Tag Archives: Tin Angel Records

Ep. #192: Marker Starling

Marker Starling is the moniker of Chris A. Cummings, an ambitious and gifted pop songwriter based in Toronto. Previously working under the name Mantler, Cummings has created a distinct body of work that treads the line between thoughtful melancholy and infectious joy. His new album as Marker Starling just came out this past March. It’s called Rosy Maze, it’s available via Tin Angel Records, and it’s prompted Marker Starling to play some shows, including one in Guelph on Thursday June 11 at Silence, as part of the 9 Years of Kazoo! celebrations. Here, Chris and I discuss living in the east end of Toronto, the frustrating housing market, working for the Toronto International Film Festival, Jem Cohen’s We Have an Anchor, Will Oldham and mystical connections, Mantler and Michael Mantler and Marker Starling, the letter M, the other Chris Cummings, stars on the rise, the Evan Solomon getting fired from CBC debacle, in-depth talks versus sound bytes, I can’t remember Amanda Lang’s name, depleting press outlets, doing well in Europe, things that influenced Rosy Maze, owning 5,000 vinyl records, listening not collecting, the Beatles mono vinyl reissues, the overall brightness within Rosy Maze, forthcoming Marker Starling records like the covers record I’m Willing, working with Lætitia Sadier, the song “Stormy,” learning languages via songs, another Marker Starling solo record of original songs is also ready to go and a band record is well under way too, parenting and creativity, the song “Husbands,” John Cassavetes, and that was it.

Related links: tinangelrecords.co.uk vishkhanna.com

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Ep. #133: John Southworth

John Southworth is a remarkable songwriter, musician, filmmaker, theatrical performer, and author who splits his time between Toronto and Montreal. Over the past 20 years, Southworth has established himself as one of the world’s most fascinating and intriguing artists, with upwards of 13 music releases to his name, including a stunning new double album called Niagara, which is out September 30 via the UK label Tin Angel Records. And on October 1, the Vancouver publisher Simply Read will release Daydreams for Night, a children’s story and Southworth’s first book. He’ll be touring Ontario, Quebec, and select cities in England throughout October and here, John and I have a chat about saying his name, toddler meltdowns, the relationship between Canada’s Niagara Falls and the United States’ Niagara Falls and Niagara, living in England as a child before moving to Canada, classic immigration and feeling foreign, the Aboriginal legacy of Niagara Falls, how Niagara Falls might not even exist, almost running for mayor of Niagara Falls, an amazing scene in Superman II, Marilyn Monroe and the film Niagara, Alfred Hitchcock, Richard Lester, how the album Niagara might be a lot to digest, a streaming joke, a smoothly made ambitious record, motivation, Herman Melville and William Shakespeare are dead, there’s too many records, ego or weirdo, John’s musician father Peter Shelley is not in the Buzzcocks, what brought his family to Canada, how his dad invented the Kenner toy Robot Man, staving off bitterness, going to film school and making all of his own music videos, discovering that his first book Daydreams for Night is for children, writing a new novel might mean no new songs for a while, people might know more about us than we do, kids’ age range recommendations might be bullshit, challenging innocence, making music, acting, directing films, reading poetry, writing books, and painting paintings, the South Seas and the North Seas, Jean Martin and Tanya Tagaq, Simply Red and Simply Read, the song “Ode to the Morning Sky,” and then it’s over the falls.

Related links: johnsouthworth.ca tinangelrecords.co.uk vishkhanna.com

johnsouthworth

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Ep. #41: Mike O’Neill

Mike O’Neill is a very talented singer, songwriter, and musician who currently lives in Halifax, NS. He first came to prominence in the esteemed two-piece indie-rock band the Inbreds and has gone on to make some really remarkable solo albums, including 2012’s criminally underrated Wild Lines. He’s also a screenwriter and has worked extensively on the very popular TV and film versions of the Trailer Park Boys series. O’Neill recently began collaborating with an enigmatic American-based Canadian songwriter named Devon Sproule and, on Sept. 24, the duo released a thoughtful, gorgeous collaborative album called Colours via Tin Angel Records. A couple of months ago, I met up with Mike at his mom’s house in Oshawa and got some background about his life there. I met his mom who offered her insights, I learned about Mike’s foray into student council politics and how his late, handy dad helped him make his first drum kit, I got some more info about Mike’s visual arts background and how his attempt to impress a prom date with a mural sort of backfired, his early musical obsessions, how the Inbreds started, his work with Devon Sproule and her impact on his process, what’s up with the new Trailer Park Boys movie, and just a ton more. There’s some songs on here too. Hedges get clipped. It’s a good episode. Mike rules.

Related links: mikeoneillmusic.com devonsproule.com tinangelrecords.co.uk vishkhanna.com

mikedevon

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