Los Angeles-based musician, engineer, and producer Michael Chaves joins Vish to discuss each and every song that he mixed and/or played on on Leonard Cohen‘s Polaris Music Prize-nominated album, You Want it Darker, which is available everywhere via Columbia Records. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad’s Donuts.
Jessica Moss is a well-respected and talented musician currently based in Montreal, Quebec. Perhaps best known for her membership in Thee Silver Mt. Zion Memorial Orchestra, Moss is a violinist who has also played prominent roles in Black Ox Orkestar, Carla Bozulich’s Evangelista, and collaborated with Vic Chesnutt in the last years of his life. Though accustomed to working with others, Moss recently made her first solo record; it’s a compelling one called Pools of Light, now available via Constellation Records, prompting her to tour across England and Ireland after upcoming shows in Montreal and Brooklyn respectively. Jessica and I caught up for a conversation, in which we discussed meeting Leonard Cohen during a Silver Mt. Zion recording session at the Hotel2Tango studio, being abroad when Trump was chosen to turn the United States of America into a failed casino, parenting in a weird world, working with Kevin Doria and receiving encouragement to write her own music, global warming, and much more. Sponsored by Pizza Trokadero, the Bookshelf, and Planet Bean Coffee.
Bonnie ‘Prince’ Billy is a moniker employed by Will Oldham, a truly gifted and idiosyncratic songwriter, singer, musician, producer, and actor based in Louisville, Kentucky. Throughout his illustrious run, as one of the world’s most prolific and singular artistic forces to have emerged in the past 25 years, Oldham has spent some of his time performing songs that were composed by others, often delving into their inner workings to make them his own. His latest release is Best Troubador, a tribute to the works and work ethic of the legendary country star, Merle Haggard, who passed away in 2016. Best Troubadour is out via Drag City Records and Will and I caught up recently to discuss why he doesn’t see the point in telling people that you miss them once they’ve died, how he hoped to start a dialogue with Merle Haggard, how a record like this one might push back against a thoughtless music industry and the way some of us are conditioned to consume art, the strange ritual of music streaming and telephones, unattainable goals and journalistic strategies, and much, much more. Sponsored by Pizza Trokadero, the Bookshelf, and Planet Bean Coffee.