Tag Archives: Beastie Boys

Ep. #263: Jay Arner (& Jessica Delisle)

Jay Arner is a gifted rock and pop songwriter and musician based in Vancouver, British Columbia. Over the past five years or so, Arner has garnered critical acclaim for his solo records, which tend to feature synthesized instruments and cloudy vocals but are ultimately infectious and thoroughly satisfying. His new album is an excellent, endlessly enjoyable one called Jay II, it’s out June 17 via Mint Records, and he’s playing a couple of shows in Calgary at Sled Island on June 24 and June 25 with more tour dates to follow to tell people about it. Here, Jay and I discuss Music Waste in Vancouver, Adrian Teacher and the Subs, Apollo Ghosts II, roman numerals, enrichment and remedial classes, a 3-D Parthenon, boredumb, belonging and being in your head all the time, Vancouver’s lack of support for underground music venues and its punk scene, venue closures, the Railway Club, Vancouver real estate and rich people, purposeful psychology, happenstance carpentry, mangling mansions, Vancouver’s punk and pop legacy, Burnaby born, adolescent anxiety, no direction, super cool parents into home recording and guitars, Pavement, the drumming in Led Zeppelin but also the singing in Led Zeppelin, tennis racquets, I invent the term post-prog, punk myths, late 70s/early 80s music and songwriting and melodies, synthesizers and drums, the golden age of studio recording and the advent of multi-tracking, it’s a brand new era it feels great, Neu! and Harry Nilsson, the song “Earth to Jay,” Jessica Delisle joins us, her popular podcast Retail Nightmares, their band Energy Slime and Mint Records, their working dynamic, practice makes better, how they met, being a creative couple, what Jessica thinks Jay is like, touring the U.S. during a Presidential election year, Jay’s sense of humour and sense of self, the joy of being self-absorbed, lyrical misinterpretations, not going to clubs on the Granville strip, the story about my son mishearing a curse on “Back to School,” clean versions, all all the rules, cussing on your hits, one percent punk, including legit digits in a song, screening his calls, giving everyone in the world your phone number versus your email, Shotgun Jimmie’s ‘kids only text’ story, more than the bio, playing Sled Island and touring with Supermoon, the video for “Crystal Ball,” my 18 month-old daughter is not a huge Jay II fan, Beastie Boys, the song “Earth to Jay,” and then it was time to drive away in our flat cars.

Related links: jayarner.bandcamp.com mintrecs.com vishkhanna.com

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Ep. #54: Brendan Canning

Brendan Canning is a founding member of Broken Social Scene and has been a prominent and prolific figure in Canada’s underground music community for over two decades. Since Broken Social Scene went on their most recent hiatus, Canning has kept busy, resurrecting his old pop project Cookie Duster, scoring major Hollywood films like this year’s controversial The Canyons, DJing at the Drake, and, he recently began collaborating on a video game project with David Cronenberg. In October, Canning released You Gots 2 Chill, his second proper solo album on his own Draper Street Records and it’s prompted him to tour across Canada and the U.S. in November and December. Here Brendan and I discuss who has gots 2 chill, EPMD, Beastie Boys, Toronto and Ford Nation, recording mellow songs onto your own voicemail, scoring movies, video games, Lindsay Lohan, the song “However Long,” and more.

Related links: brendancanning.com vishkhanna.com

Canning

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