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Ep. #121: Dave Ullrich of Zunior & The Inbreds

Dave Ullrich is the founder of Zunior.com, one of the world’s first digital distribution services for independent music, which celebrates its tenth anniversary with various enterprises, including a new tribute album by Tony Dekker and a big festival at Sandbanks Provincial Park on Sept. 13. He was also a founding member of the excellent indie-rock band the Inbreds. Here, Dave and I discuss Allen’s Pub on the Danforth in Toronto, Gord Downie of the Tragically Hip and the Inbreds, growing up in Oshawa but making the Inbreds in Kingston, hiding your Oshawa, k-os rapping upside down, Cuff the Duke owning Oshawa, my pilgrimage to Mike O’Neill’s childhood home and memories of that episode, playing cover songs at an O’Neill Collegiate Vocational Institute battle of the bands in an outfit called the Fresh Steaming Turds, the forgettable U2, I know the R.E.M. discography pretty well apparently, loving Zeppelin and Bonzo, why the complexity and fury of punk is often equated with simplicity and rudimentary playing, sincerity in music, Proboscis Funkstone Records, the rise of cassettes, the riff-y, fingerpicking early days, luck + preparedness = success, these are the breaks, I challenge you to dislike the Inbreds, Lewis Melville, Rheostatics, Guelph, when the Inbreds turned down a Foo Fighters tour opening slot to break up, sneaking low-profile records to Dave Bookman who got them to superstars, angering the Tea Party while Foo Fighters munched on KD, a circuitous route to scooping the White Stripes, starting the prescient Zunior.com digital music delivery service 10 years ago, vinyl sales and holding a piece of wood, leveraging the spirit of indie-rock computing, Zunior platinum, the top 10 moments in the history of Zunior, suprising Rheostatics, the Zune, solar power, Egger plays live, Peanuts, Boxing Day, patron saint Stuart McLean, making commercials with Scott Cudmore and Martin Tielli, the joy of the label and Wax Mannequin, getting into e-books and working with rock writer Martin Popoff, predicting the future for music consumption, flirting with Rdio and musical curation and discovery, vinyl might have a cost ceiling, major labels are like cockroaches, the new Tony Dekker Sings 10 Years of Zunior album and how it came to be, the Zunior 10th anniversary show in Sandbanks Provincial Park in Prince Edward County on Sept. 13, the song “At the Airport” by Old Man Luedecke, and then it’s the right time to say goodbye.

Related links: zunior.com inbreds.com vishkhanna.com

inbreds

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Ep. #120: Steve Albini

Steve Albini is a world-renowned recording engineer and the owner and one operator of the stellar Electrical Audio recording facility in Chicago, Illinois. He is also one of three singers and one of one electric guitarists in Shellac, one of the most significant and influential underground rock bands of the past 25 years. On September 16, Touch and Go Records will release Dude Incredible, the fifth official album by Shellac. Here, Steve and I chat about a cool Chicago July and the Polar Vortex revival, his recent interview with High Times who care a lot about drugs, how smoking weed is a young man’s game, how certain things should be experienced by all of us who wish to relate to everyone else, the last time he tripped balls, rolling fatties, Kevin Goldstein and getting the royal treatment at a recent White Sox/Astros game in Chicago, meeting Steve Sparks and talking about knuckleballers, living in Houston, being on-field for batting practice, the Cubs are really embarrassing statistically and otherwise, Wrigley Field is cool but Sox games are more fun, the Steve Bartman incident, baseball and curses, National League versus American League baseball, when he first fell in love with baseball as a kid, the Cincinnati Reds in the 1970s, why baseball might be the most appealing, compelling, and distinctive major team sport, pulling the goalie, participating in events like the World Series of Poker, welcome back Gabe Kaplan, why poker can be so engaging, oddly complex games like baduci, winning, tells in poker versus the dramatic arts, interpreting behaviour, reverse psychology, and pantomime, the honesty of Jamie Gold, streakiness, the significance of the Ramones, laughing at the Clash, the Jesus Lizard’s BOOK, David Yow and cats that demand respect, Gary the cat, making At Action Park 20 years ago, taking time with Shellac, the Shellac albums don’t need to be remastered, why Shellac haven’t released singles in a while, contemplating a Shellac singles compilation album, a one word encapsulation of every song on Dude Incredible with a slight elaboration on that one word, the Evens, his upcoming Pop Montreal speaking engagement, recording symposium with Howard Bilerman, and a cooking exhibition, making a record in Winnipeg this fall, and that’s the end of radio/podcasting.

Related links: touchandgorecords.com electricalaudio.com vishkhanna.com

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Ep. #119: Constantines

Constantines are a powerful and influential band who originally formed in Guelph, Ontario in 1999. After releasing four acclaimed and inspiring post-punk/rock ‘n’ roll albums, Constantines went on indefinite hiatus in 2010. The band have reconvened in recent months and Sub Pop reissued their classic 2003 album Shine a Light this past June. Constantines are playing a number of shows over the coming months, including stops in Sackville, NB (SappyFest, Aug. 3), Peterborough, ON (Peterborough Folk Festival, Aug. 22), Ottawa, ON (Arboretum Festival, Aug. 23), Toronto, ON (The Molson Canadian Amphitheatre w/ Arcade Fire, Aug. 29), Toronto, ON (The Danforth Music Hall, Oct. 2), Montreal, QC (Club Soda, Oct. 4), Vancouver, BC (Commodore Ballroom, Oct. 8),  Calgary, AB (Commonwealth Bar & Stage, Oct. 9), and Edmonton, AB (UPDT Festival, Oct. 11). Here, Steven Lambke, Doug MacGregor, Dallas Wehrle, Will Kidman, Bry Webb, and myself discuss playing “Keep On Rockin’ in the Free World” with Jack Layton, Olivia Chow, and members of Barenaked Ladies, Dallas Good calls Dallas Wehrle, the yellow tape, unsafe seasonal tours, the freak hail storm at the Sasquatch! Music Festival, Paul’s Boutique and shows at Who’s Emma, Mike Haliechuk from Fucked Up set up a Captain Co-Pilot show, hardcore bands from the 90s, Monica Lewinsky and Bill Clinton, the video for “One” by Metallica, Mats Naslund and Wayne Gretzky, skiing, Glenview Park Secondary School, Dallas won the gym award, Rob Pal, I won the French award, Tyler Williams, Dallas liked industrial music, the high school airband showcase and Nine Inch Nails, Ted Lambke, discovering music in skate videos, Doug’s band Shoulder, the Button Factory in Kitchener, Pain Don’t Hurt, Gaffer, “New School Calypso (NSC),” Rob Pal named Captain Co-Pilot, the London hardcore scene, Hoover and Lincoln, why Shoulder ended, why Captain Co-Pilot ended, tiny ladies are time-consuming, the 37 Elizabeth Street house, Tony the landlord, Tom McKnight, bouncer dudes from the Palace, how Constantines started, Cambridge eyeroll, excited about bands like ourselves, Three Gut Records origin show, the song “Arizona,” Dallas recalls the hilarious legend of crusty punk/European road manager Jörg, that Sasquatch! Music Festival hailstorm story again, Dallas thought he might die, Will climbs the rafters, Ayr and Cambridge, Southwood Secondary School, Ayr house show, Patrick Swayze and Road House, this guy Ryan, Cambridge shows would always get shut down, the Mighty Fishermen, that guy Brent who ripped us off, we all had a crush on Jill Holmberg, Dallas and Steve and I played in a band called Dioctave, the Unfuckable Cum Bums, the bands Curb, Ground, and the Mighty Fishermen, Mr. Gouveia’s French class and Tony Tabu, work on your scales, Mr. Carbone’s guitar class got Dallas playing music, judhaynes.com, Metallica again but also Ministry, adding a drum machine to a three-piece punk band, playing in Dallas’ living room and Ted Lambke yelled at us about Black Sabbath, Minnow was a big influence on Captain Co-Pilot, Will became a Captain Co-Pilot fan and gave Steve a tape of his music at that show, Dallas wasn’t into HPX, small women, how Will joined Constantines at a recording session, Who’s Emma, Cons reunion, the song “Insectivora,” Bry’s the most frequent guest on this podcast except for Jon Spencer, acting and fakery, everyone assumes Constantines are very serious, playing the first reunion show in Guelph in June, 106 Huron Street, shy guys, playing in a newly-invented eco-village in Sweden whose design was partially influenced by Guelph, a social night for Swedish teens, dreams come true, being scared to death about selling out, integrity and the end of the Cons, returning with sensitivity, contemplating writing new songs with the Cons, expanding the tour dates to play a show with Arcade Fire in Toronto on August 29 and across more of Canada, as well as Seattle and Portland, the Danforth Music Hall, dealing with Cons stuff and Bry Webb and the Providers at the same time, Sackville and Dawson City, Sandbanks Provincial Park, Massey Hall footage, the song “Time Can Be Overcome,” and then time can’t be overcome.

Related links: theconstantines.wordpress.com subpop.com/artists/constantines vishkhanna.com

constantines_huron_street

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