Hillary Clinton Archives - Page 8 of 8

Mick Jenkins is a powerful, uncompromising young hip-hop artist who has spent most of his life as a citizen of Chicago, Illinois. Born in Alabama in 1991, Jenkins first received widespread attention for his 2013 mixtape Trees and Truths and followed its success up with the gritty, politically-charged masterstroke, The Water[s], which many regarded as one of the finest albums of 2014. Working at a furious pace, Jenkins is back with an excellent and vibrant new release called Wave[s], which is out via Cinematic Music Group, and has prompted Jenkins to tour right across North America, including stops at Toronto’s the Hoxton on September 1 and Ottawa’s Ritual on September 2. Here, Mick and I talk about getting his hair done on the south side of Chicago, how violence in the city has been overblown, how American media outlets sensationalize violence, Chief Keef and drill music, scapegoating, being personally impacted by this violence, the story behind the explosive video for “Ps & Qs” and alliteration, director Nathan Smith, the state of the United States of America, the ways in which humans deliberately avoid solving catastrophic problems that are easy to fix, stories from the Bible and about Jesus Christ, the bathing suit, why the world is more evil, how Satan wants you to go to hell, trying to believe politicians, Republicans and Democrats and concepts of evil and good, the election campaign cycle, how the one percent controls the ninety-nine percent, the dynamic lyrical content of Wave[s], speaking about women, what relationships teach us about ourselves, the power of water, Feel[s], The Healing Component, when Ice Cube speaks on women and N.W.A., the rise of socially aware, sensitive rappers, liking Drake and getting over his origin story, being fine with people not always getting it, not changing, being a prolific artist, bringing Wave[s] to life on-stage, not being a lawyer or being politically engaged, the song “Your Love,” and then there was slumber.

Related links: mickjenkins.com cinematicmusicgroup.com vishkhanna.com

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Jello Biafra was the lead singer of the influential punk band Dead Kennedys and has since gone on to do significant work as an actor, spoken word artist, and vocalist, as well as being the head honcho at the still busy and prolific record label, Alternative Tentacles. His first band since he left Dead Kennedys is called Jello Biafra and the Guantanamo School of Medicine and their new album is called White People and the Damage Done, which they’re touring behind now, including stops at Call the Office in London, Ontario on June 16 and the Opera House in Toronto on June 17. Here Biafra and I discuss things like why Nardwuar the Human Serviette and I can’t pronounce Biafra, why Jello’s name came up in discussions about the Web Fast-Lane Vote spearheaded by the FCC, Guantanamo Bay and Chelsea Manning, the concept of the new album and how it delves into kleptocracy and retroactive feudalism, greed addicts, maximum wage, why “Shock-U-Py!” shows up at the end of the new album, how Jello engages with Canadian politics and our celebrity crackhead goofs, why people should stop talking about Hillary Clinton two years ahead of the election, thinking locally, why we should stop distracting ourselves, communication, reactivating our bullshit detectors, Jello has never felt alone in his thoughts and pursuits, what first turned him onto music as a kid, Pete Seeger, Joan Baez, and Azuma Kabuki music, garage bands, the Music Machine, the Animals and Eric Burdon, Jello used to be able to sing like Robert Plant, East Bay Ray has the Dead Kennedys master tapes, Jello has nothing to do with Dead Kennedys reissues and they seem to be muting his involvement in the band, Jello is proud of Dead Kennedys and doesn’t think the rest of the band cares about the music, Jello’s theatre background in middle school, Jello can play a mean Scrooge, acting in The Hipster Games and being typecast on Portlandia, how Dead Kennedys came together in San Francisco and the emergence of hardcore, how method acting influenced Jello’s vivid lyricism, his roles in Highway 61 and Terminal City Ricochet, Jello’s very first songs were written for Dead Kennedys, why he never played in some early cover band or something, the early D.O.A. cover band Stone Crazy, how and why the GSM is his first proper band since DKs, the Melvins wanted to avenge Jello, why he quoted the DKs song “Soup is Good Food” in the GSM song “Burgers of Wrath,” where he’s at now with the other Dead Kennedys and what it would take for him to agree to play with them again, playing DKs songs with the GSM, Jello’s getting back into spoken word performance, honouring Ralph Nader, the crippling losses he’s suffered lately, how much the Stooges meant to him, the plight of independent musicians and labels like Alternative Tentacles in the age of file-sharing, AT is doing cool stuff with reissues of records by the Dicks, Voivod, and new releases by young bands like Death Hymn Number 9 and Itchy-O, making stuff is important, why the GSM is not playing Amnesia Rockfest in Quebec this month, scams, the song “Burgers of Wrath,” and then it’s bedtime for bonzo.

Related links: alternativetentacles.com vishkhanna.com

Listen, subscribe, rate/review on iTunes.

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