Tag: Fugazi

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Ep. #105: Zaki Ibrahim

Zaki Ibrahim is a very creative singer and songwriter who splits her time between Toronto and Johannesburg. Over the past decade, she has established herself as one of the most daring and fascinating R&B/electro-pop artists in North America and her heady, sci-fi-infused debut album, Every Opposite, was shortlisted for the 2013 Polaris Music Prize. This Sunday June 8, Ibrahim performs at the Field Trip festival at Fort York in Toronto along with people like Constantines, Fucked Up, Washed Out, Do Make Say Think, Gord Downie and the Sadies, Broken Social Scene and more. A few months ago, Ibrahim and I caught up for a chat just after she played a noon hour concert at the University of Guelph where we discussed microphone checking, our hang-ups about our voices, speaking like someone who’s lived in South Africa and Canada, being mistaken for Jian Ghomeshi on the phone, playing concerts for students at lunch, leading an aerobics class, the sci-fi, African-set narrative of Every Opposite, Nanaimo to Cape Town, the town in British Columbia that has outlawed hand drumming, Diana Krall and Young Galaxy, rumbling tummies, receiving a Polaris Music Prize nomination, getting to Toronto in 2001, living in Johannesburg, deer come, Zaki’s dad was involved with Bush Radio and media education in Cape Town, making radio plays but not necessarily engaging with other media forms, House of Lies with Don Cheadle and Teen Wolf, the internet in South Africa, twitter binges, avoiding categorization musically or otherwise, knowing one’s blackness and being multi-racial or “Canadian,” I subtly quote the Fugazi song “Place Position,” loving pop music by white people, singer and songwriter, being ok with external perceptions of one’s work, performing for old people at lunch, dates, following up on Every Opposite, messing with songwriting and addressing the terms of success, go to wikipedia, proper pronunciation, and that’s it.

Related links: zakiibrahim.co.za fieldtriplife.com vishkhanna.com

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Ep. #101: Steven Lambke

Steven Lambke is a very talented songwriter, singer, and guitar player who often performs under the name Baby Eagle. A founding member of Constantines, Lambke was raised in Cambridge, Ontario and currently lives in Toronto where he manages the You’ve Changed Records label, which has released music by the likes of Baby Eagle, Attack in Black, Daniel Romano, Daniel, Fred & Julie, Shotgun Jimmie, Marine Dreams, the Weather Station, Apollo Ghosts, and will be handling the reissue of Constantines’ Shine a Light in Canada this June 10. You’ve Changed celebrates its fifth anniversary with special roster-oriented shows at Toronto’s Horseshoe Tavern on May 22 and Ottawa’s St. Alban’s Church on May 23. At Steve’s place with Shary Boyle in Toronto, he and I discussed things like what Shary is preparing for dinner, the fact that Steve is in Toronto not in Sackville, Venice to Detroit, border crossing when you’re a musician not crossing to play music, “pfft…co-operative,” is Fugazi some kind of heavy metal, hobbies and retirement, teachers and race car drivers, parental tolerance of super loud novice musicians, learning about Superchunk and Merge Records, Encore Records in Kitchener is the best, whether labels matter and how they curate experiences, Steve’s old job at Soundscapes, the influence of Three Gut Records, SappyFest, and Attack in Black on You’ve Changed, how ideas are executed by the people running the label, the mystery of YCR 004 and CST 100, Dan Romano steps back a bit, Colin Medley made a You’ve Changed Anniversary zine, Steve should write a book or two, oh wait, Steve is publishing a book of lyrics and poetry, how writing songs in Constantines compares to writing as Baby Eagle, song batches, Christine Fellows and John K. Samson are encouraging people, balancing things, quality control and propelling important cultural work, “a field left fallow by a pine stand will grow pine,” more You’ve Changed records are coming out many of which will likely be made by Marine Dreams, the Shine a Light reissue, why the Constantines’ ending and starting up again might’ve been Bry Webb’s call, why Constantines will not be touring, the surprise guest at the Toronto You’ve Changed show at the Horseshoe on May 22 is no longer a surprise to you because you just found out that it’s Daniel Romano and his band, the Marine Dreams song “Constant Love” and then we stopped without really talking about our younger selves learning to play music together and forming bands like Captain Co-Pilot. Next time.

Related links: youvechangedrecords.com baby-eagle.com vishkhanna.com

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Ep. #100: Andrew Nathan Hood Interviews Me about Jim Guthrie

Andrew Nathan Hood is a published author who lives in Guelph. He wanted to interview me because he’s working on a book about Jim Guthrie for Invisible Publishing’s Bibliophonic series and so I said “sure.” For this 100th episode of the show, I present Andrew prying into my life by asking me about why we’re doing this, the band Captain Co-Pilot that I was in with Dallas Wehrle and Steve Lambke before they formed Constantines, people I used to make music with in Cambridge, Ontario, how I got into drumming via road trips in my parents’ car, lying to my parents about owning drums, lying about Superchunk and Tom Robbins, rear-ending my high school principal, storing illegal drums, Steve’s mom likes my drumming, playing the Albion Hotel in 1996, playing music with Jim, seeing Bluetip at 10 Ontario Street, merging hardcore and indie-rock scenes, punk rock, my tiny ex-girlfriend who caught Jim’s eye, the Hubble Bunk and Coby Dowdell, Holocron, Dioctave, Venus Cures All, Plumtree and community, recording a Captain Co-Pilot album with Jim and James Ogilvie, enjoying the Beatles, Justin Stayshyn, Stephen Evans, it got louder, the song “Where Have All The Heroes Gone?” and Jim’s notes on it, 517 the man, Jim might’ve been high, Steve McCuen and speech impediments, the gift of gab and generous humanity, Tim Kingsbury and nice, cool people in Guelph, the beginning of Three Gut Records, Gentleman Reg and his red minivan, Aaron Riches and Royal City and Leslie Feist, Aaron setting up Fugazi shows in Guelph and propelling people like Jim to do stuff, King Cobb Steelie and moving to Toronto, Lisa Moran and Tyler Clark Burke, my road managing Royal City’s first U.S. tour which lasted three weeks, Nick Craine, Feist being in Royal City, when crossing the border was easy, Nathan Lawr, it’s business and it’s personal, when Royal City stopped, the power of Constantines, seeing The Late Show with David Letterman and wearing coveralls for work like Steve Albini, the Constantines song “Nighttime/Anytime (It’s Alright)” and Jim’s notes on it, disbelief about things in The Believer, Andrew’s bare bum, why Jim is influential, Stuart Berman’s This Book is Broken, when Kurt Cobain died and live music venues went disco in the 90s, Arcade Fire, why people like Jim and his music, the fact that Jim wrote the “Hands in my Pocket” ad jingle, McDonald’s, Jim’s genius as a pop songwriter, Jim’s award-winning and lucrative work as a composer of video game soundtracks, Jim knows stuff, Jim O’Rourke, Stewart Gunn and Beethoven, Jim’s open-minded curiosity, making money by doing the thing you love and employing your skillset, the Jesus Lizard and American Express, Invisible Publishing’s Bibliophonic series, Tom Clancy books, why are we doing this again?, Jim gets surprised because he’s modest, Jim’s Juno nomination and our 2004 trip to Winnipeg, Canada has a small music scene, championing, Jim’s terrible car accident, the song “Before and After” and good lord, it’s done.

Related links: andrew-n-hood.blogspot.ca jimguthrie.org vishkhanna.com

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