Tag: Nirvana

Ep. #150: Avec le soleil sortant de sa bouche

Post author By vish
Post date November 27, 2014

Avec le soleil sortant de sa bouche is a really cool, mostly instrumental band from Montreal who formed in 2011. The brainchild of Fly Pan Am’s Jean-Sebastien Truchy, the quartet includes guitarist Sebastien Fournier, drummer Samuel Beaubonie, and guitarist Eric Gingras. This past September the band issued Zubberdust!, their wonderful debut album featuring hypnotic, interlocking musical pieces that reimagine funk and psychedelia from an energetic, emotional, punk perspective. Zubberdust! is out now via Constellation Records and here, Jean-Sebastien Truchy and Sebastien Fournier, and I discuss snow in Montreal, perpetuating myths about Canada, being a trickster, what zubberdust means in Urdu, separating long songs and sound collages, how this band came together, being spied on, keeping a groove going but in a pop sensibility, serious fun in Montreal, the jelly bean scene, the band Ought, wordless vocals, jazz scatting, the influence of Afrobeat and long-form Latino music, the Neu! part, Little Richard and Jerry Lee Lewis, Montreal’s west isles, disappointing dad, community and Constellation Records, Montreal’s old oppressive show bar culture, yellow waterproof Walkmen, Nirvana thanking Sonic Youth on In Utero, Panitopicon Eyelids and a great Montreal record store called L’Oblique, the homing beacon band that was Fly Pan Am, grinding, gatherings, fake parties, making new music, the band’s long-ass French name, the song “Super Pastiche – New Sun,” and then we say au revoir and ciao.

Related links: cstrecords.com/avec-le-soleil-sortant-de-sa-bouche vishkhanna.com

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Tags Afrobeat, Avec le soleil sortant de sa bouche, Constellation Records, Eric Gingras, Fly Pan Am, Jean-Sebastien Truchy, Jerry Lee Lewis, L’Oblique, Little Richard, Montreal, Neu!, Nirvana, Ought, Panitopicon Eyelids, Samuel Beaubonie, Sebastien Fournier, Sonic Youth, Zubberdust!

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Ep. #136: Absolutely Free

Post author By vish
Post date October 9, 2014

Absolutely Free is a powerful and ambitious three-piece band from Toronto, Ontario. For years, Matt King, Moshe Rozenberg, and Mike Claxton used to play together in a fantastic post-punk outfit called DD/MM/YYYY that put on one of the best live shows in the world. After they broke up, King, Rozenberg, and Claxton eventually reconvened to create music that was a little less frenetic and possibly more dynamic; they seemed keen to explore psychedelic, textured pop and Krautrock as touchstones for something unprecedented. The latest manifestation of their work is their first full-length, self-titled album, which is out October 14 via Arts & Crafts, and on Saturday October 11, they’ll perform the record with a special hologram/laser light show at the Long Winter Bloor Hot Docs Theatre Take Over Event in Toronto. Here, Matt and Moshe talk about throwing vegetables into the fire, DD/MM/YYYY and 11/11/11, absolute freedom, guitars and synthesizers, you can stop the rock, RHCP with an emo twist, misinterpretations and the right comparisons, that time I emailed Moshe during a show, a dysfunctional band can be like a bad tooth, Absolutely Free keeps getting smaller and more impossible, sister act, the rough side of Richmond Hill, southern Ontario hardcore punk, Dan Deacon in Toronto, Mike Claxton was in a band called Plant the Bomb, MuchEast and the Wedge VHS collections, loving the Super Friendz, Jack Grunsky, Boyz II Men, Celine Dion, the Offspring, Green Day, Nirvana, Frank Zappa, Captain Beefheart, adult excitement for music, mixing textured vocals kinda low, Steve Clarkson, mistakes, hazy trends, my SCTV Complete Series box set, the way in which Mike Haliechuk of Fucked Up produced and contributed to the new record, life and time and light, existentialism and transcendence, climbing the ladder, external considerations and receptions, scoring the film Two Cares Due None, releasing a bunch of unreleased material, holographic versions of Absolutely Free are playing Long Winter this Saturday while the actual band is in Hamilton, Toronto Laser Services, the song “Earth II,” and then we’re absolutely free.

Related links: absolutelyfree.ca torontolongwinter.com vishkhanna.com

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Ep. #88: Vanessa Dunn of Vag Halen

Post author By vish
Post date April 11, 2014

Vanessa Dunn is the lead singer of Vag Halen, one of Toronto’s most exciting and confrontational rock bands. On Facebook, they describe themselves as “Toronto’s feminist art rock band that brings the bad with a dash of ass! Armed with a repertoire of classics, Vag Halen muff dives into the salty cock rock waters, blowing nether regions with their commitment to all things queer and all things rock.” Having seen the band myself, I can verify that that is all totally, totally true. Vag Halen storm Guelph on April 12 for a set at Kazoo! Fest at Van Gogh’s Ear. The band is on at 11:30 PM sharing a bill with Whoop-SZO, Biblical, and Legato Vipers. Here Vanessa and I discuss the pizza in Parkdale, growing up in Scarborough and celebrating the suburbs, where Vag Halen came from and what it might stand for, Katie Ritchie of the Organ, good Van Halen (David) and bad Van Halen (Sammy), how the band covers songs by different cock rock, hair metal bands who are male-centric, as an attempt to assert and understand the role of women and queer culture in such realms, the sexy, revealing attire and stage presence of Vag Halen, the power and cultural contributions of Tawny Kitaen and Miss Elizabeth, Vanessa’s acting background, whether or not we’re well past the era where musicians can get away with blatantly misogynistic and homophobic aesthetic stances, Nirvana’s decision to perform at the Rock and Roll Hall of Fame with women like Joan Jett, Kim Gordon, Lorde, and St. Vincent filling in for Kurt Cobain, why Axl Rose is the worst, most complex person, how personas or behavioural patterns in musical genres can perpetuate problematic lyrics and attitudes, running into Alice Cooper at a restaurant, Vanessa’s love of Depeche Mode and the Jesus and Mary Chain but her passion for hard rock, whether Vag Halen will ever write its own songs, the generally positive reception for the band in Toronto and Vanessa’s place as a role model, what’s new in Vag Halen’s set these days and why things are gonna get heavy at Kazoo! Fest, and nothing more.

Related links: twitter.com/VagHalen kazookazoo.ca vishkhanna.com

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