Tag Archives: Hillside Inside

Ep. #159: Carl Newman of the New Pornographers

Carl Newman is a well-respected and gifted pop songwriter who originally hails from Vancouver, British Columbia. Over the past 20 years, he has spearheaded bands like Superconductor and Zumpano, and released highly acclaimed solo records under the name A.C. Newman. While long-respected by peers and critics for his sense of melody and powerful hooks, Newman’s work reached a wider audience at the turn of the century with the emergence of the New Pornographers, a gang of singers and songwriters featuring Neko Case, Destroyer’s Dan Bejar, and Newman among others. Each of the band’s six albums has been called a classic by someone who could spot such things, including their latest LP, 2014’s Brill Bruisers, which, as their highest charting album to date, is their most impactful release since their 2000 debut, Mass Romantic. The New Pornographers are touring behind Brill Bruisers, including stops at London’s Music Hall on Feb. 6 and Guelph’s Hillside Inside festival on Feb. 7. Here, Carl and I talk about when your family gets sick, the measles and Disneyland and the anti-vaccination movement, freedom, science versus pseudoscience, happiness after sadness, preparing for and then having a kid, defining rock and ‘power-pop,’ Big Star and Cheap Trick, staying in the game versus retirement, false cheer, the Neko Case harmony lead on “Champions of Red Wine,” what Dan Bejar’s talking about and how he deals, talking about each other’s songs, being normal and wanting to do nothing, connecting with comedians, the older brother with the music, becoming a performer, working with Sloan and murderecords, how Vancouver music was treated by the rest of Canada 20 years ago, the rapid ascent of the New Pornographers, the future, the song “Hi-Rise,” and then I got my marching orders.

Related links: thenewpornographers.com vishkhanna.com

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Ep. #156: Owen Pallett

Owen Pallett is a tremendously gifted multi-instrumentalist, composer, and singer who currently lives in Montreal. Pallett was initially acclaimed for his string arrangements for artists like Jim Guthrie, Arcade Fire, Fucked Up, and many others and, particularly when he lived there, he was viewed as a true leader and champion of Toronto’s underground arts community. Since releasing his own music, Pallett’s profile has risen considerably. He won the inaugural Polaris Music Prize and has been nominated for each of his subsequent solo records; he was nominated for an Academy Award for his work scoring the film Her; and his fourth and latest album, In Conflict, has appeared on many best of 2014 critics’ lists. He is a sharp, clever, outspoken young man and he’s playing the Hillside Inside festival on Saturday Feb. 7 at 3 PM with Jennifer Castle. Here, Owen and I discuss living in Montreal, the year that was, musicians managing this particular age of media consumption, seeing the content of private Facebook posts go viral, playing with Arcade Fire during the backlash about their latest record, maybe people don’t like aging rock and pop bands, provocative extracurricular activities don’t necessarily lead to bigger box office sales, turning down a CBC Radio hosting gig, having sex with men, Pitchfork, Slim Twig is a wise person, Win knows best, some people should quit, why we make things, the trajectory of creative lives, people keep talking to me about Blink 182, why Michael Gira might have reformed Swans or Kathleen Edwards might have opened up a coffee shop, playing Hillside during a torrential rain storm that shortened the set, befriending Buffy Sainte-Marie, fortunate Owen, the plan to make a new, dense acoustic record that sounds electronic, Jennifer Castle’s “Sparta,” and that was it.   

Related links: owenpalletteternal.com hillsidefestival.ca vishkhanna.com

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Ep. #69: Katie Ewald

Katie Ewald is a powerful contemporary dancer based in Guelph, Ontario. She’s performing at Hillside Inside’s Fab 5 Cabaret on Friday Feb. 7 as part of the Portal Dance Project. Here, Katie and I discuss cat years, how and why people interact with contemporary dance the way they do, why she relates more to a basketball team than the dance pack that performs between plays, how Carl Wilson’s book Celine Dion’s Let’s Talk About Love: A Journey to the End of Taste profoundly impacted the way she processes all art, showmanship within improvisation and the importance of the audience within one’s practice, how to gauge the popularity of a niche art-form, how she ended up living in Guelph and her fondness for dancer Janet Johnson, how she got into dance as a child and became a “bunhead,” the willful strength of dancers and their snob rights, how the general public receives dance, mentors in Montreal and Brussels, being a “master of illusion,’ working with Tim Etchells, Forced Entertainment, and watching a six-hour durational piece, balancing work with family life, how the Canadian government is anti-art, the Portal Dance Project presentation at Hillside Inside, how improvisation is part of one’s artistic practice, her future plans, and more.

Related links: guelphdance.ca hillsidefestival.ca vishkhanna.com

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