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Bonnie “Prince” Billy (2019) – Teaser

In my most recent Kreative Kontrol newsletter, I mentioned that I’d done a long-form interview with Will Oldham about his 2019 album, I Made a Place, but it was only used for a print piece, not for this podcast because, at the time, he was feeling ambivalent about being on pods. Sometime in the last couple of years, I asked Will if I could share this phoner widely, and he said yes, so here it is finally, virtually unedited.

The conversation lasted about an hour and took place on Monday, September 29, 2019 at 11:00 AM ET, and you’ll hear us discussing topics like, me attempting to call him using the telephone app on my Macbook, as I often did at the time, but for some reason my computer perplexingly launched a program I’d never used before called Zoom, the return of Bonnie “Prince” Billy music after a long absence, the albums of songs he made written by the likes of the Everly Brothers, Merle Haggard, Susanna, and Mekons, wariness about oversaturated streaming culture, recording a Ramones song with David Berman (who’d died on August 7, just weeks before this conversation) and thoughts on DCB, Will’s love of Jake Xerxes Fussell, the Oldham family’s lengthy history with and a then-recent pilgrimage to Hawaii, and much more.

The wonderful new Bonnie “Prince” Billy album, The Purple Bird, is out now!

To hear this entire conversation, subscribe to Kreative Kontrol on Patreon at the $6 tier or higher (a reminder that an annual subscription includes a discount compared to a monthly one).

Related episodes/links:

Ep. #944: Bonnie “Prince” Billy
Bonnie “Prince” Billy (2006) – Teaser
Bonnie “Prince” Billy (February 2011)

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News Podcast

Ep. #823: Espanola

Aaron Goldstein discusses his band Espanola and their new album, Espanola, Again, what it was like touring with Willie Nelson in Kathleen Edwards’ band, why and how became such a sought-after pedal steel player, the blurry line between producing and writing a song, writing about displacement, southern rock from southern Ontario, future plans, and much more.

Supported by you on PatreonPizza Trokaderothe BookshelfPlanet Bean Coffee, and Grandad’s Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.

Related episodes:

Ep. #560: Kathleen Edwards
Ep. #324: Daniel Romano
Ep. #195: Terra Lightfoot

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News Podcast

Ep. #317: Bonnie ‘Prince’ Billy

Bonnie ‘Prince’ Billy is a moniker employed by Will Oldham, a truly gifted and idiosyncratic songwriter, singer, musician, producer, and actor based in Louisville, Kentucky. Throughout his illustrious run, as one of the world’s most prolific and singular artistic forces to have emerged in the past 25 years, Oldham has spent some of his time performing songs that were composed by others, often delving into their inner workings to make them his own. His latest release is Best Troubador, a tribute to the works and work ethic of the legendary country star, Merle Haggard, who passed away in 2016. Best Troubadour is out via Drag City Records and Will and I caught up recently to discuss why he doesn’t see the point in telling people that you miss them once they’ve died, how he hoped to start a dialogue with Merle Haggard, how a record like this one might push back against a thoughtless music industry and the way some of us are conditioned to consume art, the strange ritual of music streaming and telephones, unattainable goals and journalistic strategies, and much, much more. Sponsored by Pizza Trokadero, the Bookshelf, and Planet Bean Coffee.