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Ep. #108: Born Ruffians

Born Ruffians are a terrifically sharp indie-rock band whose latest album is called Birthmarks. Released in 2013 via Paper Bag Records, it’s the band’s third record and found them exploring more polished pop production. On Sunday July 27, Born Ruffians are playing the penultimate Main Stage set at the 2014 Hillside Festival so I tracked down singer, guitarist, and songwriter Luke Lalonde and bassist Mitch DeRosier at Ronnie’s Local in Kensington Market where they drank and we chatted about the visceral reaction people might have when they see Constantines and/or the San Antonio Spurs and Miami Heat play again, hanging out together in Elora at Riverfest last summer, Shirley Temple, Ashley MacIsaac, my unwanted festival advances, how Born Ruffians set the table for Serena Ryder, if the band has hang-ups about its status in this country, Cam Lindsay does his research, Luke does an impressive array of improvised impressions, the Canadian music industry, being nominated for the ‘Breakthrough Group of the Year’ at the Junos after being around for 12 years, always being a new band to someone, drinking with your tiny baby at Ronnie’s Local, Luke and Mitch are second cousins, I own a Beatles t-shirt older than people in Born Ruffians, family ties, the weird, lawsuit-baiting restaurant that Mitch’s family owned in Midland, Luke forced Mitch to play bass after travelling through time, Steve Hamelin got inspired to buy a drum kit, musical dads, Mitch reads other people’s sad texts, getting into music on your own, the Minutemen and the Unicorns, discovering bands and punk aggression, the bold pop moves of Birthmarks, the weirdness around making Say It, losing Steve the drummer at least twice, Luke and Mitch have been drinking, Steve will play on the new record but other drummers might too, there are 150 songs written towards the new Born Ruffians song, no, there are zero new songs written, Born Ruffians killed a guy, Mac DeMarco’s friend Chas interrupts this interview, there’s a secret Makeout Videotape show happening during NXNE either on the Saturday or the Sunday, I offended Chas, the dove-eating story could’ve been way better, Hillside hat-trick, the song “Oh Cecilia,” dove’s D, and scene.

Related links: bornruffians.com hillsidefestival.ca vishkhanna.com

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Ep. #107: Friendly Rich

Friendly Rich is a strange but great man who originally hails from Brampton just outside of Toronto, Ontario. He is a singer, songwriter, educator, impresario, and instigator who has released 10 albums to date, including his latest, Bountiful, which is out on June 24 via the Pumpkin Pie Corporation. Friendly Rich and his band will celebrate its release with a show at the Horseshoe Tavern in Toronto on July 24, which follows a sojourn across Europe in June and July. Friendly Rich recently visited me at my home where we had a spirited chat about prepping for a walk down to the Guelph Farmer’s Market, the joys of Eric the Baker, how my son doesn’t want to be on the show, how my wife and I don’t like carrying our son anymore, Goldie Hawn, John Cage, and Silence Guelph, living in Oakville, petunia spotting, the impact of the provincial election on Guelph, Rich gets self-conscious meeting the general public on our interview stroll, a firetruck at a crosswalk, the Regent Park School of Music and Saturday Night Live’s Hal Willner and Kevin Drew and Daniel Lanois, the Brampton Indie Arts Festival was a visionary thing, pranking bad mayors, my son the difficult interview subject, Mark Mothersbaugh of Devo and Marc Ribot, when the BIAF got different, slaughtering lambs in Brampton garages and filling blue boxes full of red blood, why is Friendly Rich so weird, Nudetella, infiltrating the system with subversive performance art, running into Charlie Cares busking, Raynaud’s syndrome, Rich drops a fiver inside Charlie’s case, Charlie sings us “Wildwood Flower,” locking things up, running into musician/NDP candidate/Hillside Festival founder James Gordon and peppering him with the tough questions, Arthur MacInnes has a nice shirt and is an old, Fugazi road-trip buddy, Meral the Turkish food chef whom I still owe a dollar, delicious böreks, the “Sausage Samba” saga, regulation sausage in Germany, combining the worlds of Star Trek: The Next Generation and sausage auditing for a music video that has been championed by Funny or Die and Team Coco, running into visual artist Gillian Wilson who should not be a stranger, my wife needs money, Gregory Pepper is cleaning out the eavestroughs, Art on the Street, goat’s milk, Pierre Elliott Trudeau’s death train, “Penis Suitcase” and the super strange funeral ritual of the king of Zambia, my son eats peppers like they’re apples, darkness and childlike innocence, running into Matt Collins formerly of Ninja High School and currently in the band Dutch, my former linemate Bruce Lynn, still clamouring for Eric the Baker, getting Rich a Guelph apple and talking to farmers about the apple-splitting trick, making our way to Eric the Baker, Friendly Rich is prolific, purple juice interruption, Adrian Celentano, sausage rolls and blueberry tarts, my guestlist, arriving at Eric’s, Rich buys a chocolate weiner, my son tries to steal some madeleine cookies, meeting Eric the Baker, the song “Penis Suitcase,” et en fin.

Related links: friendlyrich.com vishkhanna.com

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Ep. #103: Culture Reject

Culture Reject is the moniker of Michael O’Connell, a talented singer, songwriter, and musician who calls Toronto home. After years in the Guelph band Black Cabbage, O’Connell eventually went solo and has released two full-length albums as Culture Reject, including last year’s Forces. He and his band are playing the Hillside Festival in Guelph this July 25-27 and a while ago, he invited me to his home for breakfast where we talked about Guelph, Black Cabbage, and the Neutron Stars, sitting down when you pee, rice and peas and coconut milk and spices and hard-boiled eggs and peaches, tropical music, how to reggae it up, Cuba, white guys with guitars, how Black Cabbage happened and compromising, Nick Craine, touring Canada by bus with an ambitious Aaron Riches, tinkering with Culture Reject’s first record, how the new record Forces was made at 6 Nassau St., Tristan O’Malley’s transient, permanently on-loan synthesizer that is never coming home, the mystery lodge, how Forces reflects Toronto, people need to talk to people, misusing “the theme,” communication and modern parenting, the written word is the written word, maybe texting is good for us, maybe phones are bad for us, White Whale Records, the importance of playing great shows, sketch.ca, the song “Quicksand,” and no mas.

Related links: culturereject.bandcamp.com vishkhanna.com

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