuck Off Get Free We Pour Light On Everything and is available via Constellation Records. In a candid conversation, Efrim and I discuss Capital Steez and musicians who die young, how parenthood makes you look at the world from a childlike perspective, the significance of clips featuring the voices of Fred ‘Sonic’ Smith, Poly Styrene, and Efrim’s son on this new SMZ record, the MC5, why music is work, the humour and comedy within GYBE and SMZ, the rock band Shellac, the recording engineer Greg Norman, the way GYBE dealt with winning the Polaris Music Prize and why, future SMZ releases including a Record Store Day 12-inch and a long EP, the song “Austerity Blues,” and much more.

Related links: cstrecords.com vishkhanna.com

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Ep. #46: Al Tuck

Al Tuck hails from Charlottetown on beautiful Prince Edward Island in Canada. Over the past 20 years, Tuck has established himself as one of the world’s great songwriters and musicians, quietly releasing one stellar album after the next and earning the respect and admiration of any lyricist and guitarist who hears him. His latest album is Stranger at the Wake and was released by Cameron House Records earlier this year. It was longlisted for the Polaris Music Prize and earned critical accolades elsewhere and brings Tuck to the Halifax Pop Explosion this week. In September, Tuck joined me in-studio at CFRU for a good chat about Guelph, his status as a “cult figure,” his upbringing and early musical influences, his time in Halifax when its music scene was discovered by the international press, his songwriting, his voiceover work in films, his recent prolific streak of albums, the song “That Married Life” and much more.

Related links: altuck.com cameronhouserecords.com halifaxpopexplosion.com vishkhanna.com

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