Tag Archives: U2

Ep. #270: TUNS

TUNS is the mighty new Halifax/Toronto supergroup featuring Chris Murphy, Matt Murphy, and Mike O’Neill. Chris Murphy has ushered some excellent music into this world, both as the co-curator/co-founder of the murderecords label and as a quarter of one of the world’s finest and most successful rock bands, Sloan. Matt Murphy is an accomplished journalist who has worked for CBC and Vice Canada and is one of the most dynamic musicians and showman anywhere, who’s likely best known for his work in the Super Friendz. Mike O’Neill is a busy and gifted screenwriter and sound engineer for Trailer Park Boys and Black Jesus who has released criminally under-appreciated solo records since disbanding the wonderful indie-rock duo, the Inbreds. So, if it’s not clear already, when it comes to thoughtful pop and rock music trios, this TUNS configuration couldn’t possibly be more top shelf. The band’s self-titled debut record will be out August 26 via Royal Mountain Records and they’ve been playing select shows of late, including an upcoming performance at the Hillside Festival in Guelph on Sunday July 24. I met up with TUNS at the Pho Asian 21 restaurant in Toronto recently and we had a revealing conversation about Mike’s desire for Vietnamese food in Toronto, working with Trailer Park Boys co-creator Mike Clattenburg on a new TV show about a guy who re-locates raccoons, the song “Back Among Friends” and what it captures about TUNS, Zeppelin covers and joy, positive pressure, recycling things and writing new songs, Mike’s inventive bass playing, the writing process and its progress in TUNS, Chris’ songwriting, giving the singer some, the song “Look Who’s Back in Town Again” and various TUNS Easter eggs, the song “Lonely Life” that Mike sings, whomever sings generally wrote it, Mrs. Claus, lyric collaboration, wisdom and experience and democracy, magical harmonies, being in Sloan for 25 years, “Gimme the Keys” and the extreme rarity of Sloan members’ doing solo work, Eric’s Trip and Elevator to Hell, realistic TUNS, being perceived as ‘Halifax Pop’ artists, the Technical University of Nova Scotia, the lawn jam, why Halifax people seem to get along so well, footloose and fancy free, friendly competition, strength and talent, an influence like the Police on a song like “Mind Your Manners,” talking about the band U2, also R.E.M., The Unforgettable Fire, The Joshua Tree, the “Sunday Bloody Sunday” drum beat, Larry Mullen’s parts, filling and leaving space, scrutinizing Chris’ lyrics in TUNS and also in Sloan, self-awareness and self-consciousness, entitlement, purposeful pronouns, new stuff by TUNS will be more like TUNS, thinking about time and relationships, not a throwback, a Golden Girls analogy, too much like Sloan, hits, making music for fun, Royal Mountain Records and the self-titled TUNS LP is out August 26, a world premiere of the song “Back Among Friends,” and then Chris got the cheque.

Related links: tunsmusic.com royalmountainrecords.com vishkhanna.com

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Ep. #204: Michael Franti

Michael Franti is a musician, filmmaker, and humanitarian currently based in California. Emerging as a founding member of Disposable Heroes of Hiphoprisy more than 20 years ago, Franti has cultivated a loyal and large following for his nuanced and positive solo work, fronting his own band, Spearhead. His latest album is 2013’s All People, but he has just released a new single and video for the 2015 song, “Once a Day.” Franti is headlining the Main Stage on Friday July 24 at the Hillside Festival in Guelph and here, we discuss San Francisco weather, living in Edmonton at 15 years old during the winter, opening for U2’s Zoo TV Tour in 1993, the Ed, when U2 was cool, Primus, expressing a range of emotions, music as a form of inspiration, positivity and cynicism, meeting the Dalai Lama, Unrestricted Monk, the song “Once a Day” and how it reflects a health scare involving his son and the love it inspired, the new album, the lowdown on a new documentary about himself tentatively called 11:59, the song “Once a Day,” and that’s it.

Related links: michaelfranti.com hillsidefestival.ca vishkhanna.com

©Jay Blakesberg

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Ep. #200: Daniel Lanois

Daniel Lanois is a world-renowned musician, songwriter, and producer who splits his time living between Ontario and California. A multi-Grammy winning producer who has had a vital influence on key records by Bob Dylan, U2, Emmylou Harris, Peter Gabriel, and Neil Young, Lanois is also a pioneer of ambient music and one of the finest songwriters in Canada. His latest album is 2014’s Flesh and Machine, an adventurous record of processed instrumentation, which is available via Anti- Records. He performs solo at the Hillside Festival on the weekend of July 24 and here, Daniel and I discuss his studios in Los Angeles, Toronto, and Jamaica, the through line between early collaborations with Brian Eno and Flesh and Machine, manipulating and processing conventional instruments to create wholly new sounds, Brian Blade is a hell of a drummer and a dear friend, Daniel’s motorcycle accident in which he broke 10 bones, a Canadian motorcycle club, “The End” and “Beautiful Day,” conveying information via music and/or lyrics, plans to play a rare solo show at Hillside, planning for the workshop with Nels Cline Singers and Elaquent, ambient music as a term and communicating with Brian Eno about playing a show together, Bob Dylan and the swamp, making Time Out of Mind, the night Dylan came to his house to play him every song from the sessions that yielded the album Shadows in the Night, Dylan’s voice, steel guitar excursions, the song “Iceland,” and then where will I be?

Related links: daniellanois.com hillsidefestival.ca vishkhanna.com

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