Tag: Destroyer

Ep. #159: Carl Newman of the New Pornographers

Post author By vish
Post date January 25, 2015

Carl Newman is a well-respected and gifted pop songwriter who originally hails from Vancouver, British Columbia. Over the past 20 years, he has spearheaded bands like Superconductor and Zumpano, and released highly acclaimed solo records under the name A.C. Newman. While long-respected by peers and critics for his sense of melody and powerful hooks, Newman’s work reached a wider audience at the turn of the century with the emergence of the New Pornographers, a gang of singers and songwriters featuring Neko Case, Destroyer’s Dan Bejar, and Newman among others. Each of the band’s six albums has been called a classic by someone who could spot such things, including their latest LP, 2014’s Brill Bruisers, which, as their highest charting album to date, is their most impactful release since their 2000 debut, Mass Romantic. The New Pornographers are touring behind Brill Bruisers, including stops at London’s Music Hall on Feb. 6 and Guelph’s Hillside Inside festival on Feb. 7. Here, Carl and I talk about when your family gets sick, the measles and Disneyland and the anti-vaccination movement, freedom, science versus pseudoscience, happiness after sadness, preparing for and then having a kid, defining rock and ‘power-pop,’ Big Star and Cheap Trick, staying in the game versus retirement, false cheer, the Neko Case harmony lead on “Champions of Red Wine,” what Dan Bejar’s talking about and how he deals, talking about each other’s songs, being normal and wanting to do nothing, connecting with comedians, the older brother with the music, becoming a performer, working with Sloan and murderecords, how Vancouver music was treated by the rest of Canada 20 years ago, the rapid ascent of the New Pornographers, the future, the song “Hi-Rise,” and then I got my marching orders.

Related links: thenewpornographers.com vishkhanna.com

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Tags A.C. Newman, Brill Bruisers, Carl Newman, Dan Bejar, Destroyer, Disneyland, Hillside Inside, London Music Hall, measles, murderecords, Neko Case, Sloan, Superconductor, the New Pornographers, vaccines, Vancouver, Zumpano

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Ep. #87: Bry Webb

Bry Webb is one of Canada’s most distinctive singers, songwriters, and musicians. Based in Guelph, Webb emerged from London, Ontario’s post-hardcore punk scene, fronting an excellent band called Shoulder. In the late 1990s, he co-founded a Guelph-based band called Constantines who had a profound impact on rock music during their 10-year run. In 2011, Webb released Provider, his first solo album and did his best to tour the world behind it as a new father with a day job. On May 20, the Toronto label Idée Fixe will release Webb’s new album. It’s called Free Will, and he’ll be touring behind it a lot this spring and summer, including a hometown show, opening for Destroyer at Kazoo! Fest on Friday April 11. Here, Bry and I discuss what CFRU is all about, what the music community in London Ontario was like when Bry lived there, shy Bry and how punk and skating brought him out of his shell, Shadowy Men on a Shadowy Planet’s Dim the Lights, Chill the Ham, the practicality of parents, how having kids can alter how one values their own life, what drew him to guitar, AC/DC and the Cure, when MuchMusic was awesome for kids, Skeletons of Society (S.O.S.), getting to play guitar at recess, the post-hardcore band Shoulder and their album Touch, my band Captain Co-Pilot and its connection to Shoulder and the early days of Constantines, 519 hardcore, Call the Office, and the Button Factory, Guelph’s music scene and The Goods CD compilation, Aaron Riches and a key Minnow show featuring Blake, Chili, and Shoulder that foreshadowed Three Gut Records, the Cons’ early reverence for legendary rock figures and how it might have pigeonholed them, that time Constantines broke up on the radio, the lead-up and motivation that brought Bry back to make Provider, how Free Will follows a thread from Provider but also explores more complex emotions, the naming of the record and its connection to the Cons’ Will Kidman, why Constantines are playing shows together again and details about the Shine a Light reissue and shows they’re playing this summer, some of Bry’s solo shows, the brand new song “Positive People” and then it’s over.

Related links: brywebb.com ideefixerecords.com kazookazoo.ca vishkhanna.com

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Ep. #86: Destroyer

Post author By vish
Post date April 9, 2014

Destroyer is the music-making moniker of Dan Bejar, a very gifted lyricist and musician who originally hails from Vancouver, British Columbia. He has been creating an idiosyncratic kind of pop music as Destroyer for almost 20 years and can also claim membership in bands like the New Pornographers, Swan Lake, and Hello, Blue Roses among others. His latest work as Destroyer includes the lovely 2013 EP Five Spanish Songs and his brilliant ninth LP, Kaputt, which were jointly released by Merge Records and Dead Oceans in 2011. On Friday April 11, Destroyer plays a solo set at the Dublin Street United Church in Guelph, Ontario as part of Kazoo! Fest. Here, Dan and I discuss why, despite living in Spain for a spell, Vancouver remains his home, that year he played SappyFest and first spent time in New Brunswick, why playing small towns is refreshing, how Destroyer has evolved into a ‘heavy touring machine,’ Will Oldham’s interesting tour routes and how Dan envisions a touring pattern of his own, how his solo performance process and execution has evolved, how he and his family moved around a lot when he was growing up and whether or not that impacted his ‘cosmopolitan’ outlook, how bands in the Vancouver scene like Superconductor and Blaise Pascal first drew him to appreciate and play music, what he studied in school and why he dropped out, how Carl Newman’s early work resonated with him, why Vancouver in 1992 was the best irrespective of what else was happening in the Pacific Northwest, Dan’s uncertainty about his band leading skills and his lack of any real aesthetic, the reception to Kaputt compared to previous records he’s made, an update on the Destroyer recording sessions he’s beginning this week and also his two ‘unfamiliar’ contributions to a New Pornographers album due later this year, his interest in enigmas and mysteries, what his ‘words first’ approach to songwriting might say about him, his reservation about engaging with music by younger artists, our mutual adoration of Bill Callahan’s Dream River and Bill Callahan generally, the somewhat unappreciated humour in Destroyer’s songs and how Dan amuses himself as a writer, how this podcast is going to change everything, what material his solo shows have been consisting of as of late, whether or not he might learn to play a Pavement song, my son’s insistence that Bob Dylan and Jim Guthrie wrote a song together called “Colourbook Face,” the Destroyer song “Certain Things You Ought to Know,” and nothing more.

Related links: mergerecords.com/destroyer kazookazoo.ca vishkhanna.com

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