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Ep. #71: Alden Penner

Alden Penner is a respected and idiosyncratic singer, songwriter, and musician based in Montreal. Penner was a key figure in the influential bands the Unicorns and Clues and went on to make heartfelt, enigmatic, and questioning music in a project called Hidden Words. On Feb. 11, he quietly released a lovely new album under his own name; it’s called Exegesis and has prompted him to play at the Silver Dollar in Toronto for the Wavelength festival on Thursday Feb. 13, Montreal’s Le Cagibi on Friday Feb. 14, and the Le Pantoum in Quebec City on Feb. 15. Here, Alden and I discuss my issue understanding release dates, the fact that Exegesis is a personal compilation of sorts with at least one song that was partially conceived by Nick Thorburn when the two were in high school, the self-reflexive nature of putting this record together, Penner’s evolution as a songwriter and the distinction between his simpler and more intricate work, his earliest days learning how to play music in his teens and the impact “I Love Rock ‘n’ Roll” had on him and his guitar playing, jamming with his geography teacher, meeting and collaborating with Thorburn for the first time, the influence that Jimi Hendrix, Reverend Gary Davis, Elizabeth Cotten, and Fugazi had on his guitar playing, interesting guitar teachers and Syd Barrett, playing every instrument on a record yourself, the importance of band chemistry and the Avengers, the multiple meanings of the album’s title, which came to Penner in a dream, how religion has impacted Penner’s ability to find his own voice and feel bolstered by his community, the importance of self-assertion in the face of confrontation, Laura Crapo’s role in producing Penner’s new album, the mysteries of mysticism and psychic surgery, having faith, his upcoming shows, why the Unicorns must reunite to play shows and maybe even reissue Who Will Cut Our Hair When We’re Gone? in 2014, the song “We Seek,” and more.

Related links: facebook.com/aldenpennermusic vishkhanna.com

alden penner

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Ep. #61: Tony Dekker

Tony Dekker is the well-respected singer, songwriter, and founder of the celebrated Canadian band Great Lake Swimmers. This past fall, Dekker released Prayer of the Woods, his first solo album, and on Feb. 7 he plays the Hillside Inside festival in Guelph, ON. Here, Tony and I discuss why he released a record under his own name, our awesome ringtones, being sideswiped, touring a lot, why he started playing music, his early interest in Dischord Records, Minor Threat, and Fugazi, DIY community building, caring for the natural world and becoming more outspoken as an artist, recording and playing in unusual spaces and tapping into them, coffee and agave nectar, the Woody Guthrie Center, the BP oil spill, the Lake Ontario Waterkeepers, the Great Bear region and the Northern Gateway Pipeline controversy, hiking the Bruce Trail, the “Prayer of the Woods” poem, new Great Lake Swimmers music, the song “Somewhere Near Thunder Bay,” and more.

Related links: greatlakeswimmers.com hillsidefestival.ca vishkhanna.com

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Ep. #24: Steve Albini

Steve Albini is a man who lives in Chicago, Illinois and owns and operates the really remarkable Electrical Audio Recording facility. He is the guitar player and primary singer in the band Shellac and he makes a mean cup of fluffy coffee. The 1993 album In Utero by the Washington-State-based band Nirvana is among the thousands of records that Albini has engineered over the course of his time doing that sort of thing and earlier this summer he gave the songs from those sessions fresh mixes for the 20th anniversary edition of In Utero, which is due out in North America on September 24. In our past midnight conversation, Steve discussed his interesting history with Kurt Cobain, his abandoned work with Fugazi, the stories behind making In Utero, why the new edition of the record was mastered to sound the best it possibly can, the highs and lows of the relatively recent rash of remastered reissues that record buyers face each and every day, the mostly good but surprisingly sad and surreal professional aftermath of making In Utero, how it might have changed his life, how the new Shellac LP’s test pressings are on route to the band and artwork is close to finalized (also the new Bottomless Pit record is done!), and why he doesn’t care about Breaking Bad but can tolerate The Newsroom.

Related links: nirvana.com electricalaudio.com vishkhanna.com

NirvanaAlbini1993

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