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Ep. #28: Mark Arm of Mudhoney

Mark Arm is a singer and guitarist based in Seattle, Washington. 25 years ago he co-founded Mudhoney, one of America’s best and most influential underground rock bands. They were profiled in a great documentary called I’m Now: The Story of Mudhoney, which was released at the end of 2012, and now they’re the main subject of a biography called Mudhoney: The Sound and The Fury of Seattle by author Keith Cameron. The book covers the entire history of the band right up to their ninth album, the rollicking, well-received Vanishing Point, which came out earlier this year via Sub Pop records. Mudhoney’s latest tour brings them to Montreal’s Il Motore on Sept. 1 and Toronto’s Lee’s Palace on Sept. 2, so Mark and I got on the horn to discuss Mudhoney’s anniversary, playing a show on top of Seattle’s Space Needle, nothing to do with Nirvana, surfing with Pearl Jam, why stools should have three legs, playing a show at Third Man Records next month, which will eventually result in a live Mudhoney album, Conan O’Brien, and more.

Related links: mudhoneyonline.com subpop.com vishkhanna.com

Mudhoney 2013 Band Photo

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Categories
News Podcast

Ep. #24: Steve Albini

Steve Albini is a man who lives in Chicago, Illinois and owns and operates the really remarkable Electrical Audio Recording facility. He is the guitar player and primary singer in the band Shellac and he makes a mean cup of fluffy coffee. The 1993 album In Utero by the Washington-State-based band Nirvana is among the thousands of records that Albini has engineered over the course of his time doing that sort of thing and earlier this summer he gave the songs from those sessions fresh mixes for the 20th anniversary edition of In Utero, which is due out in North America on September 24. In our past midnight conversation, Steve discussed his interesting history with Kurt Cobain, his abandoned work with Fugazi, the stories behind making In Utero, why the new edition of the record was mastered to sound the best it possibly can, the highs and lows of the relatively recent rash of remastered reissues that record buyers face each and every day, the mostly good but surprisingly sad and surreal professional aftermath of making In Utero, how it might have changed his life, how the new Shellac LP’s test pressings are on route to the band and artwork is close to finalized (also the new Bottomless Pit record is done!), and why he doesn’t care about Breaking Bad but can tolerate The Newsroom.

Related links: nirvana.com electricalaudio.com vishkhanna.com

NirvanaAlbini1993

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