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News Podcast

Ep. #288: DIANA

DIANA is an electronically inclined pop band from Toronto whose primary members are Kieran Adams, Carmen Elle, and Joseph Shabason. After their 2013 album Perpetual Surrender earned them accolades from the likes of the New York Times, the Guardian, and NPR, DIANA toured a lot and then got back to work on new songs. The result is an excellent, emotionally raw yet playfully fun and infectious record called Familiar Touch, which is out now via Culvert Music. DIANA are gearing up to tour with a giant version of their band and are playing select Canadian and American cities in November and December. They were just in Guelph to play a show so we met up at CFRU for a conversation about studios with carpeting and linoleum, parquet and Parkay and margarine, I Can’t Believe It’s Not Butter, nothing but margarine, a culture of butter in Newfoundland, hardcore butter people, Counting Cows, swimming lessons at a dairy farm, Nutella and honey, peanut butter and butter, Triumphant Schmeer, sweets, throwing out our lunches, ruining my parenthood, all-day cans of soda pop, five Pepsi’s a day, DIANA Googles Stuff On-Air, Caledon and Toronto and St. John’s and Cambridge, union stories, coffee vs. cola, Carmen growing up with all of the things in the Annex in Toronto, sushi, Trinity St. Paul’s Church, Gowan, the ROM and Raffi, decanning, children’s musicians and entertainers, Fred Penner’s indie-rock festival circuit, Stephin Merritt of Magnetic Fields, a four year-old and AC/DC, band merch for kids, Joseph growing up in Caledon with past guest Mike Deane, punk and emo bands like Sinclair, the Irish Centre in Brampton, small town bring downs, Bluetip in a basement, the Pete Best of southern Ontario post-hardcore, Who’s Emma in Kensington Market, when Carmen drove me around St. John’s, Kieran and Joseph end up going to the University of Toronto for music at the same time, percussion profs, living in St. John’s, fact-checking the DIANA bio, Carmen tells it like it is, synthesizer patron-saint and producer Roger Leavens, Kieran and Joseph singing, tweaking together, lyric editing for singing, Carmen’s passion, Elvis Presley and Frank Sinatra, Carmen’s a great vocal interpreter, what’s eating Kieran, a keyword, the song “Confession,” synthesized pop and comparisons to 1980s sounds, touring in President-elect Donald Trump’s America, the great political divide, smugness and hatred, Make America Great Again is now a hate crime, no surprising but life-altering, red and blue states, sadness, white folks should recognize their role in this new reality, Culvert Music in Toronto, the web is worldwide, the song “Cry,” and then it was like butter baby.

Related links: dianatheband.com culvertmusic.com vishkhanna.com

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diana

Categories
News Podcast

Ep. #287: Fake Limbs

Fake Limbs are a noisy rock band who hail from the west side of Chicago, Illinois. Known for creating a kind of “social justice street rock” that’s exhilarating and outspoken, the band formed in 2011 and have released three acclaimed full-length albums, including 2016’s Matronly, which is out now via Don Giovanni Records. Fake Limbs have been on the road a bunch of late and, before their recent show at the Silver Dollar in Toronto, lead singer Stephen Sowley and I ate some pizza at Fresca, just west of College and Spadina, and then we talked about his time in Toronto and tour managing, Jenny Hval, Screaming Females don’t really need roadies, driving and sleeping in cars and planes, Brendan Fraser and The Mummy, Danny Brown’s leather sleep mask, flight recliners, Ted, Colin Atrophy’s Slice Harvester, Fresca Pizza in Toronto, Chicago and Montreal, living in upstate New York, Second City and comedy, The Blues Brothers, not from Chicago, the Cubs’ World Series win, loser town, a goat and Steve Bartman, baseball points, a momentary Sowley curse, loving the Cubs and Wrigley Field and Toronto Blue Jays fans, so Grohl, working at Electrical Audio with Steve Albini, studio managing, encountering Iggy and the Stooges within weeks of taking a job at EA, the Breeders, working at Reckless Records, cashing Albini out on his first day at RR, lending Iggy $40, going to see Gimme Danger on election night, how Jim Jarmusch’s film basically overlooked the last Stooges record The Weirdness, which Albini engineered, election night predictions, phones on and off in the movie theatre, no surprise, voter participation, echo chambers, the shock, feeling ill- and misinformed about class-based anger, how Trump did everything he possibly could to willfully lose this election, people steeling themselves for the next four years, people who protest, The Dark Knight Rises, the left and exclusion and intersectionality, Michael Moore’s Facebook Live report during a recent protest in New York City, rationale, the ‘this will be good for comedy/punk rock’ stupidity, hoping for empathy, talking about Fake Limbs and their album Matronly, Black Lives Matter and “An Inconvenience,” Trump’s cabinet, what is punk, dinner with Grace Ambrose, Phleg Camp, the Jesus Lizard, Carla Bozulich, influence projection, idiots, Don Giovanni Records, Moor Mother’s Fetish Bones, more hugs, Bandcamp and Jes Skolnik, the Fugazi Live Archive, the song “Lil Bit,” and that was all from Fresca.

Related links: dongiovannirecords.com fakelimbs.com frescapizzapasta.com vishkhanna.com

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fake_limbs

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News Podcast

Ep. #281: Fake Palms

Michael le Riche is a musician, singer, and songwriter based in Toronto, Ontario. Formerly a member of the band the Darcys, le Riche struck out on his own to find an outlet for his own darker rock and punk leanings, which he now has with the acclaimed band Fake Palms. Following up on their well-received 2015 self-titled debut record, Fake Palms is releasing a new EP called Heavy Paranoia via Buzz Records on September 30 and playing select shows, which you can learn more about at buzzrecords.ca. In mid-August, I was in Ottawa for the Arboretum Festival and so were Fake Palms so that’s where Michael and I caught up to talk about his various names, Ottawa and Alanis Morrissette, getting punched in the face and being able to take it, a bar Cold War, the weirdness and Ottawa, the Darcys and trouble, Matthew McConaughey and Ben Affleck and Justin Trudeau’s shirtless photo bombing, leaving the Darcys, a musical downsizing and the dawn of Fake Palms, the Huff Po piece and financial infrastructures, going from home demos to putting together Fake Palms debut record quite quickly, Motown-y to heavy town-y, Simone TB’s amazing drumming, seeing Fake Palms in St. John’s, being a real band, Maria and Fuzzy Logic, Buzz Records, popularity and credibility, Toronto suburbs and Beaton, Ontario, working at chain record stores, customer service and the bizarre HMV no-receipt-return policy, resealing used records and selling them as new, learning how to play guitar and taking jazz lessons, knowing too much, the Buzz Records buzz, the vibrancy of Toronto’s music community right now, METZ and Fucked Up, the effect the late Mayor Rob Ford had on Toronto’s punk scene, how local music reflects the atmosphere in Toronto, the new Fake Palms Heavy Paranoia EP, losing his brother, the collaborative aspects of Fake Palms these days, an intimate but not so interactive podcast episode, the song “Holiday” and then no one got punched in the face.

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fakepalms

Related links: buzzrecords.ca/fakepalms/ vishkhanna.com