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Ep. #95: São Paulo Underground

São Paulo Underground is a cultural and stylistic collision between electronica, tropicalia, avant garde jazz, and punk, featuring Chicago Underground Duo’s Rob Mazurek on cornet, harmonium and various effects, and São Paulo’s Guilherme Granado on keyboards, synths, sampler and vocals, and Mauricio Takara on percussion, cavaquinho and electronics. All three men were in town last September for the 2013 Guelph Jazz Festival and we had a chat at a restaurant in Guelph called Ox, where we pondered their latest and fourth album, Beija Flors Velho E Sujo. Wavelength Toronto presents Chicago Underground Duo at the Garrison on Thursday May 1 so it seemed like the right time to dig into the interview archives and present this spirited conversation in which São Paulo Underground and I discuss vocal harmonies on “G-Ball’s Fantasia,” why the band keeps returning to Guelph for the Guelph Jazz Festival, G-Ball’s cheeseburger odyssey and Canadian generosity, their new band and the ol’ dirty hummingbird, Ol’ Dirty Bastard, Sun Ra, and The Wizard of Oz, making an album with Greg “the Shark” Norman at Electrical Audio in Chicago, why SPU get along so well and the wisdom of Pharoah Sanders, G-Ball’s birthday, the band’s 10th anniversary, how São Paulo Underground came together and its connection to the Chicago Underground Duo, the experimental and punk music scenes in São Paulo, the tremendous impact Fugazi had on musicians in Brazil after they played a show there, Mauricio’s collaborations with Fugazi’s Joe Lally and Sonic Youth’s Lee Ranaldo, Kenny from Wellington Brewery offers SPU an SPA, the story of Rob Mazurek, where the Exploding Star Orchestra came from, learning from elder musicians, why Chicago’s music history is out of hand and how the culture there impacted Rob’s wild aesthetic, Chicago bands like Tortoise, Sea and Cake, U.S. Maple, the For Carnation, Gastr del Sol, and the Smashing Pumpkins, bringing the ruckus, Rob’s involvement within numerous musical styles, how punk and jazz make sense together and galvanize people, punk rock free samba yoga, what’s coming up next for São Paulo Underground and Chicago Underground Duo and Rob’s love life, mental preparation before working with legends, beautiful vocal harmonies, the song “Ol’ Dirty Hummingbird” and a nice fade out.

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Related links: cuneiformrecords.com/bandshtml/saopaulo.html vishkhanna.com

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Ep. #89: The Jesus Lizard Week with David Yow

It’s a very special week on this show because I’m dedicating four episodes to interviews with every founding member of one of the world’s greatest rock and roll bands, the Jesus Lizard. David Yow, Mac McNeilly, Duane Denison and David Wm. Sims each ended up in Chicago at some point in the late 1980s and then they went and changed things. They were a dangerous, precise, profane, and devastatingly great band for 10 years, making amazing records and playing great shows from 1989 to 1999 and then they came back to play some more shows in 2009. This past March, a Brooklyn-based publishing house called Akashic released BOOK, a gorgeous coffee-table photo book that captures the life and times of the Jesus Lizard via thoughtful essays and reflections about a truly significant past. Beginning in February, I tracked down each member of the Jesus Lizard and we talked about BOOK. It took a while to get everyone pinned down but we did it and, for whatever reason, here am I at episode #89 of this show I make in Canada and I’m dedicating a week to the Jesus Lizard, who played their first show on July 1, 1989, Canada Day, at a Chicago restaurant called Bangkok Bangkok opening for Slint and King Kong. Here David Yow, who was on this show 80 episodes ago, and I discuss where the idea for BOOK came from, why there was a desire to make it themselves, who they wanted to get to contribute to this story, his hang-ups about some aspects of how the band was represented and promoted historically and why he insisted on designing BOOK, Henry Owings of Chunklet and his role in making this project come to life, the Polaroids that document various eras of the band and people who are gone, David’s nipples, buttcheeks, and penis and how his stage presence wasn’t sexual, why David was drawn to ‘danger’ as a performer, the book’s interweaving chronology and unique structure, why Yow’s participation as a voice in BOOK is relatively slight, how the Jesus Lizard might present themselves as a ‘musician’s band,’ why more dudes than ladies gravitated towards the band, how funny Duane Denison is, David Wm. Sims’ prickly relationship with the Jesus Lizard’s long-standing recording engineer Steve Albini and what Yow thinks of the albums they made together, Yow’s drunken shenanigans in the studio and Albini’s unique mic-ing techniques, why Down was the band’s worst album, whether or not BOOK marks the final chapter for the Jesus Lizard, casting Catherine Zeta-Jones in the biopic about the band, Yow’s desire or lack thereof to be in any bands these days, how close the Jesus Lizard came to writing new songs together when they ‘re-enacted’ in 2009, David’s plans as an actor making movies, David’s new cat pun book Copycat: And a Litter of Other Cats, my cat Gary and the body issues the world has imposed upon him, and that’s all.

Related links: akashicbooks.com/catalog/the-jesus-lizard-book/ vishkhanna.com

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Ep. #63: Pat Sansone + John Stirratt of The Autumn Defense + Wilco

Pat Sansone and John Stirratt play together in the bands Wilco and the Autumn Defense. The pair met in New Orleans and began working together in 1999, when the Autumn Defense was formed. Sansone eventually joined Wilco in 2004 and that band has kept both men incredibly busy. Still they find time for the Autumn Defense and on Jan. 28, 2014, Yep Roc releases the band’s new album Fifth. Back in July 2013, Sansone and Stirratt met with me at Toronto’s Molson Amphitheatre, where Wilco was playing a date on the Americanarama tour featuring Bob Dylan, My Morning Jacket and, that night, the amazing Richard Thompson. Hours before the show began, we discussed breakfast at Amphitheatres, the impact of Wilco’s busy schedule on the Autumn Defense’s productivity, the social element of this band and its evolving sound, some recurring themes on Fifth such as the harsh living conditions in the “extreme city of Chicago,” a horrible story of a drive-by shooting near the studio the band was working in on a frigid January morning, the U.S. gun problem, how the Autumn Defense began and how Pat ended up joining and even influencing Wilco, how Wilco influences the Autumn Defense, an album highlight, some behind the scenes scoop about the Americanarama tour, and more. You can also hear the song “None of This Will Matter” at the end of the interview.

Related links: autumndefense.tumblr.com yeproc.com vishkhanna.com

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