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Ep. #179: Long Night with Rachel Giese, Sabrina Ramnanan, Daniel Schulman, Lee Reed

This episode of Long Night with Vish Khanna was recorded at the Tranzac in Toronto during the Spur Festival, Canada’s first national festival of politics, art, and ideas, on Friday April 10, 2015. Aside from Long Night sidekick James Keast and house band the Bicycles, Vish’s guests were Rachel Giese, Sabrina Ramnanan, Daniel Schulman, and Lee Reed. Rachel Giese is a National Magazine Award-nominated journalist who was a senior editor at The Walrus and a deputy editor at The Grid. She has also worked for CBC and guest hosted radio programs like Q and Day 6. Here we discuss her most recent stint hosting Q and her popular 2014 Walrus piece, “The Talk,” about the new sex education for boys. Sabrina Ramnanan is an Ontario-based author who won the 2012 Marina Nemat award via the University of Toronto’s School of Continuing Education Creative Writing Program and her work has appeared in journals known for presenting postcolonial and diasporic perspectives. Her debut novel is out this month via Knopf, it’s called Nothing Like Love, and here we discuss being celebrated for our difference and the action in her novel. Daniel Schulman is the New York Times bestselling author of Sons of Wichita: How the Koch Brothers Became America’s Most Powerful and Private Dynasty, a biography of the Koch family, which is coming out in paperback this May. He’s also a well-respected investigative journalist and a senior editor in the Washington, DC bureau of the left-leaning and highly reputable American magazine Mother Jones. Here, Daniel and I discuss his recent entanglement with Bill O’Reilly, the Koch Brothers, House of Cards, and the upcoming U.S. Presidential election. Lee Reed is a gifted and politically outspoken hip-hop artist from Hamilton who once fronted the amazing group, Warsawpack. He has just released his brand new album, The Butcher, The Banker, The Bitumen Tanker and here, he performs a new song called “This Microphone.”

Related links: spurfestival.ca vishkhanna.com

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News Podcast

Ep. #178: Shary Boyle

Shary Boyle is a tremendously gifted and world-renowned Canadian visual artist who calls Toronto home. While it isn’t easy to describe the full breadth of her work, it’s fair to say she has spent a great deal of time exploring the figure, inspired by her concerns about and interest in class and gender injustice. She has examined a range of psychological and emotional states via sculpture, drawing, painting, installation, performance, and handmade craft to create a singular body of work. Boyle represented Canada with her project Music for Silence at the 55th Venice Biennale in 2013 and on Saturday April 11 between 2:00 and 5:00 PM at Boarding House Arts / Capacity 3 Gallery (6 Dublin St. N), in Guelph, Kazoo! Fest is holding a reception for Boyle’s film, Silent Dedication. Here Shary and I discuss yoga, the Venice Biennale, international recognition for a Canadian artist, growing up in Scarborough, discovering hardcore punk, originality, music and art, making money, why art is not valued highly enough in Canada, Music for Silence and The Silent Dedication, Christine Fellows and her song “Credo, White Silence,” and that was it.

Related links: sharyboyle.com vishkhanna.com

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News Podcast

Ep. #176: Rob Lind of The Sonics

Rob Lind is a well-regarded saxophone player currently based in the state of North Carolina. In the 1960s, Lind co-founded the Tacoma, Washington-based band the Sonics, and rock ‘n’ roll was never the same again. Their first two albums, 1965’s Here are the Sonics and 1967’s Boom are considered classics that represent the birth of garage rock. While other groups of the time might have let a few grains of grit infiltrate their pop songs, the Sonics infused originals and covers with a particular kind of menace and charge that anticipated punk, metal, and any other kind of music with danger in it. 50 years since their first album, the Sonics are back with a fiery new record called This is the Sonics, which is out now via their own Revox Records, and they’ll be touring the U.S. in April and May with a Toronto stop at Lee’s Palace on April 26. Here, Rob and I discuss living in Charlotte North Carolina with its sweet air, serving as a Navy attack pilot during the Vietnam War, flying for commercial airlines and missing his time as a pilot, what might be happening with all of this mysterious and horrific airplane accidents of late, these planes aren’t coming down because of climate change, when and why the Sonics stopped playing together in late 1967, how the Sonics were a pretty popular band in the Pacific Northwest, when singles like “The Witch” and “Psycho” began to take off, opening for bigger bands at the local coliseum in Tacoma as teenagers, why younger bands really made records in the late 60s, the story of “The Witch,” officially not making it to number one on the charts but actually being number one, where the sound of the Sonics came from, getting people rockin’, the Kinks, the Wailers, having no idea that the Sonics might have been influential on louder bands or the garage rock scene, befriending Bob Seger, making Sonics music, the excellence and reverence of the Hives, why someone might pursue the saxophone in a rock band, jamming with Gerry Roslie at 15 years old and never looking back, Clarence Clemons, why the Sonics came back in 2007, working with Jim Diamond on This is the Sonics, making a record instead of going to bingo, riff-based rock ‘n’ roll with no messages, what’s up with Revox Records, you can’t mess with the Sonics, the song “I Got Your Number,” loving women, and then we end up leaving here.

Related links: thesonicsboom.com vishkhanna.com

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