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Ep. #71: Alden Penner

Alden Penner is a respected and idiosyncratic singer, songwriter, and musician based in Montreal. Penner was a key figure in the influential bands the Unicorns and Clues and went on to make heartfelt, enigmatic, and questioning music in a project called Hidden Words. On Feb. 11, he quietly released a lovely new album under his own name; it’s called Exegesis and has prompted him to play at the Silver Dollar in Toronto for the Wavelength festival on Thursday Feb. 13, Montreal’s Le Cagibi on Friday Feb. 14, and the Le Pantoum in Quebec City on Feb. 15. Here, Alden and I discuss my issue understanding release dates, the fact that Exegesis is a personal compilation of sorts with at least one song that was partially conceived by Nick Thorburn when the two were in high school, the self-reflexive nature of putting this record together, Penner’s evolution as a songwriter and the distinction between his simpler and more intricate work, his earliest days learning how to play music in his teens and the impact “I Love Rock ‘n’ Roll” had on him and his guitar playing, jamming with his geography teacher, meeting and collaborating with Thorburn for the first time, the influence that Jimi Hendrix, Reverend Gary Davis, Elizabeth Cotten, and Fugazi had on his guitar playing, interesting guitar teachers and Syd Barrett, playing every instrument on a record yourself, the importance of band chemistry and the Avengers, the multiple meanings of the album’s title, which came to Penner in a dream, how religion has impacted Penner’s ability to find his own voice and feel bolstered by his community, the importance of self-assertion in the face of confrontation, Laura Crapo’s role in producing Penner’s new album, the mysteries of mysticism and psychic surgery, having faith, his upcoming shows, why the Unicorns must reunite to play shows and maybe even reissue Who Will Cut Our Hair When We’re Gone? in 2014, the song “We Seek,” and more.

Related links: facebook.com/aldenpennermusic vishkhanna.com

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Ep. #70: Joel RL Phelps

Joel RL Phelps is an American musician and songwriter who once played in the now-defunct band Silkworm. Upon leaving Silkworm, Phelps began collaborating with new musicians, most notably William Herzog and Robert Mercer, and formed a unique rock group called Joel RL Phelps and the Downer Trio. The band’s new album came out Oct. 8, 2013 via Triple Crown Audio Recordings in Canada; it’s called Gala and marks their first release in nine years. Here, Joel and I discuss living in Vancouver vs. Montana vs. Seattle, missing Steve Albini, seeing Shellac at the Starfish Room in Vancouver in 1999, the themes on Gala, as they relate to his recovery from alcoholism, some background into his condition and when and how it began to manifest itself, his experience with clinical depression and other mental health issues, the process of trying to get reacquainted with one’s self, how addicts tend to interact with and disconnect from the world, how all of these experiences might inform the music and lyrics on Gala, how he was barely able to walk before he entered recovery, his work with 12-step and secular recovery groups and how that leads him to discuss ideas and approaches regarding addiction, his role in the formation of Silkworm and the band’s earliest days, dropping out of school quite a bit, the circumstances that led to his leaving Silkworm, why he didn’t appear in the documentary Couldn’t You Wait? The Story of Silkworm and how it impacted the film, playing in the Downer Trio and his general temperament towards music these days, his touring/travelling difficulties, how Canadians are really into Canadian things, the song “So You’ve Decided,” and more.

Related links: joelrlphelps.net crowncrowncrown.com vishkhanna.com

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Ep. #69: Katie Ewald

Katie Ewald is a powerful contemporary dancer based in Guelph, Ontario. She’s performing at Hillside Inside’s Fab 5 Cabaret on Friday Feb. 7 as part of the Portal Dance Project. Here, Katie and I discuss cat years, how and why people interact with contemporary dance the way they do, why she relates more to a basketball team than the dance pack that performs between plays, how Carl Wilson’s book Celine Dion’s Let’s Talk About Love: A Journey to the End of Taste profoundly impacted the way she processes all art, showmanship within improvisation and the importance of the audience within one’s practice, how to gauge the popularity of a niche art-form, how she ended up living in Guelph and her fondness for dancer Janet Johnson, how she got into dance as a child and became a “bunhead,” the willful strength of dancers and their snob rights, how the general public receives dance, mentors in Montreal and Brussels, being a “master of illusion,’ working with Tim Etchells, Forced Entertainment, and watching a six-hour durational piece, balancing work with family life, how the Canadian government is anti-art, the Portal Dance Project presentation at Hillside Inside, how improvisation is part of one’s artistic practice, her future plans, and more.

Related links: guelphdance.ca hillsidefestival.ca vishkhanna.com

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