Tag Archives: Mint Records

Ep. #263: Jay Arner (& Jessica Delisle)

Jay Arner is a gifted rock and pop songwriter and musician based in Vancouver, British Columbia. Over the past five years or so, Arner has garnered critical acclaim for his solo records, which tend to feature synthesized instruments and cloudy vocals but are ultimately infectious and thoroughly satisfying. His new album is an excellent, endlessly enjoyable one called Jay II, it’s out June 17 via Mint Records, and he’s playing a couple of shows in Calgary at Sled Island on June 24 and June 25 with more tour dates to follow to tell people about it. Here, Jay and I discuss Music Waste in Vancouver, Adrian Teacher and the Subs, Apollo Ghosts II, roman numerals, enrichment and remedial classes, a 3-D Parthenon, boredumb, belonging and being in your head all the time, Vancouver’s lack of support for underground music venues and its punk scene, venue closures, the Railway Club, Vancouver real estate and rich people, purposeful psychology, happenstance carpentry, mangling mansions, Vancouver’s punk and pop legacy, Burnaby born, adolescent anxiety, no direction, super cool parents into home recording and guitars, Pavement, the drumming in Led Zeppelin but also the singing in Led Zeppelin, tennis racquets, I invent the term post-prog, punk myths, late 70s/early 80s music and songwriting and melodies, synthesizers and drums, the golden age of studio recording and the advent of multi-tracking, it’s a brand new era it feels great, Neu! and Harry Nilsson, the song “Earth to Jay,” Jessica Delisle joins us, her popular podcast Retail Nightmares, their band Energy Slime and Mint Records, their working dynamic, practice makes better, how they met, being a creative couple, what Jessica thinks Jay is like, touring the U.S. during a Presidential election year, Jay’s sense of humour and sense of self, the joy of being self-absorbed, lyrical misinterpretations, not going to clubs on the Granville strip, the story about my son mishearing a curse on “Back to School,” clean versions, all all the rules, cussing on your hits, one percent punk, including legit digits in a song, screening his calls, giving everyone in the world your phone number versus your email, Shotgun Jimmie’s ‘kids only text’ story, more than the bio, playing Sled Island and touring with Supermoon, the video for “Crystal Ball,” my 18 month-old daughter is not a huge Jay II fan, Beastie Boys, the song “Earth to Jay,” and then it was time to drive away in our flat cars.

Related links: jayarner.bandcamp.com mintrecs.com vishkhanna.com

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Ep. #110: Josh Salter & Matt Peters of Monomyth

Monomyth is a really cool band from Halifax that make a hazy, gritty kind of pop music. Their washed out, psych-rock-tinged new album is called Saturnalia Regalia! and it’s out July 22 via Mint Records. They’re touring through Ontario and Quebec now, with NXNE shows in Toronto on June 18 at the Drake and Handlebar, a Guelph show at 32 Essex St. during Post-Fest, a Toronto show at Saving Gigi at 1:00 PM on June 21 and a Montreal show that night at Brasserie Beaubien. Back in April, Monomyth and I were both in St. John’s Newfoundland for the Lawnya Vawnya festival and singer/guitarist Josh Salter, drummer Matt Peters, and I found time to get together at the radio headquarters of Keep Station for a chat about the band and stuff. Here, we talk about how Matt’s elbows rattle Keep Station, what St. John’s is like, moose curry, Halifax is far away from Newfoundland, the East Coast Music Awards and No-cases, how to sleep on an airplane, it happens in Florida, Josh cruises with his dad, Josh is actually from Hubley while Matt is actually from Upper Tantallon and they’ve known each other since grade one, Josh’s dad has learned to party, little league of horrors, the Matt Peters Erection, Overlord Sinner and Windows 95 Media Recorder, the Halifax pop explosion, 1991: The Year Punk Broke, nü metal, the Burdocks and Dog Day and Special Noise, the importance of Sloan, musical democracy, Monomyth’s other drummer, Charles Austin and Psychic Fair, Mike O’Neill and Black Jesus, songwriting distinctions, shoegaze and My Bloody Valentine, the song “Pac Ambition” and Tupac Shkaur, making lo-fi Monomyth tapes, Joseph Campbell, bottlecap toss, the song “The Big Reveal,” and that just about wraps it up.

Related links: mmyth.bandcamp.com vishkhanna.com

monomyth

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