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Ep. #46: Al Tuck

Al Tuck hails from Charlottetown on beautiful Prince Edward Island in Canada. Over the past 20 years, Tuck has established himself as one of the world’s great songwriters and musicians, quietly releasing one stellar album after the next and earning the respect and admiration of any lyricist and guitarist who hears him. His latest album is Stranger at the Wake and was released by Cameron House Records earlier this year. It was longlisted for the Polaris Music Prize and earned critical accolades elsewhere and brings Tuck to the Halifax Pop Explosion this week. In September, Tuck joined me in-studio at CFRU for a good chat about Guelph, his status as a “cult figure,” his upbringing and early musical influences, his time in Halifax when its music scene was discovered by the international press, his songwriting, his voiceover work in films, his recent prolific streak of albums, the song “That Married Life” and much more.

Related links: altuck.com cameronhouserecords.com halifaxpopexplosion.com vishkhanna.com

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News Podcast

Ep. #13: Sloan’s Jay Ferguson & Chris Murphy & Photographer Catherine Stockhausen

In celebration of the new murderecords 7″ singles 1993-1998 photo/music book, Sloan’s Chris Murphy and Jay Ferguson and photographer Catherine Stockhausen discuss murderecords and Halifax music history. For more info about this episode, sign up for the Kreative Kontrol newsletter.

Chris, Catherine, Jay.
Chris, Catherine, Jay.

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The Super Friendz’s Mock Up, Scale Down: An Oral History (Director’s cut)

The following piece was published in truncated form on CBC Music. Here’s the full version. 

In the summer of 1995, the Super Friendz released their debut LP, Mock Up, Scale Down on Sloan’s murderecords imprint. At the time, Mock Up, Scale Down seemed like another exciting document from a prolific Halifax music scene that launched Sloan, Thrush Hermit and Joel PlaskettJaleAl Tuck,Buck 65 and more into the national consciousness. But over the years, as young bands like Zeus and the Bicycles touted its influence, the record’s status has grown further.

The three-headed songwriting democracy of Charles Austin, Matt Murphy and Drew Yamada inspired legions of fans and younger musicians with their skillfully crafted, explosive, thinking man’s pop-rock balladry. Drummer Dave Marsh, with his enigmatic, occasional membership, gave them the perfect rhythmic foundation they found so elusive in an oddly Spinal Tap-ish way (no drummers were harmed in the making of this band but they sure didn’t stick around for long).

The Super Friendz played the Halifax Pop Explosion this past October. Their last release was 2003’s Love Energy and, before last month’s show, they’d been quiet for about nine years. On Friday, Nov. 16, they play Toronto’s Lee’s Palace and, to mark the return of one of the greatest North American rock bands, an oral history of their formation and first album seemed in order. This is it, here we go.