Tag Archives: Jonathan Richman

Ep. #267: Adrian Teacher

Adrian Teacher is a talented and award-winning musician who lives in Vancouver, British Columbia. Best known for his work in Apollo Ghosts and COOL TV, Teacher is also an accomplished solo musician who has just released another excellent, contemplative yet upbeat album with his backing band, the Subs. The record is called Terminal City, it’s out now via You’ve Changed Records, and Adrian Teacher and the Subs are touring across Canada in July with Weird Lines and Jon McKiel and then again in August with Julie Doiron and Construction and Destruction. Here, Adrian and I discuss what’s happening in his hot apartment, the most cataclysmic climate change situation of all time and Birkenstocks, writing songs about Vancouver, a city in transition, no hope, the last railroad spike and global connection, the controversy over Vancouver’s real estate situation, Liberal Premier Christy Clark’s call to end real estate’s self-regulation, growing up on Vancouver Island and relating to cities, housing inequity, addressing actual problems like social housing, centrist policies, million dollar shacks, despondence, the inspiring lives of children when you’re a teacher, parents just don’t understand, Nanaimo and Diana Krall, my sweet tooth, a good upbringing, getting into guitar at 10 years old, buying a four-track that once belonged to Alden Penner in 1996, The Wedge and Beck, Sloan at the Saratoga Speedway, Eric’s Trip, finding his voice in Apollo Ghosts and where that band came from, me and Apollo Ghosts at Sappyfest and a cape, why Apollo Ghosts stopped, his next band COOL TV, the Subs and Amanda P. and ‘Beautiful British’ Robbie, Jonathan Richman, Squeeze, Talking Heads, keeping lyrics fun and upbeat, Dan Bejar, Joni Mitchell, Bob Dylan, Stephen Malkmus, Ramones, musical ADHD, the outdoors, building a cabin, former Nanaimo mayor Frank Ney, the keyboardist from Trooper, Armageddon, the weirdness of Vancouver Island, special Canadian places, the last day of school teacher jam, touring Canada twice, Jon McKiel, Weird Lines, Julie Doiron, a new EP, making some music that’s more adult, John Collins, the label City Beautiful, Pavement, the song “Called Up,” Television, and that was it.

Related links: adrianteacher.com youvechangedrecords.com vishkhanna.com

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Ep. #93: Ought

Ought is a young punk band based in Montreal that consists of keyboardist Matt May, bassist Ben Stidworthy, drummer and violinist Tim Keen, and vocalist and guitarist Tim Beeler. The band formed in 2012 but have already honed a distinctive and explosive sound, which is captured beautifully on their debut LP, More Than Any Other Day. With its mix of righteous but mischievous poetry and charging music and dramatic vocals, Ought have conjured one of the most refreshing and inspiring rock records of the year. More Than Any Other Day is out April 29 via Constellation Records and here all of us chat about the band’s living arrangements, its impact on their music and how such arrangements might have made sense for the Jesus Lizard, why they chose to conduct this interview (the band’s third) as a group and what that says about the nature of their collaboration, how Ought might ba “new metal” band, the conscientiously democratic nature of their creative process, how this band came together in Montreal, landing on the same page without saying a thing, how Ought is not a ‘genre band’ but maybe Yo La Tengo and Sonic Youth have seeped their way into the sound in some ways, Australia and a lazy reference to crocodiles, lyrics and poetry and whole milk and Jonathan Richman, righteousness and irreverence, the influence Montreal has had on Ought, student protests and how the feelings they conjure can infiltrate a band’s music, how the ‘you’s’ and ‘I’s’ in Ought’s songs are generally quite indirect pronouns, the making of More Than Any Other Day and what’s next, the video for “The Weather Song,” the song “Gemini,” and not one more thing.

Related links: cstrecords.org/ought vishkhanna.com

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